Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "牧場の牛娘さん"
Generate New ArtworkGenerate for FreeGenerate for Free

牧場の牛娘さん

牛柄のビキニと首元のベルがよく似合う、可愛い牛娘のイラストです。彼女ののびのびとした姿を見ていると、私もなんだか癒やされて温かい気持ちになります。気に入っていただけたら、いいねとフォローをお願いします！コメントで感想も聞かせてくださいね。

真

真実丸九

More to See

Comments

A full body shot from a front view depicts a beautiful young elf girl standing inside a slightly weathered, rustic cattle shed located in a peaceful, empty plain. She has long, straight silver hair and pointed ears, wearing a cow-ear headband and a golden cowbell attached to a collar around her neck. She is dressed in an extremely skimpy cow-print bikini that is tight and digging into her skin, accentuating her very large breasts and wide hips. With her arms folded behind her head and her bare legs spread wide in a squat-like stance, she is captured in the middle of swaying her hips. The interior of the shed is filled with old wooden beams and dusty straw, with the sunlit, animal-free plains visible through the open entrance. The image is an anime illustration with high quality, featuring soft natural lighting and a bright, serene atmosphere.
Show Parameters
Original Prompt
のどかな平原が続く動物が一頭も居ない少し古びた牧場の牛舎の中で、首輪を付けた爆乳デカ尻の銀髪サラサラロングヘアのエルフ美少女がウシミミのカチューシャとカウベル、乳輪や陰毛がはみ出るほど布面積の極めて小さい牛柄ビキニを食い込ませる様に身につけて、腕を頭の後ろで組み、裸足の脚をガニ股に開いて立ちながら腰を振っている
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.05k

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile