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天使の翼を広げて・白と黒のコントラスト
天使の翼を持つ彼女の後ろ姿に、思わず見とれてしまいました。白と黒の髪のコントラストがとても美しく、背中のクロスストラップがセクシーで魅力的です。気に入っていただけたら、いいねとフォローをお願いします！コメントもお待ちしています〜
Show Parameters
- Size
- 1280 x 960
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
Face Fix
Model & LoRA used
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白と黒の幻想美・ wings of purity
Sae Yoshida
白黒ツートンの個性派スタイル
Sae Yoshida
モノクロームの天使
Sae Yoshida
そ
Beautiful, high-quality, delicate anime style, refined facial features, large expressive eyes, half-lidded eyes, long eyelashes, soft blush, pale smooth skin, delicate linework, glossy hair, intricate shading, soft elegant rendering, messy sketch lines, visible construction lines, loose hair strokes, scratchy pencil texture, uneven hand-drawn lineart, delicate ink sketch, rough but beautiful linework, dark brown hair. Low saturation. The hairstyle has straight-cut bangs that slightly cover the eyes. The back hair is fluffy, straight, and long, reaching down to the waist. The eyes are slanted and have beautiful golden pupils. The eyelashes are white and long. An ephemeral and beautiful atmosphere. Facial features that retain a sense of childishness.
The body type is slender. The one is expressionless.
full body, directly from behind, full back facing viewer, long hair swept to the side, back exposed, large white feathered wings growing from mid-back below the shoulder blades, entire wings visible, wide wingspan, wing roots in sharp focus, highly detailed crisp feathers, individual feather strands visible, floating feathers drifting in the air, white spiky star halo floating above head, loose white robe, open back, sunlit lace room, sunlight through lace curtains, soft god rays, holy glow, ethereal divine atmosphere, marble floor, masterpiece, best quality
そると
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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