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- Original Prompt
- A medium full shot framed from the knees up, from a low angle, the viewer looking up. The image shows two characters. The first is a female catgirl kemonomimi in her 40s, a hedge-witch binding a raging werewolf in a circle of runes. The second is a man in his 40s, the village blacksmith who turns at every blood moon. The image has a blood-moon lycanthrope vibe of a vast crimson moon hanging over black pine woods, howling packs racing along moonlit ridges, ancient menhirs carved with silver wards, werewolves caught mid-change in the clearings, witch-lit hunting lodges of dark timber, and silver-tipped arrows glinting among the bracken, and the mood is calm, blazing and openly alluring. Witch: She is ravishing, with a petite, lithe build, a narrow waist, slim legs and a small, high bust, and the unhurried, all-knowing poise of a cat who has outlived every dog that ever chased her. Her skin is a fair rosy cream, rimmed by the windy dusk at the window, her face is round and handsome with fine laugh lines, a small pink nose and a wry knowing smile with small fangs, and her eyes are a deep copper. Small folded-forward grey-and-cream Scottish Fold cat ears sit in her hair, and her thick grey tail lashes behind her. She is the hedge-witch of Grimalkin Hollow, a cottage at the edge of the black pine woods where the cat-folk have kept a truce with the wolf packs for three hundred years, and she is the one both sides come to when the blood moon makes someone do something foolish. She heals bites, breaks curses, settles feuds, and tells fortunes in the tea leaves for anyone who brings her good cream. She is shrewd, warm, bone-dry in humour and absolutely unafraid of wolves. She keeps a garden of moonflowers, a dozen half-wild cats and a bottle of very old whisky she shares only with the alphas. The blacksmith from the village turns at every blood moon and comes to her cottage to be bound until it passes; she has done it for him for ten years. Her expression is calm and seductive. Her long silver-grey hair lifts in the draught. She wears a long dark green velvet gown with sheer green gauze panels down both sides from her ribs to her hips, so her shoulders, her arms and her sides through the sheer panels are bare. A little silver bell on a ribbon of red tartan sits at her throat. Her makeup is a smoky grey liner and a glossy deep-plum lip. Blacksmith: He is huge and mid-change with tanned skin sprouting coarse brown fur, his long brown hair wild and his beard thick, and his eyes a glowing gold. He wears torn trousers and kneels in the centre of the circle, chains of light round his wrists, his rage draining from his face. The setting is the main room of her cottage on a windy dusk, the furniture pushed back to the walls, a circle of silver runes blazing on the flagstones, shutters banging in the wind, the crimson moon rising in the window, and cats watching from the beams. The whole scene is fully detailed. Seen from slightly below with both three-quarter to the viewer, the witch raises one hand and the blazing circle of silver runes throws up chains of light that hold the kneeling blacksmith still, his rage draining from his face, her sheer side panels catching the light, her copper eyes on the viewer with a calm, seductive look. Chains of light hold the werewolf still. Window light: the windy dusk at the window rims both, a crimson edge round her ears and velvet gown, the silver runes and the silver-grey hair. Rune silver dominates, with moon crimson and velvet green as the accents. Modern Age Superhero Ink style: clean, variable-weight digital linework with every strand of her silver hair and every fold of her ears crisply defined, high-contrast dynamic cel shading with smooth gradient transitions, a vibrant, saturated palette of rune silver, moon crimson, velvet green and brown, and a polished, glossy modern-comic finish with crisp specular highlights.
- Mode
- standard
- Size
- 1024 x 1024
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