๐ข Login Issue Resolved โ Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known serโฆ
View detailsIndustrial shinobi
I love mixing things from different eras.
Show Parameters
- Original Prompt
- handsome adult male, black hair, shinobi, smiling, holding katana, black leather boots, black leather gloves, behind him is brick factory with arched windows and brick smokestacks, overcast day,
- Mode
- pro
- Size
- 1888 x 1056
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moremp
Industrial shinobi
Matthew Paul Argall
mp
Industrial shinobi
Matthew Paul Argall
mp
Industrial shinobi
Matthew Paul Argall
character: manji_(blade_of_the_immortal)
1man, solo, side view, profile, walking, full body, edo period, night, street, town, japanese clothes, dark kimono, wide sleeves, obi, sandals, waraji, weapons at waist, katana, scabbards, messy hair, black hair, topknot, ponytail, hair over eyes, scarred face, scar on nose, white eye, lantern light, red-light district, red lanterns, wooden lattice, shoji, light spill, chiaroscuro, long shadows, cinematic lighting A side view captures a solitary swordsman walking through the dark, unpaved streets of an Edo-period pleasure district at night. Viewed entirely in profile, his lean, muscular frame moves mid-stride from left to right, his forward foot planting onto the packed-dirt roadway while his rear heel lifts, sending up a faint drift of dry dust. His posture is relaxed yet vigilant: one calloused hand rests lightly near the hilts of multiple blades tucked into the dark sash at his waist, while his other arm swings naturally with his pace. He wears a weathered, wide-sleeved black-and-white robe draped over his shoulders and tied with a thick obi, his lower legs wrapped above straw waraji sandals that grip the earth. In profile, his head tilts slightly forward, thick messy black hair gathered into a ragged topknot and high ponytail, with loose, uneven strands falling across his forehead and temple. A prominent horizontal scar cuts across the bridge of his nose, and his exposed eye stares straight ahead down the road with an expression of weary, cynical detachment. Running along the background is a row of traditional wooden Edo pleasure houses with dense vertical lattice windows and drawn noren curtains. Saturated vermilion and light spills aggressively outward from the glowing red paper lanterns and interior shoji screens of the red-light district, slicing through the timber slats to project sharp, alternating bars of dark light and deep shadow across the ground and raking across the front of the swordsman's robes. The warm, radiant glow catches the rim of his scarred profile, the edge of his jaw, and the steel fittings of his scabbards, while the far side of his body dissolves into nocturnal dark and dense charcoal shadows. Grim, solitary.
nakano yuko
Recommended Users
You might like
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Comments