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- Original Prompt
- (worst quality,low quality:1.4),bad anatomy,deformed hands,extra fingers,missing fingers,blurry,distorted face,monochrome,female,bad suit fit,semi realistic,high quality,delicate details,dramatic dark illustration,elegant yet eerie,mysterious gothic vibe,soft painterly shading,(intense horror style:0.5),rough expressive brushstrokes,strong shadows,gritty texture,surreal dark painterly art,dark/gothic aesthetic, ダークな雰囲気 ベッドの上でぺたんと座っている20歳ほどの女性の後ろ姿。顔は見えない。 髪はショートカットで、ゆるいロングのTシャツを萌え袖で着ている。生脚。暗く散らかった部屋。しわくちゃのシーツ
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
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Appearance: A pale, androgynous young person with short, light-colored hair and delicate facial features, shown in a frontal close-up. Their expression is calm, almost emotionless, with one clearly visible pale eye staring directly toward the viewer while the other eye is partially obscured. The face is smooth and softly illuminated, with a narrow nose, subtle lips, and a sharply defined jawline. They wear a high-collared white garment that blends almost completely into the white background, causing the lower-right portion of the figure to dissolve into brightness.
Multiple long, pale human hands emerge from a surrounding mass of black shadow and stretch across the person's face. The hands have elongated fingers, slender wrists, visible knuckles, subtle veins, and realistic anatomical proportions. One hand covers the upper forehead and eyes, another crosses horizontally over the eyes and nose, another covers the mouth and lower face, while additional hands reach around the neck and lower jaw. The fingers overlap each other, creating several horizontal layers of obstruction. The hands are stark white-gray against the black surrounding forms.
Behind and around the pale figure is a huge amorphous black shadow mass containing numerous partially hidden human-like eyes. Many realistic eyes are scattered throughout the darkness at different positions and depths, each with pale irises, tiny highlights, dark pupils, and faint surrounding facial forms. Some eyes are clearly visible while others dissolve into the black texture. The shadow resembles a swarm, living cloud, or collection of overlapping faces.
Scene: A surreal monochrome fine-art horror composition divided diagonally between deep black darkness on the left and brilliant white emptiness on the right. The pale central figure emerges from the boundary between these two extremes. The black mass occupies roughly the left half of the image and advances toward the center in irregular smoky tendrils, while the right side remains almost completely white.
The composition is tightly cropped and portrait-oriented. The pale face is positioned slightly right of center, while the dark mass occupies the entire left side and partially surrounds the head. The boundary between black and white is organic and fluid rather than geometric, with smoky brush-like transitions and wispy tendrils.
The multiple hands create the primary compositional rhythm: large pale hands cross horizontally from the black region toward the white figure, repeatedly interrupting the face. Their fingers overlap the forehead, eyes, nose, mouth, and neck, producing a layered cage-like effect. The hands should appear physically attached to or emerging from the surrounding darkness, with wrists disappearing into the black mass.
The eyes within the darkness are numerous but irregularly distributed. They should not form a clean pattern. Some are close to the surface and sharply detailed, while others are dim and partially swallowed by shadow. This creates the impression that the black region itself is alive and filled with hidden watchers.
Lighting is extremely high contrast. The white figure and hands are illuminated with soft diffuse light, preserving delicate grayscale modeling in the skin. The black mass contains almost pure blacks with subtle charcoal-gray textures, smoky gradients, and faint facial contours. The eyes provide tiny bright highlights inside the darkness. There is almost no environmental background.
The artwork should feel like a surreal psychological-horror illustration, combining realistic anatomy with impossible imagery. Monochrome black, white, charcoal, and silver-gray palette; no saturated colors. Fine-art editorial composition, stark negative space, realistic hands and eyes, soft airbrush gradients, smoky painterly textures, subtle grain, unsettling stillness, symbolic imagery, oppressive contrast, and dreamlike supernatural atmosphere.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
り
1boy, black hair, high school student, front hair slightly covering eyes, dark brown eyes, slightly drooping eyebrows, delicate build, baggy grey sweatshirt, sleeves slightly too long (moe sleeves), sitting on sofa hugging both knees, head hanging down, dark interior of house, velune, delicate face, ethereal beauty, expressive eyes, detailed eyes, glossy eyes, long eyelashes, pale skin, soft blush, glossy lips, clean lineart, soft shading, smooth coloring, soft lighting, semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, masterpiece, 8k, highly detailed, clean composition
りりらりら
wide shot, 2people, comforting, embrace, kneeling, woman, crying, tears, distress, soft white dress, long sleeves, gentle hands, fake smile, deceptive expression, antique mirror, large cracked mirror, ornate frame, reflection, terrifying reflection, abomination, rotting flesh, pale scarred skin, empty eye sockets, hollow eyes, sadistic grin, ear to ear smile, black smoke, smoke from mouth, swarming flies, insects, chiaroscuro, dark art, gothic surrealism, hyperdetailed oil painting, impasto texture, visible brushstrokes, canvas tooth, film grain, desaturated blacks, cold blues, sickly crimson accents, oppressive atmosphere
Cinematic wide shot capturing a spacious, decaying gothic room engulfed in shadow, centered on a kneeling woman dressed in an ankle-length, high-collared soft white linen dress as she comforts a trembling, curled figure weeping on the floor. Her delicate, gentle hands cradle the vulnerable person's bowed head and shoulder with rehearsed care, fingers lightly pressed into fabric and hair. Her smooth, porcelain-pale face tilts downward with an unnervingly pristine, flawless expression of tender compassion, her eyes curved with artificial sorrow and lips parted in a soothing, deceptive murmur. The weeping person slumps forward with weight collapsed upon the floorboards, face buried against trembling hands in utter despair. Directly behind her stands a towering, tarnished antique floor mirror crowned with corroded brass filigree, its glass marred by violent spiderweb fractures.
Within the mirror's cracked glass, her reflection breaks the physical illusion and reveals her true grotesque nature: a skeletal, rotting abomination with mottled, pale scarred skin stretched taut over decaying bone. The reflection's eyes are pitch-black hollow voids, its jaw unhinged into a wide, sadistic ear-to-ear rictus grin dripping malice. Plumes of thick, sooty black smoke pour continuously from the open maw inside the mirror, curling against the cracked inner surface of the glass, while a dense cloud of dark flies swarms and clings around the spectral apparition. A harsh, cold-blue raking light cuts from an unseen low side window across the room, illuminating the folds of the woman's immaculate white gown and the tear tracks on the victim while plunging the room's corners into deep, desaturated blacks. Faint, sickly crimson accents burn along the mirror's corroded metal edges and within the shadows of the rotting reflection. The dense physical medium features thick, layered oil paint textures, fine crosshatched etched undertones, heavy chiaroscuro contrasts, and an organic film grain layer, suffused with an atmosphere of tragic deception and suffocating, creeping dread.
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