Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Hanfu Xiadie

#Honkai Series#Honkai: Star Rail#Castorice
More to See

Comments

castorice (honkai: star rail), 1girl,sole,breast,wearing a purple Hanfu and holding an oil-paper umbrella, she walks along a straight stone bridge, taking in the hazy scenery around the lake. With one hand reaching out from under the umbrella to feel the raindrops, she tilts her head slightly upward to gaze at the willow trees in the distance. From this side view, it is raining, and countless raindrops are splashing on the surface of West Lake. There are many willow trees along the shore of West Lake, and behind the figure stands the West Lake Pagoda, faintly visible. The composition runs from right to left; the figure’s facial features and attire are rendered in detail, and she is positioned on the left side of the frame.
Show Parameters
Mode
pro
Size
1280 x 720
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of 中南
castorice (honkai: star rail), 1girl,sole,breast,wearing a purple Hanfu and holding an oil-paper umbrella, she walks along a straight stone bridge, admiring the hazy scenery around the lake. With one hand reaching out from under the umbrella to feel the raindrops, she tilts her head slightly upward to gaze at the willow trees in the distance, then turns her head ever so slightly to the side, It was raining; countless raindrops were splashing on the surface of West Lake. There were many willow trees along the shore, and behind the figure stood the West Lake Pagoda, faintly visible. The figure is positioned on the left side of the composition.
中南
AI artwork
Avatar image of hinqse
beautiful light, best shadow, color blink, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, a horizontal 16:9 fantastical Japanese-style fantasy illustration. The setting is a vermilion-lacquered arched taiko bridge spanning over a late-night Japanese garden. A bright full moon hangs in the sky, with thin clouds drifting across a dark navy blue night sky. Around the bridge are heavily pruned, rounded trees and low mountains, with the roof of a traditional Japanese house visible in the background. A solitary girl clad in a red kimono stands atop the bridge. The girl has a slender, delicate build. Her hair is a bluish lavender purple or pale wisteria purple. Her hair is extremely long, extending far past her waist down below her knees. It is mostly straight, curving gently toward the ends. Her bangs are long, sweeping diagonally from her forehead toward her eyes. Thin strands of hair hang on both sides of her face. Near the top of her head sits a small golden floral hair ornament or comb-like hairpiece. The ornament features slender golden decorations or feather-like parts. Her entire hair is billowing dramatically toward the right side of the frame in a strong wind. Instead of a single mass, it separates into multiple slender strands forming wide sweeping arcs. Some long strands lift toward the upper right of the frame, while others stream horizontally. The tips of her hair are fine, spreading as if dancing upon the wind. The girl's face is small, with a slightly narrow oval shape. Her face is tilted toward the lower left of the frame, with her eyes closed or cast downward. Her expression is serene and somewhat wistful. Her lips are lightly closed with scarcely a smile. One hand is brought near her cheek or mouth in a thoughtful, pensive gesture. Her outfit is Japanese-style attire based on a deep crimson kimono paired with a gorgeous floral pattern and a decorative obi sash. The kimono is a vibrant red to deep crimson, hugging her slender silhouette. It flares gently toward the hem, reaching down near her ankles. The collar features the characteristic crossing shape of a kimono, revealing a white to pale gray under-collar. A deep red fabric is layered around the neck, creating a clean line from her chest to her waist. The sleeves are long, resembling furisode. From shoulder to arm they fall naturally, with the fabric draping heavily toward the sleeve cuffs. The outer side of the sleeves is vivid deep crimson, while the inner lining reveals a dark blue-green or deep navy blue. Caught by the wind, part of the sleeve flares backward, exposing the inner pattern. The sleeve extending toward the right of the frame, in particular, billows largely in the gust. A wide obi is tied around her waist. The obi's color is dark blue-green to deep navy blue. It features fine gold and bluish-purple decorative accents, adorned with traditional Japanese botanical patterns and swirling curves. A large obi knot sits on her back, its long trailing fabric streaming behind her in the wind. The hem of the kimono is illustrated with floral patterns combining blue, purple, red, and dark green. The motifs become denser toward the hem. The flower shapes evoke traditional Japanese botanicals like chrysanthemums, peonies, and cherry blossoms. The petals and leaves have delicate golden linework. The upper half of the kimono is a relatively simple red, with gorgeous patterns multiplying toward the hem. On her feet are black to deep purple platform footwear, shaped like zori or platform sandals styled for traditional attire. The toes are slightly rounded with elevated soles. As if captured