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AI art "Joseon Musician" featuring #Playing Instrument
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Joseon Musician

#Playing Instrument
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Dermot

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A full body shot at eye level depicts a striking woman in her 20s appearing three times side-by-side, separated by two tall, oval bronze mirror frames. The woman has pale ivory skin, deep brown monolid eyes, a beauty mark below her left eye, and long blue-black hair in a single braid, adorned with jade earrings and a jade bangle. On the left, she stands composed, holding a gayageum upright against her shoulder, wearing a closed indigo cotton jeogori and grey cotton chima. In the center, she sits on a silk cushion, plucking the gayageum strings with a knowing smile, wearing an open rose-pink silk jeogori and a deep blue silk chima. On the right, she stands with a sultry expression, holding a painted paper fan, wearing only a crimson silk chima wrapped as a strapless dress. The royal music bureau setting features polished wooden floors, dancheong-painted beams, and glowing paper lanterns. The visual style is a tinted sketch with visible pencil-and-ink linework, crosshatching, and airy washes of green, gold, and crimson, creating a romantic Joseon Korea atmosphere.
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Original Prompt
A full body shot framed head to toe at eye level, wide enough to take in all three figures. The image shows the same woman three times side by side, left to right, each one more daringly dressed than the last, all in one shared scene. She is a young woman in her 20s, a court gayageum player rehearsing for the royal banquet. The image has a romantic Joseon Korea vibe of hanbok jewel tones, dancheong green and red, hanji white and ink black, upswept palace eaves, norigae tassels swinging from silk ribbons, the plucked strings of a gayageum and glowing paper lanterns, and the mood climbs from composed and covered on the left to warmly alluring on the right. The music director wants every note perfect before the king hears it, so the musicians rehearse until the light fails. She is striking, a young woman in her 20s with a slender, graceful build, delicate shoulders, a slim waist, softly rounded hips, long legs and a medium, softly rounded bust, and the poised, dreamy stillness of the finest gayageum player in the royal music bureau, who can make a whole banquet fall silent with a single plucked string. Her skin is a smooth pale ivory with warm peach undertones, backlit by the glowstone lanterns along the rear of the hall, her face is a soft oval with gently rounded cheeks, long-lashed monolid eyes, fine arched brows, a small straight nose and a small full mouth tinted plum-rose, and her eyes are a deep, warm brown. The pads of her fingertips are faintly calloused from the silk strings, and a tiny beauty mark sits just below the outer corner of her left eye. Her very long glossy blue-black hair falls long down her back in a single braid. Small jade drops hang at her ears, a pair of silver twin rings sits on one slender finger, and a pale green jade bangle circles her left wrist. Her makeup is a soft rose blush and a plum-rose lip. The setting is the great rehearsal hall of the royal music bureau on an overcast afternoon, a long polished wooden floor, racks of barrel drums, bronze bells and a tall frame of stone chimes, gayageum and geomungo laid out on silk cushions, dancheong-painted beams and brackets in green and red overhead, a row of paper lanterns lit with enchanted glowstones along the back of the hall, and the grey sky showing through open lattice doors at the far end. The whole scene is fully detailed. Two curved bronze mirror frames, tall polished ovals rimmed in carved bronze, rise from the top of the picture to the bottom, splitting the scene into three panes, one figure in each. The first, on the far left, stands facing the viewer holding her gayageum upright against her shoulder with both hands, her expression composed and attentive, wearing the plain dark indigo cotton jeogori and long grey cotton chima of a bureau musician, closed high at the collar, with white socks and soft cloth shoes. The second, in the centre, sits facing the viewer on a silk cushion with the gayageum laid across her lap, plucking its strings with one hand, a slow, knowing smile on her lips, wearing a rose-pink silk jeogori with its collar sitting open to show a hint of her collarbones and the swell of her bust and a full deep blue silk chima pooling round her. The third, on the far right, stands facing the viewer with a painted paper fan raised beside her face, giving the viewer a warm, sultry look, wearing only a crimson silk chima wrapped high across her bust and tied as a strapless dress that ends at her knees, a jade norigae tassel swinging from its sash, her shoulders, her arms and her calves bare. Artificial light: the glowstone lanterns along the back of the hall backlight all three, a warm gold halo round her blue-black braid and her shoulders, the bronze mirrors catching the glow between them. Dancheong green dominates, with lantern gold and crimson as the accents. Tinted Sketch style: loose, visible pencil-and-ink sketch linework with crosshatching and unfinished construction lines left in, the silk strings of her gayageum and the curling dancheong patterns drawn in fine, quick strokes, minimal flat shading, a restrained tinted palette of dancheong green, lantern gold, crimson and hanji white, and a sketchbook finish with the scene laid in light, airy washes.
Mode
standard
Size
1536 x 864

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.82k

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