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hinqse

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beautiful light, best shadow, color blink, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, overall scene: A scene such as a spring cherry blossom festival or a ritual held in a Japanese-style town. Surrounded by cherry blossoms in full bloom, amidst a crowd of people dressed in Japanese clothing passing by, only one girl has stopped and is looking back toward the viewer. The surrounding people are depicted darker and more blurred than the protagonist, making only the girl in the center appear bright and vivid. Despite being a festive spring festival, there is a sense of stillness and emotion, like a "momentary accidental eye contact in a crowd." Protagonist's appearance: A young woman. Long, straight-leaning hair in an orange to reddish-apricot color, reaching down to her waist. The ends of her hair spread softly, with thin strands flowing in the wind. She has bangs. On her head, she wears an ornate Japanese-style hair ornament combining flowers, braided cords (kumihimo), and metal decorations. The hair ornaments are in subdued colors such as black, navy, orange, and gold. To retain the characteristics of the original image, include small horn-like decorations on her head. Her face is not completely frontal; while her body is facing the direction of travel, she looks back over her shoulder toward the viewer. Her expression is not a smile, but a quiet expression as if lost in thought. Only her gaze is directed here, with a calm but memorable look. Clothing: Ornate Japanese attire. The base is a deep indigo to dark navy furisode or long-sleeved kimono, with delicate Japanese patterns such as cherry blossoms, flowers, and branches and leaves on the sleeves and body. Use pale pink, light blue, white, and gold for the patterns, making the flowers appear as if floating on the dark navy fabric. Around her waist, she ties an obi of a dull blue-green to jade color, with red, orange, and gold used for the obi-shime (cord) and decorative ribbons. Long red-orange decorative cords or fabric hang from her back and waist, flowing backward due to her walking motion. The costume is based on traditional kimono but with a design that adds a bit of decorative flair typical of fantasy works. Wagasa (Japanese Umbrella): The protagonist is holding a large red to crimson wagasa. The umbrella enters the frame largely from above the protagonist's head to the top of the screen, serving as an important compositional element. Pale flower patterns or shadows of cherry blossoms are reflected on the inside or surface of the umbrella; it is not a solid red, but allows white to pale pink light to filter through. The handle of the umbrella is thin, extending diagonally upward from near the protagonist's shoulder. To make it similar to the reference image, the umbrella should be shown large enough that the upper edge partially frames out of the screen. Pose: The protagonist is standing or in the middle of walking slowly. Her body is facing toward the back or side of the screen, and her lower body is not facing the front. From there, only her neck and upper body twist slightly as she looks back to see the viewer. Rather than posing for the camera while standing still, it should be a natural movement: "a girl walking through the festival crowd who suddenly looks back after being called." Her arms do not move flashily; one hand holds the wagasa. The other arm is naturally placed by her side or tucked into her sleeve. Only her hair and obi decorations flutter slightly in the wind, creating movement in contrast to her stationary body. Composition: This is very important. A wide 16:9 aspect ratio composition. The protagonist is not perfectly centered, but slightly to the left of center. Her face should be near the center of the screen. In the