mid-stride, one foot touches the ground while the other is slightly lifted. The girl appears caught mid-step as she walks across the vermilion bridge. Her body is in a near-profile angle facing toward the left of the frame. Her upper body leans slightly forward with her face directed downward. Her head is gently tilted, her gaze cast down near her feet. One arm is bent at the elbow with fingertips touching near her cheek or mouth. The other arm hangs straight down along her side, concealed within the long sleeve. Her legs are in the middle of a walking motion, one foot placed forward and the other trailing behind. The front foot rests on the bridge's floorboards. The trailing foot has its heel slightly raised with the toe pointed downward. The camera is set at a low angle slightly below the girl, looking diagonally upward. The entire frame is tilted clockwise at a Dutch angle of roughly 15 to 20 degrees. The bridge's floor stretches diagonally from the lower left to the upper right of the frame. The girl is positioned slightly to the left of center, with her head a bit above the center and her feet near the bottom center. Her hair stretches long from the center toward the upper right. Her full body fits within the frame, fully displaying the sweeping flow of her hair. The figure occupies roughly 70% of the frame's height. The full moon is placed in the upper left of the frame, positioned to the left of the girl's head and hovering above the background mountains. The moon is a brilliant white, softly illuminating the surrounding clouds. Its size is comparable to or slightly larger than the figure's head. The bridge runs diagonally from the lower left to the upper right. On the right side of the frame, the vermilion railing features prominently; being in the foreground, it appears large and crops out of the right edge of the frame. A portion of the railing is also visible in the lower left. The left and right railings flank the scene, guiding the viewer's eye toward the girl in the center. The bridge is an aged vermilion wooden arched taiko bridge crossing a traditional Japanese garden. It bends in a gentle arch, its floor laid with wooden planks. The long planks run along the bridge's path. The floor is a dark grayish purple to grayish brown, with areas hit by moonlight glowing in a faint bluish-white luminescence. Vermilion railings run along both sides, with thick crossbeams and vertical posts aligned rhythmically. The tops of the railings are rounded, and the ends of the posts are capped with small spherical decorative finials. Around the bridge stand heavily pruned, rounded trees. The foliage is dense, forming large rounded masses colored dark blue-green to deep forest green. Where the moonlight strikes, faint blue-green highlights appear. The trees are placed to the left and right of the bridge, partially obscuring the background architecture. Deep in the center background stands a traditional Japanese residence. Its roof features dark gray ceramic tiles. Built of wood, horizontal beams and pillars are visible, along with fine vertical and horizontal lines reminiscent of shoji paper doors or lattice windows. The building rests in deep shadows, with only its silhouette faintly discernible. The background features a range of dark mountains. The mountain ridge rises from the left side of the frame toward the center. Colored deep indigo to near-black, the distant peaks fade into pale bluish-purple, melting into the night air. The sky is a deep navy blue, indigo, and dark purple. The full moon hangs in the upper left, surrounded by drifting thin clouds. The clouds are grayish purple to blue-gray, edged in white by the moonlight. Stars are barely visible, but tiny golden particles of light float gently in the air. The primary light source is the full moon in the upper left. Its white to pale bluish-purple moonlight illuminates the girl's hair, shoulders, kimono sleeves, and the bridge floor. A thin edge-light runs along the top of her long hair, causing the contours of the strands to glow softly. The front of her face remains relatively dim, with faint light brushing her cheek and the bridge of her nose. The red of the kimono brightens subtly under the moonlight, while its shadows sink into dark purple tones. Moonlight cuts diagonally across the bridge floor, spreading a faint bluish-white reflection along the wood grain. Slender highlights also trace the tops of the railings, defining their vermilion silhouettes. A faint mist hovers near the bottom of the frame, softly enveloping the bridge's surface and the girl's feet. Tiny golden motes of light drift all around. The overall color palette is anchored in deep indigo, purple, and dark blue-green, punctuated by the vibrant accents of the red kimono and vermilion railings. Bluish-purple moonlight reflects off the girl's hair, while subtle golden decorations accent the floral patterns of her kimono. A fantastical Japanese fantasy world brimming with tranquility, mystery, sorrow, and grace. A breathtaking scene uniting a moonlit night, a vermilion arched bridge, long purple hair streaming in the wind, a lavish red kimono, a shadowed Japanese garden, and soft moonlight.
hinqse

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