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Tosaki Mimi, Virtual eSports Project

#Elbow gloves#blush#Dress#Bridal Gauntlets#Flower#Church#Bare shoulders#Girl#Virtual YouTuber#Virtual eSports Project#arch#Tosaki Mimi
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character: tosaki_mimi, a sacrificial bride kneeling before the crumbling altar of a decaying church, her white wedding dress torn and stained with creeping dark corruption along the veil, wilted flower petals scattering around her, sorrowful trembling expression with hands clasped in prayer, broken stained glass windows casting fractured colored light across the rubble, wide shot from a low frontal angle, dim candlelight flickering against deep shadowed pews, corruption mist seeping from cracks in the altar stone
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ultra
Size
832 x 2048
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

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Avatar image of 勇者系魔王アマッカス
character: tosaki_mimi, a sacrificial bride kneeling before the crumbling altar of a decaying church, her white wedding dress torn and stained with creeping dark corruption along the veil, wilted flower petals scattering around her, sorrowful trembling expression with hands clasped in prayer, broken stained glass windows casting fractured colored light across the rubble, wide shot from a low frontal angle, dim candlelight flickering against deep shadowed pews, corruption mist seeping from cracks in the altar stone
勇者系魔王アマッカス
AI artwork
Avatar image of 勇者系魔王アマッカス
character: tosaki_mimi, a sacrificial bride kneeling before the crumbling altar of a decaying church, her white wedding dress torn and stained with creeping dark corruption along the veil, wilted flower petals scattering around her, sorrowful trembling expression with hands clasped in prayer, broken stained glass windows casting fractured colored light across the rubble, wide shot from a low frontal angle, dim candlelight flickering against deep shadowed pews, corruption mist seeping from cracks in the altar stone
勇者系魔王アマッカス
AI artwork
Avatar image of 勇者系魔王アマッカス
character: tosaki_mimi, a sacrificial bride kneeling before the crumbling altar of a decaying church, her white wedding dress torn and stained with creeping dark corruption along the veil, wilted flower petals scattering around her, sorrowful trembling expression with hands clasped in prayer, broken stained glass windows casting fractured colored light across the rubble, wide shot from a low frontal angle, dim candlelight flickering against deep shadowed pews, corruption mist seeping from cracks in the altar stone
勇者系魔王アマッカス
AI artwork
sy
character: meltryllis_(fate), copyright: fate_(series) 1girl, solo, meltryllis_(fate), very_long_hair, purple_hair, blue_eyes, hair_ribbon, blue_ribbon, wedding dress, bridal veil, white gloves, church interior, stained glass, pews, happy tears, tears of joy, crying, wet face, closed eyes, smiling, light smile, blush, hands clasped together at chest, holding bouquet, from above, upper body, looking down, soft light, 1girl, solo, wide-off-shoulder bridal gown, bare shoulders, gratitude, tenderness The camera looks down on her from a high angle, close over her head and shoulders, so the whole church opens beneath her: rows of dark wooden pews receding down the nave, a long aisle runner on the stone floor, and tall stained-glass windows ranked along the right wall. She stands at the head of the aisle, chin dipped toward her clasped hands, shoulders drawn slightly in and up as she holds the emotion in. Both gloved hands are pressed together flat at her sternum, fingers interlocked, the bouquet of white lilies and pale blue hydrangea gripped in the same clasp so the stems cross the back of her hands; her weight sits on her right leg while her left knee bends slightly inward, toes of the left satin shoe turned in. Her eyes are shut tight, lashes clumped wet, and two tears have already broken the lower lash line: one on the verge of her cheekbone, a second tracking down to the corner of her jaw. Her mouth is open in a soft, unsteady smile, lower lip trembling, a small crease between her brows from the effort of not sobbing. Her very long purple hair falls unbound save for the blue ribbon at the crown, and the veil is pinned behind it, so the sheet of translucent tulle pours back over both shoulders and drags a length across the aisle runner behind her; the hair spills free beneath, longer than the veil and darker where it passes into shadow. The dress is white satin with a fitted bodice and a soft off-shoulder line of lace, long sleeves thin enough to show the pale skin of her forearms, and a skirt that pools in gentle folds around her feet. Both ears are bare; her arms, wrists and throat are unadorned besides the gown itself. The only light is the daylight coming through the stained glass on her right, so the colour lands on her as three separate pools: a wedge of cobalt blue falling across her right cheek and shoulder, a red pane glazing the outer edge of her veil, and a warm amber streak crossing the hands at her chest. The left side of her face is in cool shadow, soft and full of reflected nave light, and the floor beneath her holds a long muted blue reflection of the window that is darker and less saturated than the glass itself. Everywhere outside the window light -- the far pews, the vaulted ceiling, the rear doors -- sinks into deep brown shadow. Palette limited to white satin, warm grey stone, purple and blue in the hair and ribbon, and the three window colours. Detail spend goes to the wet lashes, the tear tracks, the knuckles of the clasped gloves and the water beads on the lily petals. Tender, overwhelmed.
S Y

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