foreground, place other people walking in the festival quite largely. Place shoulders, backs, and heads of people at both the left and right edges, creating a composition where the protagonist is glimpsed through the crowd. Particularly in the right foreground, place a large person whose head and upper body occupy a significant portion of the screen. However, do not focus on the foreground figures and blur their outlines slightly. Place another person in Japanese attire in the left foreground, sandwiching the protagonist from both sides. Furthermore, place several people immediately to the left, right, and behind the protagonist. The people other than the protagonist are not looking here and are walking in different directions. This creates a three-layer structure: blurred foreground figures → vivid central protagonist → cherry blossoms and townscape in the distance. Surrounding people: The surrounding people are also in Japanese attire, centered around dark kimonos such as dark navy, black, ink-color, and deep green. Include faint flower patterns or traditional motifs. Some people wear white fox masks (kitsune masks) or ritual masks. The masks can be shown in profile or with only half the face visible. Not everyone wears a mask, only a few. Hairstyles include Japanese-style buns, long ponytails, and masculine chonmage-style hair. Do not give them hair colors similar to the protagonist; unify them in dark colors like black to gray so the lead does not blend in. Background: A Japanese-style festival venue surrounded by cherry blossoms in full bloom. Spread cherry blossom branches from the top of the screen to the left and right, with a large number of pale pink to deep pink flowers blooming. Not a uniform pink, but a mix of blossoms close to white, pale pink, and slightly darker red-pink. In the distance, vaguely place wooden buildings, walls, stalls, bridges, shrines, and Japanese-style townscapes. However, do not let the background assert itself; show it softly as a distant view. Let cherry blossom petals dance in the air, with a few drifting in front of and behind the protagonist. Light: The time is midday to just before evening. Soft backlight or semi-backlight. Cast bright light on the protagonist's hair, shoulders, and the edge of the wagasa, making the long orange hair glow translucently. The background is bright, and the foreground figures become slightly dark silhouettes due to the backlighting. The red-pink light passing through the wagasa reflects faintly on the protagonist's face and hair. Fine rays of light pierce through the gaps in the cherry blossoms, with small light particles and petals floating in the air. Color Palette: The central colors are: Cherry blossom pink + protagonist's orange hair + dark navy kimono + blue-green obi + crimson wagasa. The overall background should be quite bright with white to pale pink, while the foreground figures are low-brightness colors like black, navy, and gray-purple. By placing the protagonist's orange, blue, green, and red in the center, the coloring naturally draws the eye to the protagonist. It is important not to lean too heavily into pink alone, but to firmly include dark navy and blue-green. This prevents it from being too sweet and makes it a slightly mature Japanese-style fantasy.
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Original Prompt
