Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

AI art "卯ノ花烈"
Generate New ArtworkGenerate for FreeGenerate for Free

卯ノ花烈

#Bed#Breasts#Bleach#Cleavage#Black hair#Cellphone#Haori#blue eyes#Bedroom#Girl#Unohana Retsu#Adjusting wedgie#Bleach: Thousand-Year Blood War
Avatar image of 信勝
avatar-frame

信勝

More to See

Comments

A full-body mirror selfie of a 20-year-old Japanese woman. The image has an ultra-realistic, smartphone-captured aesthetic and is presented in a 9:16 vertical aspect ratio. The subject is captured in a full-length mirror, framed to include her from head to toe, with her body positioned slightly to the left of the center. She holds her smartphone to the right of her face—above the level of her mouth—while gazing at the screen. Her face is turned slightly to the right, her lips are parted naturally, and she wears a neutral expression. Her right arm is bent in front of her chest to hold the phone, while her left arm is raised, with her fingertips lightly pinching the brim of a hat. Her upper body faces mostly forward; she stands in a natural pose with her hips slightly tilted and one foot extended forward. The camera is positioned at roughly chest height, looking down slightly, and the image exhibits the characteristic perspective distortion of a smartphone’s wide-angle lens. She is dressed in a costume of Retsu Unohana from the series *BLEACH*. The outfit is highly detailed, faithfully recreating elements such as her appearance (blue eyes, very long, straight black hair, and narrowed, half-closed eyes) and her attire (a black kimono-style dress, a white coat, and a white *obi* sash). The background is a lived-in Japanese bedroom, featuring a bed with slightly rumpled sheets and a bookshelf on the left, a wooden door toward the back-center, and clothing visible on the right, all set atop a gray rug. The room is illuminated by warm, even lighting, which creates soft shadows and subtle contrasts. Every detail—from the texture of her skin to the stitching and folds in her clothing—is rendered with high realism. There is no excessive skin retouching or cinematic stylization; it is a high-definition, authentic-looking photograph that appears as though it were taken in an ordinary indoor setting. It is not rendered in an anime-style aesthetic.
Show Parameters
Original Prompt
A full-body mirror selfie of a 20-year-old Japanese woman. The image has an ultra-realistic, smartphone-captured aesthetic and is presented in a 9:16 vertical aspect ratio. The subject is captured in a full-length mirror, framed to include her from head to toe, with her body positioned slightly to the left of the center. She holds her smartphone to the right of her face—above the level of her mouth—while gazing at the screen. Her face is turned slightly to the right, her lips are parted naturally, and she wears a neutral expression. Her right arm is bent in front of her chest to hold the phone, while her left arm is raised, with her fingertips lightly pinching the brim of a hat. Her upper body faces mostly forward; she stands in a natural pose with her hips slightly tilted and one foot extended forward. The camera is positioned at roughly chest height, looking down slightly, and the image exhibits the characteristic perspective distortion of a smartphone’s wide-angle lens. She is dressed in a costume of Retsu Unohana from the series *BLEACH*. The outfit is highly detailed, faithfully recreating elements such as her appearance (blue eyes, very long, straight black hair, and narrowed, half-closed eyes) and her attire (a black kimono-style dress, a white coat, and a white *obi* sash). The background is a lived-in Japanese bedroom, featuring a bed with slightly rumpled sheets and a bookshelf on the left, a wooden door toward the back-center, and clothing visible on the right, all set atop a gray rug. The room is illuminated by warm, even lighting, which creates soft shadows and subtle contrasts. Every detail—from the texture of her skin to the stitching and folds in her clothing—is rendered with high realism. There is no excessive skin retouching or cinematic stylization; it is a high-definition, authentic-looking photograph that appears as though it were taken in an ordinary indoor setting. It is not rendered in an anime-style aesthetic.
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.78k

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile