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新山聡美(杜の湖畔公園コキアの紅葉)

Contest Entry

2nd "Favorite Work" Contest

#MILF #Autumn Leaves #Smile #Plant #Night #Wedding ring #Sound! Euphonium #Satomi Niiyama #Park

Published on Oct 22, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the left ring finger, a high-quality night landscape photograph realistically depicting the autumn foliage illumination of kochia spreading across the "Dandan-batake" (terraced fields) at the National Michinoku Lake Waterfront Park in Miyagi Prefecture in mid-October. Under the autumn night sky, countless round kochia are planted on a gentle slope, spreading in multiple rows from the top of the hill toward the foreground. The autumn-colored kochia are rounded clumps consisting of fluffy, dense small branches and leaves, with the shape of each individual plant clearly visible. The clumps are neatly aligned along the undulations of the slope, and the rows continuing into the distance draw wave-like curves. In the foreground, the kochia appear large and dense, and as they recede, the clumps become smaller, creating a sense of depth in the vast field. The season is mid-October. The kochia have reached their peak autumn colors, dyed in natural red, reddish-purple, and deep wine red. Nighttime illumination is applied, lighting each clump with different colored lights. Vibrant bands of magenta, pink, purple, blue, cyan, emerald green, yellow, and orange light spread along the rows of kochia. The colored lights reflect softly on the round surfaces of the plants, and as the colors of adjacent clumps overlap, they create waves of rainbow-colored light. Especially for the kochia in the foreground, areas lit by blue or purple light coexist with areas lit by pink or red light, making the fluffy texture of the branches and the round shapes stand out vividly. From the mid-ground to the far distance, colorful kochia continue across the slope, filling the field of vision with fantastical colors. The illumination is not a single color for the entire field, but a production where multiple colors change row by row. The foreground plants are primarily lit with vibrant blue, purple, pink, and magenta; the mid-ground has scattered green, yellow, and orange lights; and the distant rows have bands of pink and purple light. There are strong point light sources here and there, with small purple, pink, and yellow lights shining along the slope. There is a subtle blur around the lighting, but the outlines of the kochia and the detailed texture of the branches and leaves are not lost. While the light colors are vivid, the original red autumn color of the plants should still be felt. The scene should be an impressive sight with colorful kochia floating in the darkness of the night and a strong sense of three-dimensionality for each clump. In the background, the mountain range and woodlands surrounding the park are visible. The mountains are shrouded in the darkness of the night, appearing as deep black or dark blue-purple silhouettes beneath the sky. In front of the mountains are trees colored in autumn hues, with a mix of trees that have retained green leaves and those that have turned yellow, orange, or reddish-brown. Some of the trees are lit from below, making the trunks and outlines of the leaves emerge from the darkness. Beyond the kochia fields, illuminated trees and small lights within the park are scattered, enveloping the entire park in a fantastical autumn night landscape. The sky is the dark night sky after sunset, based on a deep navy blue close to black. Very thin clouds may be slightly visible, but do not depict a daytime blue sky or a bright sunset. By keeping the night sky and mountains dark, the colorful lights hitting the kochia will stand out. The woman is a married person in her early 30s, a neat and elegant woman with long hair. Leave the character design of facial features and hair to the character LoRA; clothing, accessories, posture, and expression should follow the specifications below. The woman is depicted as the protagonist standing on the sidewalk or viewing area in the right foreground of the screen, with the illuminated kochia field as the background. She is enjoying the scenery from the path in front of the field without stepping on the kochia or entering the planting area. Her body is slightly turned toward the slope where the kochia spread, while her upper body is turned diagonally toward the camera. Her face is at an angle that is naturally visible from here, and she is smiling gently, noticing the camera. Her expression is calm, showing a modest and elegant smile that conveys she is captivated by the vibrant scenery. Instead of a surprised expression or an exaggerated pose, capture a natural moment of stopping while strolling through the park at night. The woman is standing naturally with her shoulders relaxed, holding a small, elegant handbag in one hand. Her other hand is lightly lowered by her side or casually adjusting the collar of her coat or her hair. Both feet are standing at a natural interval, in a posture of calmly enjoying the illumination. There is a natural movement in her hair and the hem of her coat caused by a very light autumn night breeze. Her full body, or at least down to her knees, is visible, ensuring that her face, hair, clothing, and standing posture are clearly discernible. The woman's clothing is appropriate for a park at night in mid-October, providing warmth and elegance. She is wearing an ivory long-sleeved blouse with a thin long coat in camel or light beige draped over it. The bottoms are a below-the-knee length skirt in dark brown or greige, and on her feet are short boots in a subdued color. She carries a small leather handbag, and accessories are limited to modest earrings or a thin necklace. While dressed for the night chill, she is not covered in a thick mid-winter coat or muffler. The clothing is kept in neat and calm colors to harmonize beautifully with the multicolored illumination of the kochia. Natural light from the surrounding illumination hits the woman's hair, coat, and face. Colored lights such as pink, purple, and blue reflect softly on the outlines of her hair, shoulders, and the edges of the coat. Her face is not crushed in darkness, and her eyes, mouth, and gentle expression are naturally visible as she receives weak auxiliary light from the surroundings. Do not apply an unnatural white light only to the woman; let her blend into the same lighting environment as the surrounding night view. Do not excessively reflect the vivid colors of the kochia onto the woman's face or skin; keep the skin tone natural while allowing the colors of the illumination to faintly reflect on her clothes and hair. The woman's figure emerges naturally in the dark night, creating a beautiful night photograph integrated with the colorful scenery of the background. The camera is placed near the viewing path in front of the kochia field, at a position overlooking the entire slope. Large-appearing kochia are placed at the bottom of the screen, and multicolored clumps follow in many rows from the center toward the back. The top of the background keeps the dark mountains and night sky, with a composition where the illumination of the kochia field expands widely in the horizontal direction. The woman is placed in the foreground on the right side of the screen, at a size where her full body or down to her knees is clearly visible. She is a protagonist with sufficient presence in the image, but she does not obscure the expanse of the kochia field. She is placed in a position that visually harmonizes with the rows of pink and purple light in the background, ensuring her face and clothing are not buried in the darkness. By showing the vast kochia field from the left to the center and placing the woman in the right foreground, the beauty of the landscape and the presence of the person are balanced. As a night photograph, the dark areas are kept as deep black or deep blue-purple, and the illumination colors of the kochia are expressed vividly. Natural light bleeds spread from the point light sources of the illumination, creating shadows along the round shapes of the plants. Bright light sources shine strongly, but the entire image does not blow out, preserving the detailed texture of the kochia's branches and leaves and the outlines of the clumps. Emphasis is placed on the contrast between the dark mountains and the bright plantings, the rows of light continuing from the foreground to the back, and the fantastical atmosphere where multiple colors overlap. The clumps in the foreground are drawn clearly in detail, and as they move toward the back, the colored lights become slightly softer, creating a sense of depth as a night view. The overall expression is a realistic photograph, as if an actual nighttime illumination was captured. Carefully depict realistic plant shapes, natural human anatomy, correct perspective, autumn foliage, light reflections, and the darkness of the night sky and mountains. Rather than an anime or illustration-like expression, make it a high-quality night photograph that is fantastical yet realistic, as if visiting Michinoku Lake Waterfront Park on an autumn night and photographing the multicolored illuminated autumn kochia together with a woman. Do not add titles, decorative text, logos, watermarks, or signatures to the image.

新山聡美(杜の湖畔公園コキアの紅葉)

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