Show Parameters
- Original Prompt
- ã¢ãã¡ã€ã©ã¹ãã女æ§ãå šèº«ç»ã䞡足ã§èªç¶ã«å°ãéããŠç«ã€ æ£é¢ããã¿ããé ããè¶³å ãŸã§ç»é¢å ã«åãŸãæ§å³ é髪ãµãããããã£ã¢ã èæ¯ã¯å€ã®å ¬å æè£ ã¯å€ã³ãŒã ãç·ç»ã»äž»ç·ã ãã£ã©ã¯ã¿ãŒã®å€èŒªéã¯ãã£ãã倪ããæçã§æ»ãããªç·ã§æããé¡ã髪ãè©ãè ãèŽäœãèã®ã·ã«ãšããã匷調ãããå€èŒªéãããå éšç·ã现ãããç·ã®å€ªãã«æç¢ºãªéå±€ãèšããã髪ã®å åŽã¯å€§ããªæ¯æãäžå¿ã«æŽçããçŽ°ãæ¯æµãã¯å¿ èŠãªéšåã ãã«æããè¡£æã®ã·ã¯ãçž«ãç®ã¯åœ¢ç¶ãçè§£ããããã«å¿ èŠãªç·ã«çµããæ¿ãç·ã®å¯éãé¿ãããé¡ã®èŒªéã¯æçã«ãã€ã€ãç®å ããŸã€æ¯ãçãæå ã¯ç¹çŽ°ã«æããäž»ç·ã¯åçŽ æã®è²ã«èª¿åããæ¿è²ãšãã倪ããšæçããç¶æããã ãåšå²ã®è²ã«ãªããäž»ç·ã äž»ç·ã¯çŽç²ãªé»äžè²ã«çµ±äžããã髪ãèãè¡£æãªã©ãããããã®è²åœ©ã«èª¿åããæ¿è²ã§æã 髪ã®å€èŒªéã«ã¯é«ªè²ã«èª¿åããæ·±ãè¶è²ãèµ€ã¿ã®ããæè²ãèã®èŒªéã«ã¯èè²ã«ãªããæè²ç³»ã®æ¿è²ãè¡£æã®èŒªéã«ã¯åžå°ã®è²ã«èª¿åããæ·±ãè²ã䜿çšãã èæ¯ãåšå²ã®å ã®è²ãåæ ãããèªç¶ãªè²ä»ãã®èŒªéç· å ãåœããéšåã§ã¯ãããã«æããã圱ã®éšåã§ã¯æ·±ãè²ã«å€åãã 茪éç·ãåçŽã«èãããããéæã«ãããããã倪ããšæçããä¿ã£ããŸãŸæ¿ãè²ã§è²åœ©ã«ãªããŸãã ç·ç»ãšå¡ããäžäœãšãªã£ãã調åã®ããä»äžãã ãé¡ã»ç³ã ã±ã£ã¡ããšããåãç®ã倧ããé åçãªç³ãèªç¶ã§åªããç®å ç³ã®è²ã«æ·±ã¿ãæããã ç®å ãšãŸã€æ¯ã¯å€§ãŸãã«æã ãã€ã©ã€ãã¯å°æ°ã«æããæ§ããã§èªç¶ãªå æ²¢ã衚çŸãã éå°ãªèŒããæåœ¢ã®åå°ãé¿ããç³æ¬æ¥ã®è²ãšåœ¢ã®çŸãããåŒãç«ãŠã èªç¶ãªé ¬ã®èµ€ã¿ãæ»ãããªèã®è³ªæãè±ããªè¡šæ ã髪ã 髪ã®å€åŽã®èŒªéç·ã¯å€ªããæç¢ºã§æ»ãããªã·ã«ãšããã圢æ 髪ã®å åŽã¯å€§ãŸãã«æ¯æãæµããæãåãã 髪ã®éãªããç«äœæãèªç¶ãªå æ²¢ãäžå¯§ã«è¡šçŸãã 髪è²ã«å¿ããè²ä»ãã®èŒªéç·ãçšãããã€ã©ã€ãã圱ã®è²ãšèª¿åããã 现éšãæã蟌ã¿ãªãããç·ãéå¯ã«ãªããªããæŽçãããç·ç» ãèã»è²åœ©ã»å¡ãã é®®ããã§éææã®ããè²åœ©ãè±ããªè²ã®æ·±ã¿ãèªç¶ãªèã®ã°ã©ããŒã·ã§ã³ èã®æããéšåãèµ€ã¿ã®ããéšåã圱ã«ãªãéšåãæ»ããã«ã€ãªããç«äœæãäžå¯§ã«è¡šçŸãã å ãšåœ±ãæç¢ºã«æãåããé°åœ±ã«ã¡ãªããªãã€ãã ã»ã«å¡ãã®æå¿«ããšãæ»ãããªã°ã©ããŒã·ã§ã³ã«ããç¹çްãªè³ªæãäž¡ç«ãã 髪ãèãè¡£æããããã®çŽ ææãæãåãã ç·ç»ã®å匷ããç¶æããªãããå¡ãã®éææãšè±ããªè²åœ©ãæãªããªã ãè¡£æã»è³ªæã è¡£æã®åœ¢ç¶ãã·ã¯ãçž«ãç®ãçŽ ææãå æ²¢ãé°åœ±ãæã蟌ã å€åŽã®èŒªéã¯å€ªãæçã«ãå éšã®ã·ã¯ã现éšã¯å€§ãŸãã«æã åžå°ã®è²ã«èª¿åãã茪éç·ã䜿çšããç·ãšå¡ãã®äžäœæãé«ãã æç¢ºãªåœ¢ç¶ãšèªç¶ãªç«äœæãæã€ãå®æåºŠã®é«ãæå ãèæ¯ã ãã£ã©ã¯ã¿ãŒã®é°å²æ°ãé è²ã«èª¿åããæ å ±éã®è±ããªèæ¯ èæ¯ã«ãèªç¶ãªå ãšåœ±ã奥è¡ãã質æãè±ããªè²åœ© èæ¯ã®å ãè²åœ©ããã£ã©ã¯ã¿ãŒã®èŒªéç·ã«ãèªç¶ã«åæ ãã£ã©ã¯ã¿ãŒãšèæ¯ã®æåå¯åºŠãäž¡ç«ãããªããããã£ã©ã¯ã¿ãŒã®å€èŒªéã¯èæ¯ã«åããããæç¢ºã«èŠèªã§ãã ãå šäœã®ä»äžããã 倪ãæçãªå€èŒªéãšç¹çްãªå éšç·ã®çµã¿åãããåšå²ã®è²åœ©ã«ãªããèªç¶ãªè²ä»ããã€æ¿ãè²ã®äž»ç·ãé®®ããã§éææã®ããè²åœ©ãè±ããªé°åœ±ãäžå¯§ãªæã蟌ã¿ãèªç¶ãªç«äœæãçµ±äžæã®ããæŽç·Žãããã¢ãã¡ã€ã©ã¹ããé«ç²Ÿçްãé«å質
