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Elegant in Black Kimono
I am absolutely captivated by the serene beauty of this character, whose quiet grace in a traditional kimono feels so comforting and timeless. There is a gentle strength in her closed eyes that I find incredibly moving, and I hope this piece brings you the same peace it brings me. Please leave a like if you enjoy it, follow for more art, and let me know your thoughts in the comments!
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private â only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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g
(masterpiece, best quality 1.2), ultra-detailed, intricate design patterns, extremely unique appearance, zoomed in, up close, tight upper-body framing, dark magic scholar aesthetic, a dimensional weaver standing in a space of woven dimensions, 1girl, solo, adult woman, striking appearance, the weaver's body a living loom of reality, the skin pale-indigo and covered in threads of light â dimensional-strings that run across her body in warp-and-weft patterns, the strings forming intricate design patterns of woven-space across her chest and arms, the strings visible as thin lines of white-violet light that cross and intersect, the intersections glowing brighter, the patterns denser at the hands where the dimensional-strings converge and emerge from the fingertips, the hands weaving â the fingers manipulating invisible threads of reality, the threads catching light and becoming visible as violet-white lines, the chest covered by a tunic of dark indigo fabric that is itself woven from dimensional-threads, the fabric's surface showing the woven-structure â the warp and weft visible as patterns of light and dark, the tunic clinging to her figure, the tunic's surface embroidered with silver-dimensional-sigils forming intricate design patterns of topology-diagrams and spatial-folding-symbols, the tunic open at the sides â the dimensional-strings on her skin visible through the openings, the arms bare â the forearms showing the full density of dimensional-threads, the forearms wrapped in spools of dimensional-thread â the thread winding around the arms in intricate design patterns, the spools feeding thread to the fingertips, the hair dark-indigo and long â the hair's strands themselves dimensional-threads, the hair floating and weaving itself into complex patterns, the strands occasionally splitting and merging â the hair weaving its own fabric, the eyes violet â bright violet with threads of white light crossing the irises like dimensional-fold-lines, the gaze focused and precise, the expression concentrating, the lips faintly smiling, the space of woven dimensions â the environment a vast space where reality is being woven, the dimensional-threads visible everywhere â a vast loom of space, the threads extending in every direction, some taut, some slack, some fraying, the threads forming a three-dimensional fabric of space, the floor a section of finished reality â smooth and stable, the edges of the floor showing the raw weave â the threads visible at the boundary, the atmosphere constructive and vast â the sound of a loom, the click of threads tensioning, the lighting violet-white â the dimensional-threads emitting the primary light, the intersections providing the brightest points, the light casting netted shadows â the shadows forming grid-patterns, the light cold and precise and structural, high contrast between the pale-indigo skin and the violet-white threads, dark magic scholar aesthetic, cel-shaded with dimensional-weave detail, 8K, cinematic composition
Grammy
g
(masterpiece, best quality 1.2), ultra-detailed, intricate design patterns, extremely unique appearance, zoomed in, up close, tight upper-body framing, dark magic scholar aesthetic, a dimensional weaver standing in a space of woven dimensions, 1girl, solo, adult woman, striking appearance, the weaver's body a living loom of reality, the skin pale-indigo and covered in threads of light â dimensional-strings that run across her body in warp-and-weft patterns, the strings forming intricate design patterns of woven-space across her chest and arms, the strings visible as thin lines of white-violet light that cross and intersect, the intersections glowing brighter, the patterns denser at the hands where the dimensional-strings converge and emerge from the fingertips, the hands weaving â the fingers manipulating invisible threads of reality, the threads catching light and becoming visible as violet-white lines, the chest covered by a tunic of dark indigo fabric that is itself woven from dimensional-threads, the fabric's surface showing the woven-structure â the warp and weft visible as patterns of light and dark, the tunic clinging to her figure, the tunic's surface embroidered with silver-dimensional-sigils forming intricate design patterns of topology-diagrams and spatial-folding-symbols, the tunic open at the sides â the dimensional-strings on her skin visible through the openings, the arms bare â the forearms showing the full density of dimensional-threads, the forearms wrapped in spools of dimensional-thread â the thread winding around the arms in intricate design patterns, the spools feeding thread to the fingertips, the hair dark-indigo and long â the hair's strands themselves dimensional-threads, the hair floating and weaving itself into complex patterns, the strands occasionally