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メカ子、大地に立つ

Contest Entry
Mecha Girl Contest#IO Mecha Musume
#OC
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Comments2

1girl, solo, dark green hair, long hair, high ponytail, green eyes, red normal leotard, black spats, mecha musume, cybernetic limbs, large mechanical forearms, large leg armor, flying, fighting pose, dynamic pose, combat, daytime, near-future fortress city, skyscrapers, long beam rifle, firing thick beam, jetpack, missile launcher, micro missiles, full armor, red and black color scheme, stacked weapons and armor, mecha musume, mech parts, detailed sci-fi design, large mechanical wings and shoulder armor, mecha attached to limbs, cyborg, mecha girl, cybernetic lines, panel lines, mechanical joints, exposed mechanics, (well-proportioned:1.3), waist curve, extra limbs, body suit, detailed hair, highly detailed, HD, 4k, 8k, concept art, sketch style, dynamic pose, cinematic shot
Show Parameters
Original Prompt
昼間の要塞都市を飛んで戦う女の子。濃緑髪ロングヘア。ハイポニーテール。緑の目。赤いノーマルレオタードと黒いスパッツ。メカ娘。両肘から先は少し大きなメカ腕。両膝から先は大きめなレッグアーマー。昼間の近未来要塞都市のビル群の空を飛んでファイティングポーズ。ダイナミックポーズ。戦闘。飛行。右手に持ったロングビームライフルで極太のビームを発射した姿。背中のジェットパックに内蔵されたミサイルランチャーから発射された大量なマイクロミサイルが、縦横無尽に要塞都市上空を飛び交う。フルアーマー。赤と黒がメインカラーの積み重ねた武器と装甲を装備して野外の空で戦闘。ソロ。飛行して戦うポーズ。
Size
1024 x 1024
Sampling Steps
7
Sampling Method
Euler a
CFG Scale
1.6
Negative
(nsfw, lowres, (bad), text, error, fewer, extra, missing, (worst quality), (low quality),jpeg artifacts, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract, bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.6)

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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