📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

巫女と姫の百合

#Yuri#Kiss#Japanese clothes#Autumn Leaves#Black hair#Multiple Girls
More to See

Comments

((Anime illustration)) ((Incarnate detail)) ((Masterpiece)) ((Highest quality)), a shrine maiden holding a woman's severed head and kissing it. The shrine maiden has a cold, cool beauty atmosphere and is around 25 years old. Long silver hair. An entranced expression. The severed head being kissed by the shrine maiden has its eyes closed. The woman's severed head is around 18 years old, with long, beautiful black hair and a noble atmosphere. The scene is an autumn night. Aesthetic and melancholic autumn Japanese style, faint backlight through shoji screens, scattering maple and ginkgo leaves, faded silk kimono, texture of old washi paper and lacquer, dull madder red and deep indigo, dried leaf colored palette, downcast and listless expression, silence, composition utilizing negative space, delicate shading, soft film grain, high definition, texture like a Japanese painting. anime illustration. great quality, best quality
Show Parameters
Original Prompt
111,((Anime illustration)) ((Incarnate detail)) ((Masterpiece)) ((Highest quality)), 巫女が女の生首を抱いてキスしている。巫女は怜悧なクールビューティな雰囲気で25歳くらい。長い銀髪。うっとりとした表情。巫女にキスされている生首は目を閉じている。生首の女は18歳くらいの、長く美しい黒髪の高貴な雰囲気。場面は秋の夜。耽美的で憂いを帯びた秋の和風、 障子越しの淡い逆光、舞い散る紅葉と銀杏、 褪せた絹の着物、古い和紙と漆の質感、 くすんだ茜色と深い藍、枯れ葉色のカラーパレット、 伏し目がちで物憂げな表情、静寂、余白を活かした構図、 繊細な陰影、柔らかなフィルムグレイン、高精細、日本画のような質感。
Mode
lite
Size
768 x 1280

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