splitting and merging â the hair weaving its own fabric, the eyes violet â bright violet with threads of white light crossing the irises like dimensional-fold-lines, the gaze focused and precise, the expression concentrating, the lips faintly smiling, the space of woven dimensions â the environment a vast space where reality is being woven, the dimensional-threads visible everywhere â a vast loom of space, the threads extending in every direction, some taut, some slack, some fraying, the threads forming a three-dimensional fabric of space, the floor a section of finished reality â smooth and stable, the edges of the floor showing the raw weave â the threads visible at the boundary, the atmosphere constructive and vast â the sound of a loom, the click of threads tensioning, the lighting violet-white â the dimensional-threads emitting the primary light, the intersections providing the brightest points, the light casting netted shadows â the shadows forming grid-patterns, the light cold and precise and structural, high contrast between the pale-indigo skin and the violet-white threads, dark magic scholar aesthetic, cel-shaded with dimensional-weave detail, 8K, cinematic composition
Grammy
g
(masterpiece best quality 1.2) ultra-detailed deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1girl solo female Goddess of Sleep a being that does not exist in waking space the goddess is visible only as a silhouette made of the substance of dreams themselves â not solid not gaseous but the specific matter that occupies the space behind closed eyelids the place where colours go when they have no light to be seen in her body is composed of blue â deep midnight blue the colour of three AM the colour of the sky after midnight but before dawn the colour of the deepest part of sleep where the body forgets it has a body her silhouette is feminine and flowing and VAST â she does not have edges she has BORDERS the way sleep has borders the way consciousness dissolves at the edges when you fall asleep her body is not a shape it is a TRANSITION the transition between awake and not-awake rendered as a woman her form is enormous â not physically but EXPERIENTIALLY standing in her presence feels like the moment before sleep takes you the heavy warm vertiginous pull of unconsciousness arriving as a physical presence her body drifts â she does not walk she SETTLES the way dust settles the way snow settles the way consciousness settles when it gives up her form has volume but not mass she is present but she does not displace the air the air passes through her and the air gets heavier and the heaviness is drowsiness and the drowsiness is her breath she BREATHES sleep she exhales unconsciousness her exhalation is the specific warm heaviness behind the eyes that signals the onset of deep rest her body is draped in what appears to be fabric but is actually stillness â woven stillness the way that calm water is woven stillness her garments ripple without wind the ripples are the movement of silence through fabric that is not fabric her face is the most devastating feature her face is BEAUTIFUL in the way that the last image before sleep is beautiful â blurred and warm and soft and indistinct the way everything looks when your eyes are closing the soft-focus of failing consciousness her features are not sharp her features are the memory of features the suggestion of a face seen through closed lids her eyes are closed her eyes will never open her eyes have been closed since the first creature fell asleep her closed eyes are her perfection her closed eyes are the most peaceful thing in existence the lids are deep blue slightly darker than the rest of her body the lashes are black and long and they rest against her cheekbones like curtains drawn against morning her mouth is closed her lips are black â the deep black of the inside of a dream the black of the space behind the eyes the black that you see when you close your eyes and TRY to see she has hair â black and vast and it does not hang it FLOATS her hair exists in the slow-motion medium of her presence her hair drifts in every direction at once the way that dreams move â associative and directionless and following logic that has no logic her hair has stars in it â not real stars but the white pinpoints that you see when you press your palms against your closed eyes the phosphenes the light-that-is-not-light the sparks the neural confetti of a brain entertaining itself her hair is filled with these white phosphene-sparks and they drift through the black strands like plankton in deep water her hands are OPEN â palms up fingers spread the gesture of a goddess who has nothing to grasp because sleep does not grasp sleep RECEIVES sleep receives consciousness the way a pillow receives a head her hands are the colour of her face â deep soft midnight-blue her fingers are long and the fingertips dissolve into blue mist the mist is her reach the mist is where her body ends and sleep begins the mist is the boundary the boundary is permeable everything that touches the mist falls asleep the mist is the most powerful substance in her composition and it drifts from her fingertips in slow spirals that descend to the ground and POOL the way that cold air pools in valleys the mist collects in depressions the mist fills low places first the mist is heavy and blue and warm and the warmth is wrong because warmth should not make you sleepy but her warmth does her warmth