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AI art "These dames walked into my office"
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These dames walked into my office

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Dermot

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character: noir_vesper. A low-angle full body shot in a luxurious drawing room, capturing four women in a shared scene. Vivian, a human with auburn pin-curled hair, leans with one elbow on a marble mantel, wearing a black off-the-shoulder cocktail dress, a grey fedora, and a shoulder holster. Lirael, a platinum-blonde elf, perches on a velvet sofa arm in a black sequinned gown and long white satin gloves, her pointed ears adorned with diamond studs. Mirabel, a catgirl with white hair and ears, sits still on the sofa with gloved hands folded, wearing a black velvet gown and a double strand of pearls. Vesper, a grey-skinned demon with small black horns and a spade-tipped tail curled around a chair leg, lounges in a silver lamé gown and black leather gloves. A lawyer in pince-nez reads at a desk nearby. The room features a roaring fireplace and tall windows showing falling snow at golden hour. The style is a "Grey Wash" anime illustration with clean ink lines, soft-gradient cel shading, and a muted palette of warm grey, amber, and ink black, creating a solemn, film-noir atmosphere.
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A full body shot framed head to toe, from a low angle, the viewer looking up, wide enough to take in all four women together in one shared scene. The image shows four friends from the same world: Vivian, a human woman in her 20s; Lirael, a female elf in her 20s; Vesper, a female demon in her 20s; and Mirabel, a female catgirl kemonomimi in her 30s. The image has a mysterious film-noir vibe of hard black-and-white shadow, curling cigarette smoke, glistening black pavements and venetian-blind light, trench coats, fedoras and pin-curled hair, smoky jazz lounges and late-hour detective offices, the dangerous glamour of a 1940s crime story in the port town of Harbor Mercy, and the mood is solemn, suspicious and quietly alluring. The lawyer reads the Ashcombe will by the fire, and every one of them has a reason to listen. Vivian: She is radiant, a young woman in her 20s with a lean, athletic build, square shoulders, a narrow waist, slim hips, long legs and a medium, firm bust, and the tired, sardonic toughness of a private eye who took over her late father's licence and his debts, sleeps on the office couch more nights than not and has been lied to by every client who ever walked through her frosted-glass door. Her skin is a pale cool cream with a scatter of faint freckles, lit from the side by the drawing-room fire, her face is an oval with a strong jaw, wide-set eyes with heavy lids, dark arched brows, a straight nose and a full, wry mouth, and her eyes are a cold storm grey. A thin white scar runs across the back of one hand from a knife she didn't see coming, and she smells faintly of rye whisky and rain. Her dark auburn hair, cut to her shoulders and set in loose pin-curled waves, falls in loose waves. Her expression is watchful and quietly alluring. She wears a black cocktail dress off the shoulder, so her shoulders and her calves are bare. A battered grey fedora is tilted low over one eye, a man's steel wristwatch hangs loose on her wrist, and a snub-nosed revolver sits in a leather shoulder holster at her side. Her makeup is a dark red lip and a little powder. Lirael: She is radiant, a female elf in her 20s with a slender, willowy build, soft shoulders, a small waist, gently curved hips, long legs and a medium, soft bust, and the slow, smoky allure of a torch singer whose voice can make a room full of gangsters go silent, and who has heard far more secrets across the footlights of the Blue Orchid than anyone suspects. Her skin is a pale pearl white, lit from the side by the drawing-room fire, her long pointed ears sweep back through her hair, her face is a soft heart shape with high cheekbones, large heavy-lidded eyes, thin pencilled brows, a small straight nose and a full dark-painted mouth, and her eyes are a pale, haunting violet. A tiny dark beauty mark sits at the corner of her mouth, and she sings every set with a single gardenia pinned at her temple. Her long platinum-blonde hair, set in a deep glossy side-parted wave that falls over one eye, falls in a glossy wave over one