Notice: PixAI iOS App Temporarily Unavailable on the App Store โ Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively wโฆ
View details
justin
Show Parameters
- Original Prompt
- mona (genshin impact), lumine (genshin impact), splitscreen mona putting on her skirt black and green thighhighs and pleated frilled miniskirts ,,,,alluring pose,changing cabin,seductive smile, standing,, dirty and old locker room, ,mona wears a black and green sports bra with satin and lumine wears white and golden sports bra and gold and white pleated miniskirt and just makes herself a ponytail,from infront, we see lumine from infront kneehigh socks,close-up of lumine, lumine smiles at viewer,,lumine has her knees up,from above,
- Mode
- flash
- Size
- 1824 x 1104
Prompt Helper
Model & LoRA used
Similar Images
Show more
t0
character: takarada_rikka, lumine_(genshin_impact), copyright: genshin_impact
splitscreen, 2girls, two panels side by side, vertical split down the center, takarada rikka, long black Hair, blue eyes, arms up, hands gathering hair, making a ponytail, hair tie in her teeth, blue and gold sports bra, blue and gold pleated miniskirt, blue thighhighs, blue sneakers, standing, leaning back, hip cocked, alluring pose, seductive smile, half-closed eyes, looking at viewer, from above, high angle, lumine \(genshin impact\), blonde hair, short hair with long locks, hair flower ornament, yellow eyes, sitting on wooden bench, knees up, knees drawn to chest, arms up, making a ponytail, white and gold sports bra, white and gold pleated miniskirt, white kneehigh socks, close-up, from side, profile, smiling at viewer, dirty old locker room, changing cabin, wooden benches, dented metal lockers, sweaty heat haze, warm overhead fluorescent light
Two vertical panels divided by a hard black gutter down the exact center of the frame; both halves share one long, narrow changing cabin of a forgotten locker room โ the same row of dented olive metal lockers receding behind both women, the same peeling grey-green paint, the same scuffed plank floor, so the two panels read as one room seen from two angles rather than two rooms. In the left panel the camera hangs high above Takarada Rikka, a from-above view that foreshortens her: her long black hair falls back over her raised forearms as both hands gather it into a high ponytail at the crown, a black scrunchie already circling her fingers, a few loose strands stuck flat to her damp neck. Her blue eyes tilt up into the lens under lowered lids, one corner of her mouth pulled into a slow seductive smile with her tongue barely touching her lower lip. She stands with her weight sunk into her left leg and her right leg crossed lightly in front of it on the toe of a blue sneaker, hips pushed back and chest lifted so the blue-and-gold sports bra stretches across her ribs; the matching pleated blue miniskirt flares where her hip juts, and the blue thighhighs sit tight from mid-thigh down, the elastic band pressing a shallow line into her skin. The overhead fluorescent tube is the only light source in her panel: it drops straight down onto the tops of her shoulders and the crown of her head and leaves the underside of her jaw, the inside of her raised arms and the deep seams of the lockers in shadow, and her cast shadow pools directly beneath her sneakers, small and hard-edged.
In the right panel the shot is a close-up of Lumine from the side, in profile, so we see the curve of her cheek, the sweep of her sidelocks and the hair between her eyes, and the yellow flower ornament pinned at the side of her head as her hands work a ponytail high on her skull. She sits on a scarred wooden bench with her knees drawn up in front of her, both white kneehigh socks meeting at the ankles, her heels hooked on the bench's front edge, the gold-and-white pleated miniskirt riding up over the tops of her thighs while the white-and-gold sports bra pulls taut across her chest with her elbows lifted. She turns her face just enough off profile to fire a bright, open smile straight into the viewer, yellow eyes crinkled at the corners. A grimy window high on her side of the wall feeds a cooler, dustier light across her cheekbone and the outer edge of her arm, catching every fine pale hair on her forearms and gilding her blonde locks while leaving her back and the wall behind her in brown murk.