全体のシーン 春の桜祭り、または和風の街で開かれている祭礼のような場面。満開の桜に囲まれ、大勢の和装の人々が行き交う中、ひとりの少女だけが足を止めてこちらを振り返っている。周囲の人物は主人公より暗く、ぼかして描写し、中央の少女だけを明るく鮮明に見せる。華やかな春祭りなのに、どこか「人混みの中で偶然目が合った一瞬」のような静けさと情緒がある。 主人公の外見 若い女性。長い橙色〜赤みのあるアプリコットカラーの髪で、腰付近まで伸びるストレート寄りのロングヘア。毛先は柔らかく広がり、細い髪束が風に流れている。前髪あり。頭には花、組紐、金属飾りなどを組み合わせた華やかな和風の髪飾りを付ける。髪飾りは黒・紺・橙・金などの落ち着いた色。元画像の特徴を残すなら、頭部には小さな角のような装飾も入れる。 顔は完全な正面ではなく、身体は進行方向へ向けたまま、肩越しにこちらへ振り返る。表情は笑顔ではなく、少し物思いにふけったような静かな表情。視線だけはこちらへ向け、穏やかだが印象に残る眼差し。 服装 衣装は華やかな和装。ベースは深い藍色〜濃紺の振袖または長袖の着物で、袖や身頃には桜、花、枝葉などの繊細な和柄を入れる。柄には淡い桃色、水色、白、金などを使い、濃紺の生地の上に花が浮かぶようにする。 腰にはくすんだ青緑〜翡翠色の帯を締め、帯締めや飾り紐には赤、橙、金などを使用。後ろや腰回りから赤橙色の長い飾り紐や布が垂れ、歩いた動きによって後方へ流れている。衣装そのものは伝統的な着物をベースにしつつ、ファンタジー作品らしい装飾性を少し加えたデザイン。 和傘 主人公は赤〜紅色の大きな和傘を差している。傘は主人公の頭上から画面上部に大きく入り、構図の重要な要素にする。傘の内側または表面には淡い花模様や桜の影が映り込み、赤一色ではなく、白〜薄桃色の光が透けている。 傘の柄は細く、主人公の肩付近から斜め上へ伸びる。傘全体を完全に画面内へ収めず、上端の一部をフレームアウトさせるくらい大きく見せると、この参考画像っぽくなる。 ポーズ 主人公は立っている、またはゆっくり歩いている途中。身体は画面奥〜横方向へ向いており、腰から下も正面には向けない。そこから首と上半身だけ少し捻り、後ろを振り返ってこちらを見る。 立ち止まってカメラへポーズを決めるのではなく、 「祭りの人混みの中を歩いていた少女が、呼び止められてふと振り返った瞬間」 という自然な動作にすると近い。 腕は派手に動かさず、一方の手で和傘を持つ。もう一方の腕は身体の横か袖の中に自然に収める。髪や帯飾りだけが少し風になびき、静止した身体との対比で動きを出す。 構図 ここはかなり重要。 横長の16:9程度のワイド構図。 主人公は完全な中央ではなく、中央よりわずかに左寄り。顔は画面中央付近に来るようにする。 画面手前には、祭りを歩く別の人物をかなり大きく配置する。左端と右端にそれぞれ人物の肩、背中、頭などを入れ、主人公を人混み越しに覗いている構図にする。 特に右手前には大きな人物を置き、頭〜上半身がかなり画面を占める。ただし前景人物にはピントを合わせず、輪郭も少しぼかす。左手前にも別の和装人物を置いて、左右から主人公を挟むようにする。 さらに主人公のすぐ左右や背後にも数人の人物を配置する。主人公以外の人物は、こちらを見ず、それぞれ違う方向を向いて歩いている。 これによって、 前景のぼけた人物 → 中央の鮮明な主人公 → 奥の桜と街並み という三層構造にする。 周囲の人物 周囲の人物も和装。濃紺、黒、墨色、深緑などの暗い着物を中心にする。花柄や伝統模様を薄く入れる。 一部の人物には、白い狐面や祭礼用の仮面を付ける。仮面は横顔になっていたり、顔の半分だけ見えていたりする程度でよい。全員が仮面ではなく、数人だけにする。 髪型は和風のまとめ髪、長い一つ結び、男性的な髷風などを混ぜる。主人公と似た髪色にはせず、黒〜灰色など暗い色に統一し、主役が埋もれないようにする。 背景 背景は満開の桜に囲まれた和風の祭り会場。 画面上部から左右に桜の枝を広げ、淡い桃色〜濃いピンクの花を大量に咲かせる。完全に均一なピンクではなく、白に近い桜、薄桃、少し濃い赤桃を混ぜる。 奥には木造の建物、塀、屋台、橋、神社や和風の街並みなどをぼんやり配置。ただし背景そのものを主張させず、遠景として柔らかく見せる。 桜の花びらを空中に舞わせ、主人公の前後にも数枚飛ばす。 光 時間帯は昼〜夕方手前。柔らかい逆光または半逆光。 主人公の髪、肩、和傘の縁に明るい光を当て、特に橙色の長い髪を透けるように輝かせる。背景は明るく、前景人物は逆光によって少し暗いシルエットになる。 和傘を通した赤桃色の光が主人公の顔や髪にほんのり反射する。桜の隙間から細かな光が差し込み、空中に小さな光粒や花びらが浮かぶ。 色合い 中心になる色は、 桜のピンク+主人公の橙色の髪+濃紺の着物+青緑の帯+紅色の和傘。 背景全体は白〜淡い桃色でかなり明るくし、前景の人物は黒、紺、灰紫などの低明度にする。その真ん中に主人公の橙・青・緑・赤を置くことで、自然に視線が主人公へ集まる配色にする。 ピンクだけに寄せすぎず、濃紺や青緑をしっかり入れるのが重要。そうすると甘すぎず、少し大人っぽい和風ファンタジーになる。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Avatar image of hinqse
1girl, solo focus, orange hair, long hair, straight hair, hair ornament, small horn ornament, japanese clothes, kimono, dark blue kimono, furisode, floral pattern, sash, jade green obi, red obi sash, looking back, over shoulder, expressionless, looking at viewer, holding umbrella, red umbrella, japanese umbrella, standing, walking, wind, hair blowing, petals, falling petals, cherry blossoms, spring, festival, japanese festival, crowd, blurry foreground, depth of field, bokeh, blurred figures, people, dark kimono, fox mask, traditional clothing, wooden buildings, stalls, shrine, japanese architecture, backlighting, rim light, sunlight, light particles, warm lighting, scenery, wide shot, cinematic composition, masterpiece, best quality, ultra detailed, highres, anime style, fantasy, spring festival, 16:9 aspect ratio
hinqse
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Avatar image of hinqse
1girl, solo, masterpiece, ultra detailed, spring cherry blossom festival, japanese style town festival, full bloom cherry blossoms, many people in wafuku walking around, one girl stops and looks back over her shoulder, surrounding people darker and blurred, center girl bright and clear, quiet emotional atmosphere, chance meeting in the crowd, young woman, long orange reddish apricot colored hair, straight long hair reaching hips, soft spreading hair ends, thin hair strands flowing in wind, bangs, elaborate japanese hair ornament with flowers and braided cords and metal decorations, dark navy orange gold hair ornaments, small horn-like decoration on head, body facing forward while looking back over shoulder, not smiling, somewhat pensive quiet expression, gaze toward viewer, calm memorable eyes, gorgeous wafuku, deep indigo dark navy furisode, long sleeved kimono, delicate japanese patterns of cherry blossoms flowers branches leaves on sleeves and body, pale pink light blue white gold patterns, flowers floating on dark navy fabric, dull blue-green jade colored obi, red orange gold obijime and decorative cords, long red orange decorative cords and fabric hanging from back and waist flowing behind, traditional