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alejandro chavez ibarra
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- 768 x 1280
- Sampling Steps
- 8
- Sampling Method
- Euler a
- CFG Scale
- 2
- Negative
- worst quality, low quality, low resolution, blurry, pixelated, 2D illustration, anime, cartoon, cel shading, robotic appearance, metallic skin, plastic skin, waxy skin, doll face, oversmoothed skin, unrealistic anatomy, deformed body, disfigured face, asymmetrical eyes, crossed eyes, malformed nose, distorted lips, extra limbs, missing limbs, extra fingers, fused fingers, malformed hands, duplicated body parts, unnatural bust, distorted abdomen, unnatural waist, distorted hips, malformed thighs, tangled hair, floating hair, messy textures, broken jewelry, floating gemstones, fused ornaments, misplaced embroidery, fabric clipping, broken straps, unrealistic lace, excessive gloss, harsh shadows, oversaturated colors, watermark, logo, text
Model & LoRA used
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ac
adult woman, mature adult, deep mahogany skin, warm red undertones, rounded diamond-shaped face, pronounced cheekbones, soft jawline, golden hazel eyes, slightly upturned eyes, thick curled eyelashes, dark curved eyebrows, broad elegant nose, full crimson lips, long black spiral curls with burgundy highlights, individual defined curls, graceful neck, visible collarbones, rounded shoulders, realistic arms, detailed hands, naturally full bust, realistic breast anatomy, softly defined abdomen, curvy waist, rounded hips, full proportionate thighs, crimson red luxury lingerie, structured lace bra, matching high-cut thong, dimensional rose embroidery, raised velvet floral appliques, garnet crystal droplets, black Chantilly lace overlays, intricate gold thread vines, delicate pearl accents, satin ribbon lattice, ornate filigree lingerie hardware, scalloped lace edging, embroidered mesh layers, individually placed microbeads, hand-crafted couture finish, luxurious crimson velvet chamber, antique carved mahogany furniture, deep red velvet curtains, gilded wall ornaments, dark rose arrangements, warm candlelight, ultra realistic 3D render, photorealistic CGI, PBR materials, detailed realistic skin pores, subsurface scattering, natural skin sheen, individual hair fibers, accurate lace transparency, detailed embroidered relief, physically accurate crystal refraction, global illumination, ray-traced lighting, anatomically realistic human character, cinematic realism
alejandro chavez ibarra
ac
adult woman, age 33, rich dark chocolate skin, pale amber almond-shaped eyes, high cheekbones, heart-shaped face, long midnight-black hair with burgundy highlights, voluminous loose curls, full lips, curvy hourglass figure, black and wine-red embroidered lace lingerie, black velvet bustier panels, scalloped lace edges, wine-red satin ribbons, antique gold clasps, delicate floral embroidery, fine mesh inserts, intricate lace patterns, realistic velvet pile, glossy satin sheen, detailed gold hardware, in a luxurious moonlit art-deco suite, dark burgundy curtains, black marble surfaces, warm golden lamps, ultra-realistic 3D render, photorealistic skin texture, physically based rendering, subsurface scattering, realistic individual hair strands, global illumination, ray tracing, detailed textile fibers, natural fabric folds, highly detailed materials
alejandro chavez ibarra
ac
adult woman, age 33, rich dark chocolate skin, pale amber almond-shaped eyes, high cheekbones, heart-shaped face, long midnight-black hair with burgundy highlights, voluminous loose curls, full lips, curvy hourglass figure, black and wine-red embroidered lace lingerie, black velvet bustier panels, scalloped lace edges, wine-red satin ribbons, antique gold clasps, delicate floral embroidery, fine mesh inserts, intricate lace patterns, realistic velvet pile, glossy satin sheen, detailed gold hardware, in a luxurious moonlit art-deco suite, dark burgundy curtains, black marble surfaces, warm golden lamps, ultra-realistic 3D render, photorealistic skin texture, physically based rendering, subsurface scattering, realistic individual hair strands, global illumination, ray tracing, detailed textile fibers, natural fabric folds, highly detailed materials
alejandro chavez ibarra
ac
adult woman, mature adult, warm caramel skin, subtle golden undertones, naturally varied skin pigmentation, oval face, high sculpted cheekbones, softly tapered jawline, deep sapphire blue almond-shaped eyes, intricate iris fibers, realistic corneal reflections, long black eyelashes, thick arched eyebrows, straight refined nose, full mauve lips, natural lip creases, subtle pores around nose, faint freckles across cheekbones, long blue-black hair, luxurious loose waves, individual hair strands, realistic hair roots, natural hairline, graceful neck, defined collarbones, balanced shoulders, anatomically accurate arms, natural hands, long fingers, naturally full bust, realistic breast proportions, subtle skin folds beneath bust, softly defined abdomen, natural navel detail, narrow waist, curved hips, proportionate full thighs, sapphire blue satin lingerie, structured balconette bra, matching high-cut thong, intricate gold-thread embroidery, miniature sapphire embellishments, delicate ornamental chains, translucent embroidered mesh panels, refined scalloped edges, realistic stitching, physically accurate satin sheen, intricate textile microtexture, ancient oriental palace interior, carved dark walnut screens, blue porcelain decorations, ivory stone columns, intricate gold detailing, warm lantern illumination, cool moonlight through ornate windows, physically based rendering, ultra photorealistic 3D character, cinematic 3D realism, subsurface scattering, realistic epidermal translucency, detailed skin microtexture, subtle facial asymmetry, realistic tear ducts, natural eyelid thickness, physically accurate reflections, ray traced global illumination, high dynamic range lighting, realistic shadow gradients, high fidelity materials, professional CGI character rendering
alejandro chavez ibarra
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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