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AI art "ㅎㅅㅎ" featuring #Dress shirt, #adjusting hair, #green hair, #Girl, #Backlighting and #Indoors
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ㅎㅅㅎ

#Dress shirt#adjusting hair#green hair#Girl#Backlighting#Indoors
Avatar image of 멧챠쿠챠

멧챠쿠챠

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A quiet and cozy bedroom in the early morning. Soft, warm morning sunlight streams through the window, and the bedroom space is shown widely, including a bed with slightly disheveled white bedding, curtains, and the floor. A natural and comfortable "girlfriend material" atmosphere, as if a photo were accidentally taken from across the room of a lover who has just woken up and is preparing for the day. Miminari, an adult woman, is standing naturally near the bed. She has long, voluminous green hair. The hair is not bright lime or fluorescent green, but a calm, deep, and vivid green. It is a rich and stable green color like the deep green of natural leaves, with saturation that is not excessively high and not dazzlingly bright. The base color of the entire hair is kept consistent as a medium to slightly dark green. The ends of the hair do not change to lime, mint, or turquoise, but maintain the same green palette. Parts touched by sunlight simply become slightly brighter and do not glow in yellow-green or neon green. The hair does not emit light or fluorescence. She has soft bangs, and a few long strands of hair naturally fall along the sides of her face. Her most important feature is vivid odd-eyes with clearly different colors. The iris of her left eye (from her perspective) is a clean and vivid green, and the iris of her right eye is a vivid purple. The color difference between the two irises is clearly visible and must never be expressed as the same color. Even in the morning sunlight, the left green eye and right purple eye maintain their inherent colors. She is wearing a men's white button-down shirt that is several sizes larger than her own body. It is not a ordinary loose fit, but a distinct overfit, as if she borrowed a very large shirt from her boyfriend. The shoulder seams fall far below her actual shoulders, and the torso is very wide and baggy. The shirt does not cling to the silhouette of her body, and the large fabric falls comfortably around her. The sleeves are also longer and more generous than her arms, and the hem of the shirt reaches down loosely to her thighs. Express soft white cotton material and natural, large clothing folds. She is just about to tie her long hair. The ponytail is not yet completed. She has naturally raised both arms behind her head and is holding her long, voluminous hair together with both hands. It is the moment just before tying it with a hair tie, and a few strands of long hair still naturally fall around her face and neck. Her elbows are comfortably spread to the sides, and she is in a natural pose with her weight lightly resting on one leg. She has a languid and soft gaze as if she hasn't fully woken up yet, and a very small smile. She looks naturally toward the camera as if she discovered her lover taking a photo from a distance while she was tying her hair. It is not a pictorial with intentionally posed model-like movements, but a natural atmosphere as if a lover secretly took a photo of an ordinary morning scene. The camera is quite far from the character, providing a long-distance perspective from the opposite side of the room. Her entire body, from head to bare feet, is fully visible. The figure does not occupy a large portion of the screen, taking up only about 40-50% of the total screen height. A wide bedroom space is sufficiently visible around the