is the specific warmth of being tucked in the warmth of a body that has given up its own temperature to merge with the bed her body is surrounded by a halo â not of light but of ABSENCE the halo is the zone where wakefulness cannot exist the halo is the radius of her jurisdiction within the halo consciousness is optional within the halo volition is suspended within the halo you do not you just ARE and the being is soft and the softness is the goddess and the goddess is the softness body language she does not stand she DESCENDS she is always slowly lowering like a fog rolling in like a curtain falling like the sun going down her posture is the posture of yielding there is no tension in her body there is no resistance her body has the specific quality of a body that has been asleep for so long that it has forgotten how to be awake and the forgetting is her grace environment shown as a bedroom â but not a specific bedroom EVERY bedroom the environment is the platonic ideal of the place where sleep happens the bed is visible the sheets are white the pillows are white the sheets are the goddess's domain the sheets are where she lives the sheets are the altar and the bed is the temple and the temple is the goddess and the goddess is the temple the bedroom is warm and dark and safe and the safety is the trap because sleep is safe and sleep is where you are most vulnerable and the vulnerability is the worship and the worship is falling asleep and falling asleep is giving yourself to her rim light along midnight-blue drifting body catching the slow rippling of her stillness-garments rim light catching black floating hair with white phosphene-sparks drifting through strands rim light catching closed blue eyes â the most peaceful feature in existence rim light catching black lips closed in permanent rest rim light catching blue mist spiraling from dissolving fingertips pooling in valleys rim light catching open receiving hands palms up offering unconsciousness rim light catching white bed-sheets in dark warm bedroom environment shadow sleep shadow with dark warm bedroom environment of white sheets and safe vulnerability chiaroscuro divine lighting with midnight-blue drowsy ambient and white phosphene-spark glow in black hair and deep-blue body-luminance highly detailed 8K cinematic composition detailed Goddess of Sleep dream-substance drifting deity texture
Grim
g
(masterpiece, best quality 1.2), ultra-detailed, intricate design patterns, extremely unique appearance, zoomed in, up close, tight upper-body framing, dark magic scholar aesthetic, a dimensional weaver standing in a space of woven dimensions, 1girl, solo, adult woman, striking appearance, the weaver's body a living loom of reality, the skin pale-indigo and covered in threads of light â dimensional-strings that run across her body in warp-and-weft patterns, the strings forming intricate design patterns of woven-space across her chest and arms, the strings visible as thin lines of white-violet light that cross and intersect, the intersections glowing brighter, the patterns denser at the hands where the dimensional-strings converge and emerge from the fingertips, the hands weaving â the fingers manipulating invisible threads of reality, the threads catching light and becoming visible as violet-white lines, the chest covered by a tunic of dark indigo fabric that is itself woven from dimensional-threads, the fabric's surface showing the woven-structure â the warp and weft visible as patterns of light and dark, the tunic clinging to her figure, the tunic's surface embroidered with silver-dimensional-sigils forming intricate design patterns of topology-diagrams and spatial-folding-symbols, the tunic open at the sides â the dimensional-strings on her skin visible through the openings, the arms bare â the forearms showing the full density of dimensional-threads, the forearms wrapped in spools of dimensional-thread â the thread winding around the arms in intricate design patterns, the spools feeding thread to the fingertips, the hair dark-indigo and long â the hair's strands themselves dimensional-threads, the hair floating and weaving itself into complex patterns, the strands occasionally splitting and merging â the hair weaving its own fabric, the eyes violet â bright violet with threads of white light crossing the irises like dimensional-fold-lines, the gaze focused and precise, the expression concentrating, the lips faintly smiling, the space of woven dimensions â the environment a vast space where reality is being woven, the dimensional-threads visible everywhere â a vast loom of space, the threads extending in every direction, some taut, some slack, some fraying, the threads forming a three-dimensional fabric of space, the floor a section of finished reality â smooth and stable, the edges of the floor showing the raw weave â the threads visible at the boundary, the atmosphere constructive and vast â the sound of a loom, the click of threads tensioning, the lighting violet-white â the dimensional-threads emitting the primary light, the intersections providing the brightest points, the light casting netted shadows â the shadows forming grid-patterns, the light cold and precise and structural, high contrast between the pale-indigo skin and the violet-white threads, dark magic scholar aesthetic, cel-shaded with dimensional-weave detail, 8K, cinematic composition
Grammy
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