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AI art "Do not mess with her" featuring #Multiple Girls and #The Witcher
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Do not mess with her

#Multiple Girls#The Witcher
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Dermot

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A medium full shot from the knees up at a tilted Dutch angle, featuring a silver-witch and a huntress standing amidst an ancient ring of standing stones. The witch, a lean woman in her 30s with pale, windburned skin, high cheekbones, a thin scar on her cheek, and grey-green eyes, looks at the viewer with a fierce, seductive expression. Her long raven-black hair whips in the wind, and she wears a clinging, snow-soaked thin white wool dress that slips off one shoulder, paired with tall boots and a silver-capped wolf's tooth necklace; her makeup consists of smoky black liner and glossy blood-red lips. Beside her, a tall, athletic huntress in her 30s with deep brown skin, amber eyes, and long black braids wears a fur-lined leather coat with the hood thrown back, gripping a longbow while staring up in awe. The witch raises both arms, causing the massive grey standing stones to grind upward and stack into a towering guardian with blazing silver wards across its chest. The scene is set on a snowy hill above black pine woods under a heavy white sky. The lighting is a bright, snowy midday that creates a sharp white rim light around the figures, utilizing a chiaroscuro style with a palette of ward silver, stone grey, snow white, and deep black.
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A medium full shot framed from the knees up, at a tilted Dutch angle. The image shows two characters. The first is a woman in her 30s, a silver-witch waking a guardian of the old stone ring with a huntress. The second is a woman in her 30s, a huntress of the village. The image has a blood-moon lycanthrope vibe of a vast crimson moon hanging over black pine woods, howling packs racing along moonlit ridges, ancient menhirs carved with silver wards, werewolves caught mid-change in the clearings, witch-lit hunting lodges of dark timber, and silver-tipped arrows glinting among the bracken, and the mood is fierce, ancient and openly alluring. Witch: She is ravishing, with a lean, wiry build, narrow hips, long legs and a small, high bust, and the patient, silent stillness of a hunter who has learned to wait for the moon. Her skin is pale and windburned, rimmed by the bright snowy midday, her face is lean and angular with high cheekbones, a thin pale scar across one cheek and a wide mouth that rarely smiles, and her eyes are a grey-green. She is a silver-witch of the blood-moon wilds, one of the old line of hunter-witches who guard the villages at the edge of the black pine woods from the packs that run when the moon turns red, and she knows every ward, every herb and every trick the wolves have ever tried. Her mother was a silver-witch and her grandmother before her, and the scar on her cheek came from the alpha of the Greyfang pack, who is still alive because she let him go. She is quiet, dry, fiercely protective, and secretly fond of more than one of the wolves she is supposed to hunt. She sleeps with a silver knife beside her pillow, brews wolfsbane tea she swears tastes fine, and talks to the ravens that follow her through the woods. The pack is coming for the village tonight; she is waking the old guardian of the stones, and her huntress friend has come to watch. Her expression is fierce and seductive. Her long raven-black hair whips long in the wind. She wears a thin white wool dress soaked with melting snow and clinging to her body, one shoulder slipping loose so it hangs precariously, with tall boots, so her shoulders, her arms, the swell of her breasts and the shape of her body through the clinging wool show. A wolf's tooth capped in silver hangs on a cord at her throat. Her makeup is a smoky black liner and a glossy blood-red lip. Huntress: She is tall and athletic with deep brown skin and a fur-trimmed hood thrown back, her long black hair in tight braids, and her eyes a fierce amber. She wears a fur-lined leather coat and holds a longbow, staring up at the guardian. The setting is the ancient ring of standing stones on a hill above the village on a snowy midday, the stones rising and stacking into a towering guardian, snow churned round their bases, the black pine woods below, and a white sky heavy with more snow. The whole scene is fully detailed. In a tilted view with both three-quarter to the viewer, the witch raises both arms and the standing stones grind up out of the snow and stack themselves into a towering guardian, silver wards blazing across its chest, while the braided huntress holds her longbow staring up at it, her clinging dress slipping off one shoulder, her grey-green eyes on the viewer with a fierce, seductive look. Silver wards blaze across the guardian's chest. Outdoor natural light: the bright snowy midday rims both, a white edge round her bare shoulders and clinging wool, the silver wards and the raven hair. Ward silver dominates, with stone grey and snow white as the accents. Glint & Gloom style: refined, semi-realistic linework with painterly chiaroscuro shading built round one dominant light source that carves strong rim and backlight against deep shadow, her raven hair and pale skin cut sharp against the dark, a palette of ward silver, stone grey, snow white and black, and a soft, painterly digital finish with a detailed, atmospheric background.
Mode
standard
Size
1024 x 1024

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.80k

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