kimono based fantasy decorative design, holding large red crimson wagasa japanese umbrella, umbrella above head extending to top of frame, pale flower patterns and cherry blossom shadows on umbrella, white pale pink light showing through, thin umbrella handle, umbrella extending diagonally up from shoulder, umbrella partially out of frame, standing or slowly walking, body facing away or sideways, waist down not facing front, neck and upper body slightly twisted looking back, natural movement of girl walking in festival crowd called out and turning around, one hand holding umbrella, other arm naturally at side or in sleeve, hair and obi ornaments slightly flowing in wind, wide 16:9 composition, girl slightly left of center, face near center of frame, large foreground figures at left and right edges, shoulders backs heads of other people, viewing girl through crowd, large figure on right foreground occupying much of frame, foreground figures out of focus and blurred outlines, another wafuku figure on left foreground, several people around and behind girl, other people not looking at viewer walking in different directions, three layer structure of blurred foreground clear center girl and background cherry blossoms and townscape, surrounding people in wafuku, dark navy black ink color deep green kimonos, faint floral and traditional patterns, some people wearing white fox masks and festival masks, masks in profile or half face visible, only a few people with masks, japanese updo hairstyles, long single ponytails, male topknot styles, dark hair colors black gray, background full bloom cherry blossoms japanese festival venue, cherry blossom branches spreading from top left and right, many pale pink to deep pink flowers, mix of white near cherry blossoms pale pink and deeper red pink, wooden buildings walls stalls bridges shrine japanese townscape in background, soft distant background, cherry blossom petals dancing in air, petals flying around girl, daytime to late afternoon, soft backlight or semi backlight, bright light on girl's hair shoulders and umbrella edge, orange long hair glowing translucent, bright background, foreground figures slightly dark silhouettes due to backlight, red pink light through umbrella reflecting on girl's face and hair, fine light through cherry blossoms, small light particles and petals floating in air, colors of cherry blossom pink girl's orange hair dark navy kimono blue green obi crimson umbrella, bright white pale pink background, low brightness dark navy gray purple foreground figures, girl's orange blue green red in center drawing gaze, not too much pink, strong dark navy and blue green, mature japanese fantasy style, artist:wanke
hinqse
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Avatar image of hinqse
beautiful light, best shadow, color blink, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, a horizontal 16:9 fantastical Japanese-style fantasy illustration. The setting is a vermilion-lacquered arched taiko bridge spanning over a late-night Japanese garden. A bright full moon hangs in the sky, with thin clouds drifting across a dark navy blue night sky. Around the bridge are heavily pruned, rounded trees and low mountains, with the roof of a traditional Japanese house visible in the background. A solitary girl clad in a red kimono stands atop the bridge. The girl has a slender, delicate build. Her hair is a bluish lavender purple or pale wisteria purple. Her hair is extremely long, extending far past her waist down below her knees. It is mostly straight, curving gently toward the ends. Her bangs are long, sweeping diagonally from her forehead toward her eyes. Thin strands of hair hang on both sides of her face. Near the top of her head sits a small golden floral hair ornament or comb-like hairpiece. The ornament features slender golden decorations or feather-like parts. Her entire