Murosaki Miyo
Show Parameters
- Original Prompt
- Murosaki Miyo, 1girl, solo, ((character fidelity:1.4)), brown eyes, brown hair, multicolored hair, red hair, low twintails, short twintails, hair ornament, Japanese school uniform, blazer, suspenders skirt, white shirt, long sleeves, neck ribbon, black skirt, dark blue pantyhose, brown loafers, ((white bread held firmly between her lips:1.6)), ((bread sticking out from both sides of her mouth:1.4)), ((mouth holding the bread, not hands:1.5)), both hands completely free, one hand holding her school bag, other hand reaching forward, running out of her house in a hurry, slightly flustered expression running out of her house in a hurry, rushing to school, slightly flustered expression, one hand holding her school bag, other hand reaching forward, dynamic running pose, flowing twintails, Japanese house entrance, open front door, quiet suburban street, morning sunlight, clear blue sky, school morning atmosphere, ((medium full shot:1.3)), ((close camera distance:1.35)), ((slightly low angle:1.4)), ((subject fills most of the frame:1.4)), face clearly visible, natural perspective, background softly blurred, ((Onimai art style:1.4)), anime screencap, clean lineart, detailed eyes, vibrant anime colors, cel shading, natural proportions, masterpiece, best quality, absurdres
- Size
- 768 x 1280
- Sampling Steps
- 37
- Sampling Method
- Euler a
- CFG Scale
- 7.7
- Negative
- (worst quality, low quality, normal quality:1.4), lowres, blurry, pixelated, jpeg artifacts, noise, grain, washed-out colors, oversaturated colors, realistic, photorealistic, semi-realistic, 3d, cgi, western cartoon, chibi, caricature, off-model, wrong character, identity loss, generic anime face, short hair, blonde hair, silver hair, wrong hairstyle, messy bangs, missing hairband, tiny eyes, misaligned eyes, cross-eyed, extra eyes, duplicated pupils, distorted irises, glowing eyes, excessive eye shine, rainbow pupils, chromatic aberration, RGB split, bad face, warped face, asymmetrical face, swollen cheeks, oversized forehead, broken jawline, crooked mouth, distorted lips, bad teeth, exaggerated expression, huge grin, screaming, crying, angry face, psychotic expression, bad anatomy, bad proportions, malformed body, extra limbs, missing limbs, fused limbs, mutated fingers, fused fingers, extra fingers, missing fingers, bad hands, twisted arms, broken wrists, broken spine, dislocated joints, warped chest, unrealistic cleavage, full body, distant shot, long shot, tiny subject, extreme close-up, face crop, fisheye, dutch angle, top-down view, extreme perspective distortion, broken foreshortening, multiple characters, duplicate body, detached hands, cropped fingers, wrong outfit, random accessories, gothic outfit, armor, maid outfit, busy background, distorted background, empty void background, background dominating subject, harsh shadows, horror lighting, heavy contrast, HDR, fake HDR, overprocessed shading, crushed shadows, blown highlights, excessive bloom, glowing edges, glowing skin, plastic skin, metallic reflections, neon lighting, dramatic spotlight, heavy vignette, excessive god rays, fake volumetric lighting, overdone bokeh, excessive depth blur, oversharpening, halo artifacts, watermark, text, logo, signature, UI, HUD, split image, divided panels, segmented background, awkward composition, stiff pose, floating body, disconnected limbs, bamboo muzzle, bamboo gag, bamboo tube, bamboo stick in mouth, green bamboo, muzzle, gag, mouthpiece, ((bamboo muzzle:1.5)), ((bamboo in mouth:1.5)), bread and bamboo together, fused bread and bamboo, merged objects, overlapping objects, hybrid object, bamboo-shaped bread, green bread, deformed baguette, multiple baguettes, multiple bread pieces, extra objects in mouth, object covering the mouth, face out of frame, blurry face, deformed anatomy
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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