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purgatory district, 1girl, masterpiece, best quality, ultra detailed, 4k, 8k, ultra HD, (masterpiece:1.2), (best quality:1.2), (detailed:1.5), (detailed background:1.5), starry sky background, sunset background, ruined city, gothic architecture, giant clock tower, holographic countdown, floating red numbers, dark fantasy, cyberpunk, neon lights, neon pink, violet, crimson, gold, fog, mist, rainy night, wet asphalt, reflections, collapsed buildings, shattered glass, overgrown vines, black crystals, abandoned tram, graffiti, power lines, alleyway, street lamps, eerie atmosphere, desolate, melancholic, twisted spacetime, city of the dead, shibuya, kabukicho, purple and crimson night sky, no humans, scenery
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Original Prompt
sunset background, starry sky background, ((4k, 8k, Ultra HD)), ((Masterpiece :1.2)), ((Best quality :1.2)), ((Detailed :1.5)), ((Detailed background :1.5)), 【背景設定 / 画像生成用ビジュアルテキスト:煉獄区(Purgatory District)】 ■ 全体景観・雰囲気 ・100日間のカウントダウンが進む、時空が歪んだ死者の街。 ・現代の歌舞伎町や渋谷のような繁華街をベースに、壊れたゴシック建築が融合した不気味で幻想的なサイバー・ダークファンタジー世界。 ・空は終始、禍々しい紫紺と深紅が混ざり合った夜闇。街一面に濃い霧が漂い、街灯やネオンの光が妖しく煙っている。 ■ 象徴的なランドマーク:巨大なカウントダウン時計タワー ・街の中心にそびえ立つ、半壊したゴシック様式の巨大な時計塔。 ・文字盤には数字ではなく、空中へ立体的に浮かび上がる赤いホログラムの「数字(100:00:00から減少していくタイムリミット)」が光り輝いている。 ■ ストリート・路地裏のディテール ・濡れたアスファルトに反射する錆びた色のピンク、青、紫のネオンサイン。 ・崩落したビル、ガラスが割れた雑居ビル、巨大な蔦や黒い結晶が生やし重なった異様な建造物。 ・路地裏には古びた街灯、無数の張り巡らされた電線、落書きだらけの路面電車や打ち捨てられた車。 ・生活感が一切なく、生き物の気配が絶たれた静寂と、どこか美しくも悲壮感が漂う廃墟都市。 ■ カラーパレット・空気感 ・ベースカラー:漆黒、ダークグレー、錆びた鉄色 ・アクセントカラー:ネオンピンク、バイオレット(紫)、深紅、ゴールド(時計塔の針) ・シチュエーション:雨上がりの夜、霧が立ち込めるネオン街、微かに揺らぐ現実感の薄い世界。
Size
768 x 1280
Sampling Steps
10
Sampling Method
Euler a
CFG Scale
2.5
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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