hair is billowing dramatically toward the right side of the frame in a strong wind. Instead of a single mass, it separates into multiple slender strands forming wide sweeping arcs. Some long strands lift toward the upper right of the frame, while others stream horizontally. The tips of her hair are fine, spreading as if dancing upon the wind. The girl's face is small, with a slightly narrow oval shape. Her face is tilted toward the lower left of the frame, with her eyes closed or cast downward. Her expression is serene and somewhat wistful. Her lips are lightly closed with scarcely a smile. One hand is brought near her cheek or mouth in a thoughtful, pensive gesture. Her outfit is Japanese-style attire based on a deep crimson kimono paired with a gorgeous floral pattern and a decorative obi sash. The kimono is a vibrant red to deep crimson, hugging her slender silhouette. It flares gently toward the hem, reaching down near her ankles. The collar features the characteristic crossing shape of a kimono, revealing a white to pale gray under-collar. A deep red fabric is layered around the neck, creating a clean line from her chest to her waist. The sleeves are long, resembling furisode. From shoulder to arm they fall naturally, with the fabric draping heavily toward the sleeve cuffs. The outer side of the sleeves is vivid deep crimson, while the inner lining reveals a dark blue-green or deep navy blue. Caught by the wind, part of the sleeve flares backward, exposing the inner pattern. The sleeve extending toward the right of the frame, in particular, billows largely in the gust. A wide obi is tied around her waist. The obi's color is dark blue-green to deep navy blue. It features fine gold and bluish-purple decorative accents, adorned with traditional Japanese botanical patterns and swirling curves. A large obi knot sits on her back, its long trailing fabric streaming behind her in the wind. The hem of the kimono is illustrated with floral patterns combining blue, purple, red, and dark green. The motifs become denser toward the hem. The flower shapes evoke traditional Japanese botanicals like chrysanthemums, peonies, and cherry blossoms. The petals and leaves have delicate golden linework. The upper half of the kimono is a relatively simple red, with gorgeous patterns multiplying toward the hem. On her feet are black to deep purple platform footwear, shaped like zori or platform sandals styled for traditional attire. The toes are slightly rounded with elevated soles. As if captured mid-stride, one foot touches the ground while the other is slightly lifted. The girl appears caught mid-step as she walks across the vermilion bridge. Her body is in a near-profile angle facing toward the left of the frame. Her upper body leans slightly forward with her face directed downward. Her head is gently tilted, her gaze cast down near her feet. One arm is bent at the elbow with fingertips touching near her cheek or mouth. The other arm hangs straight down along her side, concealed within the long sleeve. Her legs are in the middle of a walking motion, one foot placed forward and the other trailing behind. The front foot rests on the bridge's floorboards. The trailing foot has its heel slightly raised with the toe pointed downward. The camera is set at a low angle slightly below the girl, looking diagonally upward. The entire frame is tilted clockwise at a Dutch angle of roughly 15 to 20 degrees. The bridge's floor stretches diagonally from the lower left to the upper right of the frame. The girl is positioned slightly to the left of center, with her head a bit above the center and her feet near the bottom center. Her hair stretches long from the center toward the upper right. Her full body fits within the frame, fully displaying the sweeping flow of her hair. The figure occupies roughly 70% of the frame's height. The full moon is placed in