Both panels keep the same palette discipline: deep cobalt and metallic gold in the left half, bone white and soft gold in the right, everything else dropped to sepia concrete, olive steel and sweat-dark wood, with no colour admitted that isn't one of those. The old room sweats โ a fog of humidity softens the far lockers, a damp patch spreads on the bench slats under Lumine's hip, and a single bead of sweat runs down Rikka's neck into her collar and stops at the band of her sports bra. Alluring, close and warm.
thorstenderborsten#0
t0
character: takarada_rikka, lumine_(genshin_impact), copyright: genshin_impact
splitscreen, 2girls, two panels side by side, vertical split down the center, takarada rikka, long black Hair, blue eyes, arms up, hands gathering hair, making a ponytail, hair tie in her teeth, blue and gold sports bra, blue and gold pleated miniskirt, blue thighhighs, blue sneakers, standing, leaning back, hip cocked, alluring pose, seductive smile, half-closed eyes, looking at viewer, from above, high angle, lumine \(genshin impact\), blonde hair, short hair with long locks, hair flower ornament, yellow eyes, sitting on wooden bench, knees up, knees drawn to chest, arms up, making a ponytail, white and gold sports bra, white and gold pleated miniskirt, white kneehigh socks, close-up, from side, profile, smiling at viewer, dirty old locker room, changing cabin, wooden benches, dented metal lockers, sweaty heat haze, warm overhead fluorescent light
Two vertical panels divided by a hard black gutter down the exact center of the frame; both halves share one long, narrow changing cabin of a forgotten locker room โ the same row of dented olive metal lockers receding behind both women, the same peeling grey-green paint, the same scuffed plank floor, so the two panels read as one room seen from two angles rather than two rooms. In the left panel the camera hangs high above Takarada Rikka, a from-above view that foreshortens her: her long black hair falls back over her raised forearms as both hands gather it into a high ponytail at the crown, a black scrunchie already circling her fingers, a few loose strands stuck flat to her damp neck. Her blue eyes tilt up into the lens under lowered lids, one corner of her mouth pulled into a slow seductive smile with her tongue barely touching her lower lip. She stands with her weight sunk into her left leg and her right leg crossed lightly in front of it on the toe of a blue sneaker, hips pushed back and chest lifted so the blue-and-gold sports bra stretches across her ribs; the matching pleated blue miniskirt flares where her hip juts, and the blue thighhighs sit tight from mid-thigh down, the elastic band pressing a shallow line into her skin. The overhead fluorescent tube is the only light source in her panel: it drops straight down onto the tops of her shoulders and the crown of her head and leaves the underside of her jaw, the inside of her raised arms and the deep seams of the lockers in shadow, and her cast shadow pools directly beneath her sneakers, small and hard-edged.
In the right panel the shot is a close-up of Lumine from the side, in profile, so we see the curve of her cheek, the sweep of her sidelocks and the hair between her eyes, and the yellow flower ornament pinned at the side of her head as her hands work a ponytail high on her skull. She sits on a scarred wooden bench with her knees drawn up in front of her, both white kneehigh socks meeting at the ankles, her heels hooked on the bench's front edge, the gold-and-white pleated miniskirt riding up over the tops of her thighs while the white-and-gold sports bra pulls taut across her chest with her elbows lifted. She turns her face just enough off profile to fire a bright, open smile straight into the viewer, yellow eyes crinkled at the corners. A grimy window high on her side of the wall feeds a cooler, dustier light across her cheekbone and the outer edge of her arm, catching every fine pale hair on her forearms and gilding her blonde locks while leaving her back and the wall behind her in brown murk.
