PINK MODE ― Runway Edition ―
◆次の企画の撮影に参加した「青髪ボブ子の姉」(ピンク髪、緑色の目、ロングヘア、21歳、大学生、グラマラス体型の女性、ファッションモデル)は未だ若手だが徐々に人気が出始めたので「デフォルメ美少女」化したグッズを作ることになりました。 4. クール系ランウェイVer. 初めて少し大きなファッションショーのランウェイを歩くことになった彼女。舞台袖では緊張していたものの、照明を浴びた瞬間にモデルの表情へ切り替わり、堂々と一歩を踏み出します。 衣装は黒を基調にしたモード系ファッション。普段の柔らかな雰囲気とは対照的に、凛とした表情でモデルとしての成長を感じさせる一体です。黒い幾何学台座と小型スポット
#Breasts#blush#Open Clothes#Dress#Boots#long hair#Minigirl#Blonde hair#pink hair#purple hair#Hand on own hip#Jacket#green eyes#Open mouth#Multiple Girls#Bare legs#Long sleeves#Necklace#Looking at viewer#Jewelry#Black Dress#Gradient background#Faux Figurine Style#full body#Contrapposto#Pencil Skirt#Medium Breasts#Closed mouth#Medium hair
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- Size
- 1024 x 1024
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- worst quality, low quality, lowres, blurry, bad anatomy, photorealistic human, realistic proportions, child, loli, underage, old woman, short hair, blue hair, red eyes, skinny body, muscular body, flat chest, exaggerated breasts, nude, lingerie, underwear, nsfw, erotic pose, fetish pose, extreme cleavage, extra arms, extra legs, extra fingers, bad hands, malformed limbs, duplicate character, multiple girls, cropped, out of frame, text, watermark, signature, messy background
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1girl, mika \(blue archive\), blue archive, white background, full body, black short sleeve top, black punk leather vest with spikes and chains, black punk miniskirt, black leather gloves, black pantyhose, black punk platform thigh high boots with spikes, stiletto heels, large breasts, no wings, no halo
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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