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AI art "귀멸의 칼날 - 코쵸우 시노부"
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귀멸의 칼날 - 코쵸우 시노부

귀멸의 칼날에 나오는 코쵸우 시노부를 그려봤어요. 나비처럼 우아하면서도 어딘가 쓸쓸한 그녀의 분위기에 매번 마음이 끌립니다. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 편하게 이야기 나눠요~

#Simple Background#Haori#Hand between legs#Butterfly#Purple eyes#Girl#Demon Slayer: Kimetsu no Yaiba#Shinobu Kocho
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1girl, solo, desperation, crossing legs, thighs pressed together, holding in pee, distressed expression, wide-eyed, blush, trembling, from above, medium shot, looking at viewer, standing on one leg, shifting weight, sweat drop, purple eyes, black hair, butterfly hair ornament, purple-tinted butterfly wing haori, demon slayer uniform, white socks, zori sandals A high-angle view looks down at a girl with black hair tied back by a butterfly clip and wearing a flowing purple-tinted butterfly-wing haori over a dark uniform. She is caught in a state of extreme physical desperation, her legs tightly crossed and thighs pressed firmly together to hold in her bladder. Her weight shifts unevenly, one foot barely touching the ground as she trembles. Her face is flushed with a deep blush, eyes wide and shimmering with panic, and her brows are knitted in distress. She looks directly up at the viewer with a desperate, pleading gaze. The scene is a seamless, neutral off-white studio sweep, making the subject the absolute focus. Bright, clean overhead light casts a soft shadow beneath her zori sandals. The palette is dominated by the stark white of the background and the deep purple of her haori. The fabric of her haori ripples slightly from her shivering movement. Urgent, strained.
Show Parameters
Original Prompt
시노부가 오줌이마려워 보인다.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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