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AI art "フェニックス" featuring #tentacles, #floating, #Flower, #full body, #Building, #brain and #Ambiguous Gender
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フェニックス

#tentacles#floating#Flower#full body#Building#brain#Ambiguous Gender

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A person who has been imprisoned. Prison courtyard. Medieval-style fantasy world. [When expressing a chronic, painful internal aura, the distribution of the imaginary domain Higgs relative to the imaginary domain heavy particles is slightly high, and the imaginary domain anti-Higgs has a biased, concentrated distribution like a phoenix's tail. Since heavy particles can be assumed in the filming equipment and matter, confusion may occur when capturing them. I assume there are basically three heavy particles (though there might be a fourth), and the degree from the ground state to the excited state is divided into 25% increments: "0, 0.25, 0.5, 0.75, 1.0. 1.0 is the excited state and 0 is the ground state." The state of the heavy particles is observed for the front and back of the upper and lower body respectively. Heavy particles can cause oppressive depressions based on the behavior of gluons. The activity of aura related to the dantian feels like it increases the degree of excitation compared to when it is not active. Simply put, if the body is moving, I feel the degree of excitation is increasing in all parts except the non-moving parts. I believe people capable of risk management can increase the degree of excitation by making the protons of elements multiple. If the above heavy particles are considered "manifest" heavy particles, an artist could also assume heavy particles in latent images and the imaginary domain.] [[Possessions use "limp helium" or "high-tension helium," similar to neutrons being twisted and fixed, as a medium. The aura of a possession "codes the magnesium element twice." The first time is "magnesium → imaginary domain tau," and the second time is "imaginary domain tau → imaginary domain down quark, strange, and gluon." "Hellish texture: 12 down quarks gather, all connected by causality, and when they approach any of the above heavy particles, the degree moves further down toward a bottom like an abyss than the ground state. As a hellish aura, the radiant shadow of Delta Geminorum, Gliese 229B, WISEA J153429.75-104303.3, and a Mars that has been artificially knocked out of orbit and is always 4 to 5 days ahead of current Mars, such that the Higgs of that Mars never reaches the person in the painting."]
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投獄された人。監獄の中庭。中世風ファンタジー世界。 [慢性的な苦しい内在的な気配の表現の時、虚数領域の重粒子に対する虚数領域のヒッグスの分布がやや多く、虚数領域アンチヒッグスはフェニックスの尾のような偏って集まる分布をしている。 撮影機材や物質にも重粒子が想定できるので捉える場合に混同が起きると思うが、 4つ目もあるだろうが、基本的に重粒子が3つあると想定して、それぞれの基底状態から励起状態までの度合いを２５％ずつ区切って、「０，0.25、0.5、0.75、1.0。1.0が励起状態で0が基底状態。」と簡易的に度合いを見る。上半身と下半身に対して腹側と背中側それぞれでの重粒子の状態を見る。 重粒子はグルーオンのありかたで押圧的な凹みが発生しうる。 丹田関連の気配の稼働は、稼働していない場合に比べ、励起度を高めると感じる。 単純に見て体を動かしていたら、動かない部位以外は、励起度を高めていると感じる。 リスク管理が出来る人は元素の陽子を多重にしたら励起度を高められると思う。 上記の重粒子を「顕在」の重粒子とするなら、潜像と虚数領域の重粒子も絵師として想定は可能だろう。] [[憑きものは中性子をねじりつつ固定したような「ぐったりしたヘリウム」か「テンションが高いヘリウム」を媒体にする。 憑き物の気配は「マグネシウム元素を2回コード化する」。1回目は「マグネシウム→虚数領域のタウ」、2回目は「虚数領域のタウ→虚数領域のダウンクォークとストレンジとグルーオン」。 「地獄的な質感：12個のダウンクォークが集まり、それらすべてに因果律が繋がり、上記の重粒子のどれかに近づいたときに、基底状態よりも奈落のようなもっと底側に度合いが向かう。 地獄的な気配として、radiant shadow of Delta Geminorum、Gliese 229B、WISEA J153429.75-104303.3、軌道を人工的に外した火星で常に4日から5日後の火星であり、その火星のヒッグスが絵の人物には必ず届かない感じ。」]]
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1creature, non-humanoid, eldritch creature, conceptual entity, flat ribbon body, flesh ribbons, ribbon limbs, glowing orb, floating, head wrapped in ribbons, faceless, towering, immense scale, dark fantasy, from below, looking up, wide shot, full body, atmospheric mist, ruined monoliths, volumetric light, ethereal glow, sublime dread Seen from below at a steep upward angle, a colossal conceptual creature floats motionless yet imposing against a vast, twilight-shadowed sky. Its entire form is composed of broad, flat ribbons of pale, seamless flesh that curve and loop through impossible topological folds, ascending in a grand spiral. At the summit of its form, its head consists of a perfectly spherical, blindingly radiant orb of celestial white-gold light, tightly enveloped and cradled by spiraling bands of flesh that peel open just enough to reveal the blinding core. From its central ribbon torso, extended limbs branch out as wide, razor-thin bands of flesh that drift languidly through the air without joints, digits, or articulation, their edges tapering into clean, smooth margins. Far beneath the hovering entity, the desolate ruins of colossal obsidian pillars and cracked stone plains are swallowed in rolling abyssal indigo mist, establishing its gargantuan, unassailable scale. The intense light radiating from the enclosed sphere serves as the sole dominant key light, carving sharp specular rims along the twisting contours of the pale flesh and casting deep, cavernous shadows within the ribbon loops, while translucent red light bleeds softly through the thin, parchment-like edges. Drifting plumes of fog and faint dust particles curl into precise, laminar vortices as they slip around the knife-thin lateral boundaries of the flesh ribbons, making their silent displacement of the air clearly visible. The palette remains strictly disciplined to abyssal navy, charcoal black, cool bone-pale flesh, and piercing radiant gold. Overwhelming despair.
ぴょんすけ

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