Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details甘いどすなぁ…!(シンデレラガールズ・小早川紗枝&白坂小梅&ナターリア)
「サエ!凄い迫力ダナ!」 「す、スプラッター…カッコいい…!」 何で誕生日である昨日に思いつかなかったんだろう…と後悔を覚えながら作った小早川紗枝中心のネタです。 デレステのイベントで、襲い来るゾンビ達に対し、アサルトライフルで応戦するものがあったのを思い出しました。 その時の小早川紗枝の武器を構えているイラストがプロ級だったので、AIに頼んで今回出力して貰いましたね。 小早川紗枝は京都娘ですが、ライフルが様になるアイドルの1人なのが、凄いと思います。 彼女ならば、ゾンビのいる街に放り込まれて蹴散らしていくようなゲームの主人公も、演じられる気がしました。
Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
Show Parameters
- Original Prompt
- 画面には人間は小早川紗枝と白坂小梅とナターリア(アイドルマスター)の3人しかいない 配置は画面正面手前に小早川紗枝 画面左少し奥に白坂小梅 画面右少し奥にナターリア(アイドルマスター) 小早川紗枝 小早川紗枝の衣装はピンクの長袖のセーターと白にピンクの花柄のスカートの私服で迷彩柄のサバイバルベストを装着している 小早川紗枝は髪をポニーテールにしている 小早川紗枝は両手でアサルトライフルを構えてる 画面正面手前の小早川紗枝は画面正面に銃口を向けてアサルトライフルを構えており画面手前に発砲している 小早川紗枝のアサルトライフルの銃口の中からは発砲を示す火花が出ている 小早川紗枝は不敵な表情で口を少し開いており笑顔を浮かべている 白坂小梅 白坂小梅の衣装は水色や青系のスプラッター柄の白色のワンピースで迷彩柄のサバイバルベストを装着している 白坂小梅は両手でアサルトライフルを持っている 画面左少し奥の白坂小梅はキラキラの笑顔で小早川紗枝を見ており、しいたけ目になっている natalia (idolmaster) ナターリア(アイドルマスター)の衣装は白と赤のTシャツに青系のデニムの半ズボンで迷彩柄のサバイバルベストを装着している ナターリア(アイドルマスター)は両手でアサルトライフルを持っている ナターリア(アイドルマスター)はビックリしたような笑顔で小早川紗枝を見ている 画面正面からはゾンビ達の手や影が覗いている 背景は古びたうす暗い廃墟の大部屋の中 視点はアサルトライフルを連射する小早川紗枝がよく映るようにしてほしい tky_chatgpt_anime_boost_color_detail_line_anime_quality
- Mode
- pro
- Size
- 1408 x 1408
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moreExplore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ゚◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).。*♡ 🍁 ☕
(mai)
Comments