the upper left of the frame, positioned to the left of the girl's head and hovering above the background mountains. The moon is a brilliant white, softly illuminating the surrounding clouds. Its size is comparable to or slightly larger than the figure's head. The bridge runs diagonally from the lower left to the upper right. On the right side of the frame, the vermilion railing features prominently; being in the foreground, it appears large and crops out of the right edge of the frame. A portion of the railing is also visible in the lower left. The left and right railings flank the scene, guiding the viewer's eye toward the girl in the center. The bridge is an aged vermilion wooden arched taiko bridge crossing a traditional Japanese garden. It bends in a gentle arch, its floor laid with wooden planks. The long planks run along the bridge's path. The floor is a dark grayish purple to grayish brown, with areas hit by moonlight glowing in a faint bluish-white luminescence. Vermilion railings run along both sides, with thick crossbeams and vertical posts aligned rhythmically. The tops of the railings are rounded, and the ends of the posts are capped with small spherical decorative finials. Around the bridge stand heavily pruned, rounded trees. The foliage is dense, forming large rounded masses colored dark blue-green to deep forest green. Where the moonlight strikes, faint blue-green highlights appear. The trees are placed to the left and right of the bridge, partially obscuring the background architecture. Deep in the center background stands a traditional Japanese residence. Its roof features dark gray ceramic tiles. Built of wood, horizontal beams and pillars are visible, along with fine vertical and horizontal lines reminiscent of shoji paper doors or lattice windows. The building rests in deep shadows, with only its silhouette faintly discernible. The background features a range of dark mountains. The mountain ridge rises from the left side of the frame toward the center. Colored deep indigo to near-black, the distant peaks fade into pale bluish-purple, melting into the night air. The sky is a deep navy blue, indigo, and dark purple. The full moon hangs in the upper left, surrounded by drifting thin clouds. The clouds are grayish purple to blue-gray, edged in white by the moonlight. Stars are barely visible, but tiny golden particles of light float gently in the air. The primary light source is the full moon in the upper left. Its white to pale bluish-purple moonlight illuminates the girl's hair, shoulders, kimono sleeves, and the bridge floor. A thin edge-light runs along the top of her long hair, causing the contours of the strands to glow softly. The front of her face remains relatively dim, with faint light brushing her cheek and the bridge of her nose. The red of the kimono brightens subtly under the moonlight, while its shadows sink into dark purple tones. Moonlight cuts diagonally across the bridge floor, spreading a faint bluish-white reflection along the wood grain. Slender highlights also trace the tops of the railings, defining their vermilion silhouettes. A faint mist hovers near the bottom of the frame, softly enveloping the bridge's surface and the girl's feet. Tiny golden motes of light drift all around. The overall color palette is anchored in deep indigo, purple, and dark blue-green, punctuated by the vibrant accents of the red kimono and vermilion railings. Bluish-purple moonlight reflects off the girl's hair, while subtle golden decorations accent the floral patterns of her kimono. A fantastical Japanese fantasy world brimming with tranquility, mystery, sorrow, and grace. A breathtaking scene uniting a moonlit night, a vermilion arched bridge, long purple hair streaming in the wind, a lavish red kimono, a shadowed Japanese garden, and soft moonlight.
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