Both panels keep the same palette discipline: deep cobalt and metallic gold in the left half, bone white and soft gold in the right, everything else dropped to sepia concrete, olive steel and sweat-dark wood, with no colour admitted that isn't one of those. The old room sweats โ a fog of humidity softens the far lockers, a damp patch spreads on the bench slats under Lumine's hip, and a single bead of sweat runs down Rikka's neck into her collar and stops at the band of her sports bra. Alluring, close and warm.
thorstenderborsten#0
t0
character: takarada_rikka, lumine_(genshin_impact), copyright: genshin_impact
splitscreen, 2girls, two panels side by side, vertical split down the center, takarada rikka, long black Hair, blue eyes, arms up, hands gathering hair, making a ponytail, hair tie in her teeth, blue and gold sports bra, blue and gold pleated miniskirt, blue thighhighs, blue sneakers, standing, leaning back, hip cocked, alluring pose, seductive smile, half-closed eyes, looking at viewer, from above, high angle, lumine \(genshin impact\), blonde hair, short hair with long locks, hair flower ornament, yellow eyes, sitting on wooden bench, knees up, knees drawn to chest, arms up, making a ponytail, white and gold sports bra, white and gold pleated miniskirt, white kneehigh socks, close-up, from side, profile, smiling at viewer, dirty old locker room, changing cabin, wooden benches, dented metal lockers, sweaty heat haze, warm overhead fluorescent light
Two vertical panels divided by a hard black gutter down the exact center of the frame; both halves share one long, narrow changing cabin of a forgotten locker room โ the same row of dented olive metal lockers receding behind both women, the same peeling grey-green paint, the same scuffed plank floor, so the two panels read as one room seen from two angles rather than two rooms. In the left panel the camera hangs high above Takarada Rikka, a from-above view that foreshortens her: her long black hair falls back over her raised forearms as both hands gather it into a high ponytail at the crown, a black scrunchie already circling her fingers, a few loose strands stuck flat to her damp neck. Her blue eyes tilt up into the lens under lowered lids, one corner of her mouth pulled into a slow seductive smile with her tongue barely touching her lower lip. She stands with her weight sunk into her left leg and her right leg crossed lightly in front of it on the toe of a blue sneaker, hips pushed back and chest lifted so the blue-and-gold sports bra stretches across her ribs; the matching pleated blue miniskirt flares where her hip juts, and the blue thighhighs sit tight from mid-thigh down, the elastic band pressing a shallow line into her skin. The overhead fluorescent tube is the only light source in her panel: it drops straight down onto the tops of her shoulders and the crown of her head and leaves the underside of her jaw, the inside of her raised arms and the deep seams of the lockers in shadow, and her cast shadow pools directly beneath her sneakers, small and hard-edged.
In the right panel the shot is a close-up of Lumine from the side, in profile, so we see the curve of her cheek, the sweep of her sidelocks and the hair between her eyes, and the yellow flower ornament pinned at the side of her head as her hands work a ponytail high on her skull. She sits on a scarred wooden bench with her knees drawn up in front of her, both white kneehigh socks meeting at the ankles, her heels hooked on the bench's front edge, the gold-and-white pleated miniskirt riding up over the tops of her thighs while the white-and-gold sports bra pulls taut across her chest with her elbows lifted. She turns her face just enough off profile to fire a bright, open smile straight into the viewer, yellow eyes crinkled at the corners. A grimy window high on her side of the wall feeds a cooler, dustier light across her cheekbone and the outer edge of her arm, catching every fine pale hair on her forearms and gilding her blonde locks while leaving her back and the wall behind her in brown murk.
Both panels keep the same palette discipline: deep cobalt and metallic gold in the left half, bone white and soft gold in the right, everything else dropped to sepia concrete, olive steel and sweat-dark wood, with no colour admitted that isn't one of those. The old room sweats โ a fog of humidity softens the far lockers, a damp patch spreads on the bench slats under Lumine's hip, and a single bead of sweat runs down Rikka's neck into her collar and stops at the band of her sports bra. Alluring, close and warm.
