Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

喜多川海夢・戀上換裝娃娃

這是我最愛的《戀上換裝娃娃》裡的喜多川海夢!看著她撐著透明雨傘、比著勝利手勢的俏皮模樣,總讓我心動不已。喜歡的話請幫我按讚、追蹤,也歡迎留言交流喔!

#My Dress-Up Darling#Marin Kitagawa
More to See

Comments

character: kitagawa_marin. A high-angle medium shot shows kitagawa_marin, portrayed as a mature woman in her 20s, squatting on a wet sidewalk and looking up at the camera. She has long blonde hair with gradient pink tips and thin straight bangs, wearing exquisite earrings and long, fashionable gyaru nails. Her dark pink eyes are bright and expressive, complemented by refined gyaru makeup and naturally flushed cheeks. She is dressed in a pure Japanese student-style outfit, consisting of a white long-sleeved shirt with a blue checkered ribbon tie and a matching blue checkered pleated mini skirt that folds naturally around her. She holds the white handle of a transparent umbrella in one hand, while the other hand is raised near her face, making a bright peace sign. She wears black loafers, and a black bag with small charms rests beside her. The scene is set on a damp urban pavement with realistic reflections. The atmosphere is bright and lively, rendered as a high-quality anime illustration with vibrant colors and soft, natural lighting.
Show Parameters
Original Prompt
人物特徵: 喜多川海夢(展現 20 歲以上的成年女性氣質),白皙肌膚,暗粉紅色大眼眸,精緻的辣妹妝容,微微紅潤的雙頰與自然唇彩。 髮型與飾品: 金色長髮帶有漸層粉紅髮尾,薄齊瀏海,耳朵配戴精緻耳環。指尖帶有略長且精緻時尚的辣妹美甲。 服裝主體: 日本清純學生服風格(成人演繹)。穿著白色長袖襯衫,領口繫著青色格紋領結絲帶。下身搭配青色格紋百褶迷你裙(蹲姿時自然展開,呈現逼真布料與摺痕質感)。 配件與姿勢: 人物在濕潤的人行道上蹲著(Squatting pose),身體與臉部略微斜向鏡頭,眼神帶著含蓄卻明亮的辣妹感向上仰望鏡頭。一隻手自然握著透明大雨傘的白色握柄,另一隻手朝向鏡頭靠近臉部做出一種明亮自然的辣妹風格和平手勢(V-sign / Peace sign)。腳穿黑色樂福鞋,身旁放著掛有小吊飾的黑色包包。
Mode
lite
Size
768 x 1280

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