- Mode
- pro
- Quality Tag
- ï¹Promptsï¹
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moreN
cgptbg,
anime illustration, woman, full body, standing naturally with legs slightly apart
seen from the front, composition where the character is contained within the frame from head to toe
background is a summer park
outfit is a summer coordinate
ãLine Art / Main Linesã
The outer contours of the character should be drawn with firm, thick, clear, and smooth lines. Emphasize the silhouettes of the face, hair, shoulders, arms, torso, and legs. Internal lines should be thinner than the outer contours, establishing a clear hierarchy of line thickness. For the inside of the hair, organize it around large clumps, drawing fine hair strands only where necessary. Limit clothing wrinkles and seams to lines necessary to understand the shape, avoiding dense clusters of dark lines. While keeping the facial outline clear, draw the eyes, eyelashes, eyebrows, and fingertips delicately. The main lines should be dark colors that harmonize with the color of each material, maintaining thickness and clarity.
ãMain Lines That Blend with Surrounding Colorsã
The main lines should not be unified in pure black, but drawn in dark colors that harmonize with each color of the hair, skin, clothing, etc.
Use deep brown or reddish dark colors that harmonize with the hair color for the outer contours of the hair, warm-toned dark colors that blend with the skin tone for the skin contours, and deep colors that harmonize with the fabric color for the clothing contours.
Natural colored outlines that also reflect the colors of the background and surrounding light.
The lines should become slightly lighter in lit areas and change to deeper colors in shaded areas.