person, and the bed, window, curtains, and floor occupy a large part of the screen. There is ample white space above the head, below the feet, and to the left and right. The camera is not looking down from above but is at a natural horizontal perspective from a distance. Without exaggerated wide-angle distortion, it maintains a natural distance and composition, as if a real person took it with a phone from across the room. The head, legs, and bare feet are not cut off from the frame. The morning sunlight is soft and warm but does not change the original color of the hair. Natural highlights and shadows appear on the green hair, but there is no strong green glow, neon light, fluorescence, or lime-green gloss. The overall color tone is warm, calm, and natural. A detailed and high-quality animation illustration style. Express natural adult female body proportions and accurate hand structures. Avoid excessive plastic-like gloss on the skin and hair. Even in a distant full-body composition, the face and pupils are expressed clearly, and the character's left eye must be green and the right eye must be purple odd-eyes. aegyo_manga_mung, aegyo_sal under eyes, beautiful eyes, semi-realistic, painterly, soft rendering, long eyelashes, detailed hair, smooth skin, delicate shading, soft lighting
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이른 아침의 조용하고 포근한 침실. 창문 사이로 부드럽고 따뜻한 아침 햇살이 들어오고 있으며, 조금 흐트러진 흰색 침구가 놓인 침대와 커튼, 바닥 등 침실 공간이 넓게 함께 보인다. 막 잠에서 일어나 하루를 준비하는 연인의 모습을 방 건너편에서 우연히 사진으로 찍은 것 같은 자연스럽고 편안한 여친짤 분위기. 성인 여성인 미미미나리가 침대 근처에 자연스럽게 서 있다. 그녀는 길고 풍성한 녹색 머리카락을 가지고 있다. 머리카락은 밝은 연두색이나 형광 초록색이 아니라 차분하고 깊이 있는 선명한 녹색이다. 자연스러운 나뭇잎의 짙은 녹색처럼 풍부하고 안정된 그린 컬러이며, 채도가 지나치게 높지 않고 눈이 부실 정도로 밝지 않다. 머리카락 전체의 기본 색상은 중간에서 약간 짙은 녹색으로 일정하게 유지한다. 머리카락 끝부분도 연두색, 민트색, 청록색으로 변하지 않고 동일한 녹색 계열을 유지한다. 햇빛을 받은 부분은 단순히 조금 밝아질 뿐 노란 연두색이나 네온 그린으로 발광하지 않는다. 머리카락 자체에서 빛이 나거나 형광빛이 발생하지 않는다. 부드러운 앞머리가 있으며 얼굴 양옆으로 긴 머리카락 몇 가닥이 자연스럽게 흘러내린다. 그녀의 가장 중요한 특징은 서로 색이 확실하게 다른 선명한 오드아이이다. 캐릭터 본인 기준 왼쪽 눈의 홍채는 깨끗하고 선명한 초록색이고 오른쪽 눈의 홍채는 선명한 보라색이다. 두 홍채의 색상 차이가 확실하게 보이며 절대로 같은 색으로 표현하지 않는다. 아침 햇빛 속에서도 왼쪽 초록색 눈과 오른쪽 보라색 눈의 고유 색상을 그대로 유지한다. 그녀는 자신의 몸보다 몇 사이즈는 훨씬 큰 남성용 흰색 버튼 셔츠를 입고 있다. 평범한 루즈핏이 아니라 남자친구의 아주 큰 셔츠를 그대로 빌려 입은 것처럼 확실한 오버핏이다. 어깨선은 실제 어깨보다 아래로 크게 떨어지고 몸통의 품은 매우 넓고 헐렁하다. 셔츠가 몸의 실루엣을 따라 달라붙지 않고 커다란 천이 몸 주변으로 편안하게 떨어진다. 소매 역시 팔보다 길고 넉넉하며, 셔츠 밑단도 허벅지까지 여유롭게 내려온다. 부드러운 흰색 면 소재와 자연스럽고 큼직한 옷주름을 표현한다. 그녀는 긴 머리를 이제 막 묶으려고 하는 중이다. 아직 포니테일은 완성되지 않았다. 양팔을 머리 뒤쪽으로 자연스럽게 들어 올리고 두 손으로 길고 풍성한 머리카락을 하나로 모아 잡고 있다. 머리끈으로 묶기 바로 직전의 순간이며 얼굴 옆과 목 주변에는 아직 정리되지 않은 긴 머리카락 몇 가닥이 자연스럽게 흘러내린다. 팔꿈치는 양옆으로 편안하게 벌어져 있고 한쪽 다리에 가볍게 체중을 실은 자연스러운 자세다. 아직 잠이 조금 덜 깬 듯한 나른하고 부드러운 눈매와 아주 작은 미소를 짓고 있다. 머리를 묶던 중 멀리서 사진을 찍는 연인을 발견한 것처럼 카메라 쪽을 자연스럽게 바라본다. 모델처럼 일부러 포즈를 취한 화보가 아니라 평범한 아침의 모습을 연인이 몰래 한 장 찍은 것 같은 자연스러운 분위기다. 카메라는 캐릭터와 상당히 멀리 떨어져 있으며 방 반대편에서 바라보는 원거리 시점이다. 캐릭터의 머리부터 맨발까지 전신이 완전히 보인다. 인물이 화면을 크게 차지하지 않으며 전체 화면 높이의 약 40~50% 정도만 차지한다. 인물 주변으로 넓은 침실 공간이 충분히 보이고, 침대와 창문, 커튼, 바닥이 화면의 많은 부분을 차지한다. 머리 위와 발밑, 좌우 모두 넉넉한 여백이 있다. 카메라는 위에서 내려다보지 않고 멀리 떨어진 자연스러운 수평 시점이다. 과장된 광각 왜곡 없이 실제 사람이 방 건너편에서 휴대폰으로 찍어준 것 같은 자연스러운 거리와 구도를 유지한다. 머리와 다리, 맨발이 프레임 밖으로 잘리지 않는다. 아침 햇살은 부드럽고 따뜻하지만 머리카락의 원래 색을 변화시키지 않는다. 녹색 머리카락에는 자연스러운 명암만 생기며 강한 녹색 발광, 네온빛, 형광빛, 연두색 광택은 생기지 않는다. 전체 색감은 따뜻하고 차분하며 자연스럽다. 섬세하고 고급스러운 애니메이션 일러스트 스타일. 자연스러운 성인 여성의 신체 비율과 정확한 손 구조를 표현한다. 피부와 머리카락에 플라스틱 같은 과도한 광택을 사용하지 않는다. 멀리 떨어진 전신 구도에서도 얼굴과 눈동자는 또렷하게 표현하며, 캐릭터 본인 기준 왼쪽 눈은 반드시 초록색, 오른쪽 눈은 반드시 보라색의 오드아이로 유지한다., aegyo_manga_mung, aegyo_sal under eyes, beautiful eyes, semi-realistic, painterly, soft rendering, long eyelashes, detailed hair, smooth skin, delicate shading, soft lighting
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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