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- Original Prompt
- D0k1ch1, ru1nc1ty, building, outdoors, scenery, ruins, overgrown, 圖中只有兩名角色，一名改造人男性和人類女性。 一名改造人男性，他身材高大，肌肉強壯，全身有百分之九十以上都是義械，金屬裝甲和巨大的體形，頭部是黑色啞光的金屬結構，眼球是黑色，眼睛是紅色，瞳孔是黑色，他拿著帶有科技感的刀，跟隨少女身後。 一名少女，年約十八歲，她長有黑色長髮，紮着馬尾，她身材嬌小，她穿著黑色緊身防彈衣，胸部和腰部以及關節有深灰色護甲，她手中握著科技感的劍，她小心翼翼地在廢墟前進，她身後的改造人男性是她的拍檔，他們是前來消滅異獸的。
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 7
- Negative
- worst quality, old, early, low quality, fusion, deformation, lowres, signature, username, bad hands, mutated hands, mutated eyes, one more finger, one more hands, mammal, ambiguous form, logo, signature, simple background, bad anatomy, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Face Fix
HiRes
Model & LoRA used
Similar Images
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2 characters, cyborg male and human female, 1boy, tall, muscular, metal armor, black bodysuit, matte black metallic head, black eyes, red eyes, black pupils, holding high-tech sword, following girl, 1girl, 18 years old, black hair, black eyes, ponytail, petite, black tactical vest, dark grey armor on chest, waist and joints, holding high-tech sword, cautiously advancing through ruins, partners, eliminating monsters, standing front and back, guarding left and right, ru1nc1ty, building, outdoors, scenery, ruins, overgrown, D0k1ch1
Minh
2 characters, 1boy, 1girl, cyborg male, tall, muscular, mechanical body, metal armor, black skintight suit, matte black metal head, black eyeballs, red eyes, black pupils, holding sci-fi sword, following behind, 1girl, 18 years old, black long hair, ponytail, petite, black tight bodysuit, dark gray armor on chest waist and joints, holding sci-fi sword, cautiously advancing through ruins, cyberpunk, ru1nc1ty, building, outdoors, scenery, ruins, overgrown, D0k1ch1
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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