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AI art "Captive"
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Captive

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Dermot

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A full body shot at eye level captures three women in a triangular composition within a dark, gothic crypt. At the center, Morgause, a statuesque elf in her 30s with moon-white skin and a bob of black hair, lounges triumphantly on a throne of skulls; she wears a plunging black silk gown, a raven-feather cape, and a crown of black iron thorns, her hand idly twisting a spectral chain. Above her, Rowena, a human woman in her 20s with freckled cream skin and wavy auburn hair, is suspended spread-eagled by glowing chains; she wears a torn white micro-short tabard and looks on with a furious, helpless expression. At the throne's foot, Vesperine, a dark elf with dusky grey-violet skin and knee-length white hair, kneels in profile in a backless blood-red silk gown, her red eyes glancing up with a sultry smile. The background features a colossal blazing blood-red sigil on the wall and skeletal guards. The visual style is a linocut anime illustration with bold, hand-carved linework and high-contrast shadows. A desaturated palette of bone ivory, crimson, and violet dominates, with a burning red rim light highlighting their silhouettes.
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Original Prompt
A full body shot framed head to toe at eye level, wide enough to take in all three women together in one shared scene. The image shows three women from the same world: Rowena, a human woman in her 20s; Vesperine, a female dark elf in her 20s; and Morgause, a female elf in her 30s. The image has a dark gothic vibe of black, deep violet and blood red, Victorian lace, crypts and ravens, an inquisitor, a vampire countess and a necromancer queen at war over the cursed kingdom of Vhal, and the mood is ominous, decadent and provocatively charged. The necromancer queen has won the Crown of Thorns and has both her rivals at her mercy, and she has decided to keep them rather than kill them. Rowena: She is alluring, a young woman in her 20s with a lean, strong, athletic build, square shoulders, toned arms, a flat stomach, slim hips, long legs and a medium, firm bust, and the fierce, righteous, fraying conviction of an inquisitor of the Silver Flame, sworn to burn every vampire and necromancer in the cursed kingdom of Vhal and more tempted by both than she will ever confess. Her skin is a fair, freckled cream, backlit by the blazing blood sigil, her face is a strong, striking oval with high cheekbones, wide-set eyes, straight auburn brows, a straight nose and a full, stubborn mouth, and her eyes are a clear, hard green. Her shoulder-length auburn hair, thick and wavy, falls in thick auburn waves to her shoulders. Her expression is furious and provocatively helpless. She wears the torn remnant of her white surcoat as a micro-short tabard, slit to the hip and barely belted, so her shoulders, her arms, her sides and her legs are bare. A silver flame brooch is pinned at her collar, and a silver-hilted longsword hangs at her hip. Her makeup is a bare, natural look with a faint rose lip. Vesperine: She is alluring, a female dark elf in her 20s, or so she looks, with a slender, elegant, sinuous build, narrow shoulders, slim arms, a narrow waist, softly curved hips, long legs and a medium, high bust, and the languid, amused, predatory grace of a vampire countess of the dark elves, who has ruled her blood-red castle for three hundred years and finds the inquisitor the most interesting thing to happen in a century. Her skin is a dusky grey-violet, backlit by the blazing blood sigil, her long pointed ears sweep back through her hair, her face is a fine, sharp heart shape with high cheekbones, long-lashed slanted eyes, fine white brows, a narrow nose and a full, dark mouth with long, delicate fangs, and her eyes are a glowing blood red. Her very long white hair, straight and silken and falling to the backs of her knees, pours straight down her back like white silk. Her expression is sultry and provocatively defiant. She wears a backless blood-red silk gown cut away at the sides and slit to both hips, kneeling in it, so her whole back, her sides and her legs are bare. Rings of garnet glitter on her long fingers, and a garnet stud glints in each pointed ear. Her makeup is a blood-red lip and a black winged liner. Morgause: She is alluring, a female elf in her 30s with a tall, statuesque, voluptuous build, rounded shoulders, soft arms, a narrow waist, wide hips, long full legs and an enormous, heavy bust, and the cold, regal, faintly bored majesty of an elven necromancer queen of the barrow crypts, who means to raise the dead of Vhal as her army and take the Crown of Thorns from the countess and the church alike. Her skin is a cold, moon-white pallor, backlit by the blazing blood sigil, her long pointed ears rise through her hair, her face is a classically beautiful oval with high cheekbones, heavy-lidded almond eyes, fine black brows, a straight nose and a full, unsmiling mouth, and her eyes are a luminous violet. Her bob-length black hair, cut sharp and blunt at the jaw with a heavy straight fringe, hangs sharp and blunt at her jaw. Her expression is triumphant and provocatively regal. She wears a black silk gown plunging to her navel and gaping at the sides, with a cape of black raven feathers, so her sternum, the inner curves of her enormous breasts, her sides and her legs are bare. A crown of black iron thorns sits on her head, and rings of carved bone circle her fingers. Her makeup is a black lip and a violet smoky eye. The setting is the necromancer queen's throne chamber deep in the barrow crypts at golden hour in shimmering heat, a throne built of skulls and bones on a dais, a colossal blood-red sigil blazing on the wall behind it, ranks of silent skeletal guards, and a single shaft of golden light from a crack in the vault. The whole scene is fully detailed. On the throne of bones Morgause lounges facing the viewer with one leg drawn up and her raven-feather cape spilling over the skulls, the Crown of Thorns on her head and one hand idly twisting a spectral chain. Above and behind her, suspended in the air before the blazing sigil, Rowena hangs spread-eagled in the glowing chains, her wrists and ankles stretched wide, straining toward the queen in three-quarter view with her auburn hair floating. At the foot of the dais below, Vesperine kneels in profile with her chained hands in her lap and her white hair pooling on the steps, her head bowed but her red eyes rolled up toward the queen, a smile still on her lips. The three form a tall triangle, captive above, captive below and the queen at its heart. Artificial light: the blazing blood sigil on the wall behind the throne backlights all three, a burning crimson rim round their hair, ears, bare skin and chains and the heat haze glowing red. Bone ivory dominates, with sigil crimson and black as the accents. Linocut style: bold, sketchy, hand-carved linework round their hair, ears, lace, steel and bone, high-contrast hard shadow carved in solid black, a desaturated and muted palette of bone ivory, sigil crimson, black and violet, and a flat graphic print finish throughout, the crypts, castles, gallows and ravens of the cursed kingdom cut into stark, woodcut-like shapes with the grain of the block showing in every flat field of colour.
Mode
standard
Size
1536 x 864

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.82k

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