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zarab

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zarab

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wearing white gym shirt, dangerously low-rise navy blue bloomer shorts barely covering hips, ultra high-cut thighs fully exposed, a large number of anime girls standing attentively for roll call, forced concentration camp, army, soldiers, girls lining up for morning assembly, girls working, slaves, looking forward with serious expressions, determined expressions. as they are, exposure, Paleolithic appearance, full nude, no clothes, completely naked. they are lined up in a straight line, standing upright with both hands by their sides, preparing for harsh missions. huge breasts, breast augmentation, not wearing a single thread, wearing nothing, idol anime, idol, moe anime, beautiful girls, stark naked, breasts, line, group, organization, group of girls, morning assembly, lining up, long breasts, long breasts, extended breasts, sagging breasts, sagging breasts, ama diver, short stature, low height, soldier girls, army girls, fisherman, pubic hair, underhair, concentration camp, standby posture, feet shoulder-width apart, at-ease posture, barefoot, bare feet, black hair, Auschwitz
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Original Prompt
大勢のアニメの少女たちが点呼のために気を付けて立っている,強制収容所，軍隊，軍人，朝礼で整列する少女達，労働する少女，奴隷， 真面目な表情で前を向いている, 決然とした表情. ありのままの姿,露出，旧石器時代の姿，フルヌード，衣服なし，全裸 .彼女らは一直線に並んでいる, 両手を脇につけたまま直立している, 過酷な任務に備えている.巨乳，豊胸，一糸纏わぬ姿，何も身に着けていない，アイドルアニメ，アイドル，萌えアニメ，美少女，丸裸，おっぱい，行列，グループ，団体，少女の集団，朝礼，整列，長い乳房，長乳，伸びたおっぱい，垂れ乳，垂れたおっぱい，海女，低身長，背が低い，軍人の少女，軍隊の少女，漁師，陰毛，アンダーヘア，収容所，待機姿勢，足を肩幅に開く，休めの姿勢，裸足，素足，黒髪、アウシュビッツ,wearing white gym shirt, dangerously low-rise navy blue bloomer shorts barely covering hips, ultra high-cut thighs fully exposed
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.79k
ローライズハイレグブルマ - AI Model cover image

User LoRA

ローライズハイレグブルマ
19

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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