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希鱗

希鱗

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original, a full body shot from a straight-on angle featuring a chibi-style original girl positioned in the center of a cluttered warehouse. The character has long, straight golden blonde hair, matching golden cat ears, and a long golden cat tail; she is dressed in rugged, oversized work clothes (workwear) and wears a cheerful smile, though her eyes are cast in a slight, dark shadow. She is standing amidst a chaotic scene where numerous paper shopping bags are scattered across the dusty floor around her feet. The setting is a dim industrial warehouse with metallic shelving and concrete textures in the background. The visual style is high-quality anime illustration with a contrast between the bright gold of the character's features and the muted, grimy tones of the warehouse, utilizing soft lighting and a shallow depth of field to keep the focus on the small character.
Show Parameters
Mode
lite
Quality Tag
﹝Prompts﹞
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.70k

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希鱗
original, A full body shot from a front view depicts a chibi original character girl standing in the center of a warehouse. The character has long straight blonde hair, cat ears, and a cat tail, wearing a grey work uniform and a grey cap. She is in a comedic state of rage, with her arms stretched straight up and hands clenched into fists, her eyes rolled back (white eyes) and slanted, and her mouth wide open in a loud shout. An anger symbol floats near her head. To her side, a white speech bubble displays "100万" circled in red, and another white speech bubble on the opposite side shows "20万" with a red X mark over it. The background is a warehouse interior with industrial shelving and concrete floors. The scene is an anime illustration with bright lighting and a humorous, exaggerated atmosphere.
希鱗

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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