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タコの助

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タコの助

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character: chigiri_hyoma, copyright: blue_lock 1boy, solo, bishounen, slender build, long reddish-pink hair, side braid, hair between eyes, crimson eyes, intense blush, flushed cheeks, bashful, teary-eyed, flustered, embarrassed, trembling mouth, jirai kei, frilled blouse, black ribbon, high collar, puffy sleeves, lace trim, black pleated skirt, miniskirt, tugging skirt, garter belt, garter straps, black thighhighs, zettai ryouiki, pigeon-toed, inward knees, cowboy shot, from above, looking at viewer, indoor lighting Framed from a slightly elevated angle in a cowboy shot, the slender youth stands awkwardly with pigeon-toed, inward-canted knees, hunching his shoulders forward in sheer embarrassment. Both hands nervously bunch and tug down at the hem of an excessively short black pleated miniskirt, straining the dark fabric into taut radiating wrinkles across his thighs. His face is engulfed in a fierce, spreading crimson blush that burns across the bridge of his nose to the tips of his ears; wide crimson eyes brim with bashful moisture as his brows pinch together and his lips tremble in a flustered, mortified line directed upward toward the viewer. His long, vivid reddish-pink hair flows over one shoulder with a slender accent braid, several loose strands falling across his flushed forehead. He is dressed in an ornate jirai-kei ensemble: a dusky pink high-collared blouse edged in delicate black lace ruffles, an oversized black ribbon brooch pinned neatly at the throat, short puffed sleeves, and a high-waisted flared skirt. Beneath the ruffled hem, visible black lace garter belt straps pull taut against bare pale skin, clipping securely onto the tops of sheer black thigh-high stockings. Diffuse warm key lighting falls from the upper front, casting faint scalloped lace shadows onto his exposed thighs and accentuating the silky sheen of his magenta locks against the muted, softly focused interior backdrop. Intensely bashful and mortified.
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Original Prompt
ブルーロックの千切豹馬 ちょっと可愛い地雷系な服を着て、ガーターベルトやミニスカートを履いてて、かなり恥ずかしそう
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flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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character: miyakojima_narika Anime Style,アニメスタイル,well-featured face, beautiful eyes, soft skin, soft breasts, anime style, soft colors, (soft details), (round details:1.5), (youthful appearance), (high resolution), (masterpiece), (high detail), looking at viewer, cute expression, high-quality cute, (anime:1.1), black outline, sharp focus, intense shadow, taking care of a talented woman, Tsujishima Naruka, beautiful, cute-style frill high-neck sleeveless waist-ribbon blouse, black knee-highs, good figure, no headband, hair down, leaning forward and invitingly blushing
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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