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- Original Prompt
- 1人の女の子 公園 水玉模様の服 ピンクのランドセル ピンクの水玉模様の服 指でクパァしている 公園の草むらで木の後ろに隠れて木に向かっておしっこをしている 真下からの視点 おしっこの水溜りができている おしっこから湯気 無修正 まんこ 恥ずかしい顔 ピンクの服 恥ずかしい顔 桜の木 真下からの視点 ,Jirai Kei,cgsce,Sasaki Chie, black hair, black eyes,axe kick,
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
Model & LoRA used
Similar Images
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character: tennoji_rina
rina_original_detail_style, cute_anime_style, キュート, rina_original, kawaii_cute_style, キュート, Super cute anime art style. image1 is the character appearance reference — keep her chestnut-brown hair with short twin tails tied with pink ribbon hairbands, single ahoge, big pink-purple eyes, and pink-white idol outfit exactly. Adorable slow-motion scene gone wrong: she spins gracefully in a dreamy swirl of falling pink cherry-blossom petals under golden warm light, but one petal lands right on her nose and she sneezes mid-twirl — eyes squeezed shut, tiny sneeze puffs blowing petals away, arms flailing mid-spin, one foot tiptoe off balance. Around the set: soft dreamy bokeh of a flower arch, a director leaning toward the playback monitor with a startled jump, a crew member frozen mid petal-scatter with a basket. Dreamy golden-hour backlighting turned into comedy, medium shot capturing the spin at its peak.
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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