Show Parameters
- Original Prompt
- semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes, semi-realistic, manhwa style, detailed face, chiseled features, soft shading, smooth skin texture, high-contrast, dramatic lighting, decadent, melancholic, moody, dark atmosphere, seductive, sensual, Realistic facial features, detailed features, well-defined features, semi-realistic style, painted style, solo, minimalism, handsome face, adult male style, short hair, beautiful eyes., 男性のサメの人魚、陶器のように白く滑らかな肌、ボリュームのある無造作な黒髪、襟足や毛先にかけて白い髪、銀白色の虹彩、鮮やかな深紅の瞳孔、細く切れ長の目、鋭い眼差し、繊細で長いまつ毛、整った顔立ち、細くすっきりした鼻筋、小さく鋭いサメの牙、冷たい雰囲気、くっきりとした鎖骨、細身でしなやかな体つき、黒いノースリーブのハイネックトップス、白い肌、サメをモチーフにした身体的特徴、繊細で高精細なアニメ調のキャラクターデザイン。 水槽の中、舌を出す、小さな牙、見下す、筋肉
- Size
- 768 x 1280
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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あお
1boy, solo, dark navy hair, choppy hair, shoulder length hair, highlighted hair, white highlights, black eyes, jitome, tareme, sanpaku, half closed eyes, bags under eyes, smile, orca tail, ((rich color)), ((cinematic light:1.3)), ((perfect contrast:1.5)), ((color correction:1.7)), ((hyper scattering:1.3)), (perfect balance), Rolua Noa \(artstyle\), bishounen, detailed illustration, watercolor style, ink wash style, studio portrait, fashion photography, glamour photography, detail shot, high contrast, soft focus, HDR, photorealism, digital painting
비럽
1boy, solo, black hair, middle-parted bangs, layered cut, white eyes, male, triangular eyes, cute face, muscular, black turtleneck
あ
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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