eye. Her expression is surprised and quietly alluring. She wears a black sequinned gown slit to the thigh, so her shoulders and one leg are bare. Diamond studs glitter in the lobes of her long pointed ears, long white satin gloves reach above her elbows, and a thin platinum bracelet circles one gloved wrist. Her makeup is a dark plum lip, pencilled brows and a soft grey shadow. Vesper: She is radiant, a female demon in her 20s with a lithe, acrobatic build, slim shoulders, toned arms, a tight waist, firm hips, strong legs and a medium, perky bust, and the light-footed, laughing insolence of a cat burglar who leaves a single black glove at every job and has never once been seen by the police. Her skin is a pale pewter grey with a faint red undertone, lit from the side by the drawing-room fire, small curved black horns rise from her cropped hair, her face is sharp and elfin with a pointed chin, wide tilted eyes, fine arched brows, a small upturned nose and a wide sly mouth with small fangs, and her eyes are a glowing amber. Her long thin black spade-tipped tail curls round the chair leg, and she can walk a window ledge six storeys up as easily as a pavement. Her jet-black hair, cut in a very short cropped pixie with a feathered fringe, is feathered over her brow. Her expression is innocent and quietly alluring. She wears a silver lamé evening gown slit to the thigh, so her shoulders and one leg are bare. Close-fitting black leather gloves cover her hands, tiny ruby studs glint in her earlobes, and a slim leather roll of lock picks is clipped at her hip. Her makeup is a dark red lip and a sharp black liner. Mirabel: She is radiant, a female catgirl kemonomimi in her 30s with a slender, elegant build, sloping shoulders, a small waist, softly rounded hips, long legs and a medium, full bust, and the fragile, unreadable poise of a widow who wept beautifully at the funeral and inherited forty ships the next morning, and whom half the town suspects of the murder she is paying to have solved. Her skin is a fair porcelain pink, lit from the side by the drawing-room fire, fluffy white Angora cat ears rise from her hair, her face is a delicate oval with high cheekbones, large tilted eyes, thin arched brows, a small straight nose and a soft bow-shaped mouth, and her eyes are odd, one ice blue and one pale gold. Her long plumed white tail lies still across the cushion, and she never takes off the narrow black ribbon she has worn since the funeral. Her long silky white hair, set in deep glossy finger waves that fall past her shoulders, falls in deep glossy waves. Her expression is composed and quietly alluring. She wears a black velvet gown with a low back and long sleeves, so her upper back and her shoulders are bare. A double strand of pearls lies at her throat, a large diamond cocktail ring glitters on one finger, and a narrow black mourning band of grosgrain ribbon is tied round one wrist. Her makeup is a muted rose lip and soft grey shadow. The setting is the drawing room of the Ashcombe mansion on a snowy golden hour, a carved marble fireplace with a fire roaring, a velvet sofa and wing armchairs, a lawyer in pince-nez reading from a document at a writing desk, a portrait of the late magnate over the mantel, and snow falling past the tall windows in the last gold light. The whole scene is fully detailed. By the fire Vivian leans with one elbow on the marble mantel, watching the others; on the velvet sofa Mirabel sits very still with her gloved hands folded in her lap, Lirael perched on the sofa arm beside her, and in a wing armchair across from them Vesper lounges with her legs crossed and her tail curled round the chair leg, all four glancing toward the viewer. Firelight: the drawing-room fire lights all four from the side, a warm amber edge along their faces, their hair, horns and ears and the gowns, the far side of the room in grey shadow. Warm grey dominates, with fire amber and snow white as the accents. Grey Wash style: clean inked linework with soft-gradient cel shading, a desaturated and muted palette of warm grey, fire amber, snow white and ink black with occasional muted colour accents, low-saturation skin tones and silvery hair and fur, and a smooth, semi-flat finish with subtle painterly softness, the four women's hard noir shadows laid in soft grey washes.
Mode
standard
Size
1536 x 864

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.31k

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