Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "アルバム窓"
Generate New ArtworkGenerate for FreeGenerate for Free

アルバム窓

#Ahoge#Bikini#Swimsuit#Tail#sitting#Red eyes#Sky#Navel#Photo (object)#Red Hair#long hair#Monster girl#blue hair#Mermaid#Bikini top only#blue eyes#Multiple Girls#Ocean#Daytime#Blue sky#Shell#Completely Nude
Avatar image of Chimera 630
avatar-frame

Chimera 630

More to See

Comments

Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.40k

Similar Images

Show more
AI artwork
af
character: weiss_schnee, ruby_rose, adult_neptune, neptune_(neptunia), copyright: rwby, choujigen_game_neptune 4girls, ruby_rose, weiss_schnee, adult_neptune, neptune_(neptunia), mermaid, mermaid tail, shell bra, underwater, coral reef, 4girls, group, from below, wide shot, looking up, purple hair, long hair, hair between eyes, d-pad hair ornament, purple eyes, short multicolored hair, black hair with red streaks, grey eyes, white hair, very long hair, ponytail, blue eyes, floating hair, scales, iridescent scales, red scales, white scales, purple scales, translucent tail fin, aquarium light, god rays, bubbles, aqua and teal palette, glowing coral, seashell detail, sisterly warmth. The camera sits low along the reef floor and looks up, so all four mermaids hang above it in a column of shifting green-blue water, their tails curving downward toward the sand in long S-loops and their fins catching the light from the surface far overhead. On the right, nearest the camera, a mermaid with short black hair streaked red and grey eyes floats almost upright, her red-scaled tail curled back on itself, fin tips brushing the sand; her shell bra is two rosy cowrie shells joined at the sternum, and she leans forward with both hands cupped around a small drifting bubble she is blowing, cheeks puffed, one eyebrow cocked as she looks sideways at the white-haired mermaid beside her. That white-haired mermaid has very long pale hair drifting upward in the current like a slow plume, a high ponytail loosening into loose strands, blue eyes lowered to her own hands, where she turns a pale shell a fraction between her fingers; her shells are white and pearl-smooth, her white-scaled tail held steady with a slight hip offset, the fin folded delicately beneath her. Just above and behind them both, further up the water column and slightly foreshortened by the low angle, a mermaid with very long purple hair and a small gamepad-shaped ornament clipped at one side of her head floats with arms flung wide in a stretched-out sprawling gloat, her purple-scaled tail sweeping a wide arc that sends a chain of bubbles up toward the surface; her smile is a smug lopsided grin and she's looking down at the others over one shoulder. Beside her, a second purple-haired mermaid with short hair and pink tips hovering upright, shoulders hunched, palms pressed together in a shy clap near her collarbone as she glances down and to the side, tail tucked close to her own body; her shells are lavender-tinted and small, and the tips of her pointed fins are barely moving. Both purple-haired figures keep their long purple tails and the ornament is present on each head; both wear shell bras of purple-tinged scallops. Each figure's tail is a single smooth transition at the waist, hips flaring into scales that darken toward the tail's end, and each fin is translucent at the edge where the light passes through it. The light source is above: a sun-shot surface breaks the green into soft god rays that slant down from the top-left, lighting the backs of shoulders, the upper faces, and the leading edges of tails, while the undersides of jaws and the bellies of the tails fall into cool teal shadow; beyond the beams the water darkens to deep indigo. Coral in soft pink and ochre lines the reef floor at the bottom edge, its tips glowing faintly with the ambient light, and the sand is pale enough to reflect a little glow onto the lowest fin. Bubbles rise in a diagonal drift away from the two mermaids below-right, and the loose hair of all four lifts and sways on a single slow current running left to right. Foreground: a fan coral crosses the lower-left corner, softened by the water's haze; the four figures hold the midground; above them the light and open water recede into a bright blurry ceiling with no visible horizon. Colour is a cool ocean palette that warms into rose coral and lavender on the figures' scales and shells, and the water's haze thickens the distance. Effortlessly weightless, tender.
Alex Firth
#Ruby Rose#Hyperdimension Neptunia

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile