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View detailsMiyu's Summer Splash (Blue Archive)
I simply can't get enough of Miyu from Blue Archive, and this swimsuit look is just too adorable for words! Her shy expression combined with the beautiful water effects makes me want to protect her at all costs. If you love this precious girl as much as I do, please leave a like and follow for more art!
Show Parameters
- Original Prompt
- miyu (blue archive), off-shoulder bikini,red bikini, harukav2 style, (eyeshd:1.2), (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2)
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
Similar Images
Show morekotegawa yui, toloveru, swimsuit
jaguar
斯
1girl, oosaki amana, idolmaster shiny colors, official swimsuit illustration, style1, long wavy brown hair, large purple ribbon, yellow eyes, red bikini, red bracelet, sitting on white cushion, right hand near face, bright refreshing poolside background, white parasol, flowers, summer sunlight, clean anime shading, high detail, beautiful girl, no text, official illustration style
斯波将輝
ビキニ
M Ichi
c
character: yor_briar. In a full body shot from a front view, yor_briar is modeling a two-piece swimsuit designed for children, standing in a bright, neutral studio setting. She has long black hair with sidelocks and her signature gold hairband, with her red eyes looking toward the viewer with a gentle, shy smile. She is wearing a modest two-piece swimsuit consisting of a ruffled top and matching bottoms, both in a soft pastel color. Her hands are held slightly apart at her sides in a modest posing gesture. The background is a clean, minimalist white space with soft, diffused lighting that eliminates harsh shadows, creating a clean and professional catalog-style atmosphere with a bright and cheerful mood.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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