thorstenderborsten#0
t0
character: takarada_rikka, lumine_(genshin_impact), copyright: genshin_impact
splitscreen, 2girls, two panels side by side, vertical split down the center, takarada rikka, long black Hair, blue eyes, arms up, hands gathering hair, making a ponytail, hair tie in her teeth, blue and gold sports bra, blue and gold pleated miniskirt, blue thighhighs, blue sneakers, standing, leaning back, hip cocked, alluring pose, seductive smile, half-closed eyes, looking at viewer, from above, high angle, lumine \(genshin impact\), blonde hair, short hair with long locks, hair flower ornament, yellow eyes, sitting on wooden bench, knees up, knees drawn to chest, arms up, making a ponytail, white and gold sports bra, white and gold pleated miniskirt, white kneehigh socks, close-up, from side, profile, smiling at viewer, dirty old locker room, changing cabin, wooden benches, dented metal lockers, sweaty heat haze, warm overhead fluorescent light
Two vertical panels divided by a hard black gutter down the exact center of the frame; both halves share one long, narrow changing cabin of a forgotten locker room โ the same row of dented olive metal lockers receding behind both women, the same peeling grey-green paint, the same scuffed plank floor, so the two panels read as one room seen from two angles rather than two rooms. In the left panel the camera hangs high above Takarada Rikka, a from-above view that foreshortens her: her long black hair falls back over her raised forearms as both hands gather it into a high ponytail at the crown, a black scrunchie already circling her fingers, a few loose strands stuck flat to her damp neck. Her blue eyes tilt up into the lens under lowered lids, one corner of her mouth pulled into a slow seductive smile with her tongue barely touching her lower lip. She stands with her weight sunk into her left leg and her right leg crossed lightly in front of it on the toe of a blue sneaker, hips pushed back and chest lifted so the blue-and-gold sports bra stretches across her ribs; the matching pleated blue miniskirt flares where her hip juts, and the blue thighhighs sit tight from mid-thigh down, the elastic band pressing a shallow line into her skin. The overhead fluorescent tube is the only light source in her panel: it drops straight down onto the tops of her shoulders and the crown of her head and leaves the underside of her jaw, the inside of her raised arms and the deep seams of the lockers in shadow, and her cast shadow pools directly beneath her sneakers, small and hard-edged.
In the right panel the shot is a close-up of Lumine from the side, in profile, so we see the curve of her cheek, the sweep of her sidelocks and the hair between her eyes, and the yellow flower ornament pinned at the side of her head as her hands work a ponytail high on her skull. She sits on a scarred wooden bench with her knees drawn up in front of her, both white kneehigh socks meeting at the ankles, her heels hooked on the bench's front edge, the gold-and-white pleated miniskirt riding up over the tops of her thighs while the white-and-gold sports bra pulls taut across her chest with her elbows lifted. She turns her face just enough off profile to fire a bright, open smile straight into the viewer, yellow eyes crinkled at the corners. A grimy window high on her side of the wall feeds a cooler, dustier light across her cheekbone and the outer edge of her arm, catching every fine pale hair on her forearms and gilding her blonde locks while leaving her back and the wall behind her in brown murk.
Both panels keep the same palette discipline: deep cobalt and metallic gold in the left half, bone white and soft gold in the right, everything else dropped to sepia concrete, olive steel and sweat-dark wood, with no colour admitted that isn't one of those. The old room sweats โ a fog of humidity softens the far lockers, a damp patch spreads on the bench slats under Lumine's hip, and a single bead of sweat runs down Rikka's neck into her collar and stops at the band of her sports bra. Alluring, close and warm.
thorstenderborsten#0
Explore more
Recommended Creators
You might like
๐ค๐ด๐ฉธ
(mai)
detective anya and bond (หถ>โฉ<หถ)
^( aricat )^
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
ใชใช
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
โฆ โ โน ๐
(mai)
๐ตSurtur
helanx
โฆ โ ๐ช ๐๏ธ ๐ซง โ โฆ
(mai)
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โ๐ ๐ ๐ซ ๐ โง
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
4
๐ฉต๐ชฝ.โ๐๐
็้ญ2(Raw Fish 2)
35
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
The Enchantress of the Violet Blossomsใผใทใฃใณใใผ
moon221B
๐๏ธโ๐จ๏ธ๐ฆ๐๏ธ๐ฏ๏ธ
(mai)
Halloween
็้ญ2(Raw Fish 2)
Comments