Do not simply make the outlines thinner or transparent; maintain thickness and clarity while blending into the colors with dark tones.
A harmonious finish where the line art and coloring are integrated.
ãFace / Eyesã
Wide-set drooping eyes, large and attractive pupils, a natural and gentle look around the eyes.
Give depth to the color of the pupils.
Draw the eye area and eyelashes broadly.
Keep highlights to a minimum, expressing a modest and natural gloss.
Avoid excessive brilliance or star-shaped reflections, bringing out the beauty of the pupils' original color and shape.
Natural redness of the cheeks, smooth skin texture, and rich facial expressions.
ãHairã
The outer contour lines of the hair should be thick, forming a clear and smooth silhouette.
The inside of the hair should be drawn with broad clumps and flows.
Carefully express the overlap, three-dimensionality, and natural gloss of the hair.
Use colored contour lines corresponding to the hair color to harmonize with the highlights and shadow colors.
Organized line art that avoids becoming too dense while still depicting detail.
ãSkin / Color / Paintingã
Vivid and transparent colors, rich depth of color, and natural skin gradients.
Smoothly connect the bright areas, reddish areas, and shaded areas of the skin to carefully express three-dimensionality.
Clearly distinguish between light and shadow, creating a sharp contrast in shading.
Balance the clarity of cel-shading with the delicate texture provided by smooth gradients.
Distinguish the material feel of the hair, skin, and clothing.
Maintain the strength of the line art without compromising the transparency and rich color of the painting.
ãClothing / Textureã
Draw in the shape, wrinkles, seams, material feel, gloss, and shading of the clothing.
The outer contours should be thick and clear, while internal wrinkles and details are drawn broadly.
Use contour lines that harmonize with the fabric color to increase the sense of unity between lines and painting.
High-quality depiction with clear shapes and natural three-dimensionality.
ãBackgroundã
A background rich in information that harmonizes with the character's atmosphere and color scheme.
Natural light and shadow, depth, texture, and rich colors in the background.
The light and colors of the background are naturally reflected in the character's contour lines.
While balancing the descriptive density of the character and the background, the character's outer contour should not be buried in the background and should be clearly visible.
ãOverall Finishã
A combination of thick, clear outer contours and delicate internal lines; natural, colored, and dark main lines that blend with surrounding colors; vivid and transparent colors; rich shading; careful detailing; natural three-dimensionality; a unified and sophisticated anime illustration; high definition; high quality.
N
l
PA-4.6LT1
llako
1girl, park, pale skin, medium breasts, long hair, brown hair, smile, masterpiece, ultra detailed, green eyes, wearing dress, sunny day, trees, nature, peaceful atmosphere
ã²ããŸã
ã
çœãã¯ã³ããŒã¹ã®ãã®å
ããŸãã
Explore more
Recommended Users
You might like
yoimiya!
á¯á¯ ðð€ðð€ðð¡ðªððð
Mine / ç§ã®ãã®
ã¿ãŒã¡ãã
⊠â â¹ ð
(mai)
âââŠâððð! ððšð® ð°ðð§ð§ð ððšðŠð ð¢ð§?⬩â€â
ðð¢ðððâç§å³ 鬌ç«~ð»
the queen
á¯á¯ ðð€ðð€ðð¡ðªððð
the lancer
á¯á¯ ðð€ðð€ðð¡ðªððð
ðµSurtur
helanx
ãã·ã¥
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
ìì
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
ìëì§ ìëì ë€ì ë¶ê³ë§ë¬
ð§ð
Janet reno
à»ê±Â· ïŸâŒïž
çé2(Raw Fish 2)
Gojo & Geto's Playful Selfie! âš
Momo
The Empress of the Violet Abyss ðð
wisely
ð» ð¬ ð
(mai)
ââºââðªð¯ïžââºââ
(mai)
(â -â _â -â )â ð¬â¡ïž
(mai)
(ã£.â Ꭰâ.)ã£ð«§ð
(mai)
ð©ïžâðŸ(â âžâžâ áµâ áŽâ áµâ âžâžâ )â â³ïž
(mai)
â
(mai)
è蜊
æç©ºsky
1
â â§ ð ð§£ ð â§
(mai)
â (â *â Ëâ ïž¶â Ëâ *â )â .â â *â â¡ ð â
(mai)
Comments