Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Mass Effect

#Mass Effect
More to See

Comments

character: liara_t'soni 1girl, 1boy, blue skin, freckles, blue eyes, white jacket, open jacket, black top, tight pants, diaper, thick diaper, bulky diaper, waddling, legs apart, from front, medium full shot, blushing, embarrassment, biting lip, looking away, holding object, clutching, pulling clothes, ship corridor, silhouette, backlit, amber lighting, blush, sweat, seductive_smile, half-closed_eyes A medium full shot from the front. A blue-skinned woman with freckles across her face and scalp-to-brow crest stands in a metallic ship corridor; her head is tilted down sheepishly and her face is flushed a deep violet. Her brows are knit, she is biting her lower lip, and her eyes dart sideways, avoiding the viewer's gaze. She wears a black top and fitted pants under an open white jacket; the fabric of the pants is stretched and bunched awkwardly over an enormous, thick, overstuffed white diaper underneath. The massive bulk of the padding juts out wide around her hips and between her thighs, forcing her legs apart into a wide, awkward waddling stance. Visible ridges from crinkled plastic edges and tape tabs press through the strained fabric of her pants. She clutches a glowing blue data disc against her chest with one hand while her other hand tugs uselessly at the stretched fabric over the diaper's bulge. To the side, the dark silhouette of a passing crewmate is turned, staring at her. The scene is lit by amber console lights and soft cinematic lighting that casts warm accents on her violet-flushed cheeks. Stylized proportions with a playful, idealized aesthetic and smooth digital rendering. Comedic mortified mood.
Show Parameters
Original Prompt
character: liara_t'soni — a humorous pin-up style illustration of the adult asari doctor standing in a corridor of the Normandy. Liara wears her signature form-fitting outfit with the white open jacket over her black top and fitted pants, but the fabric is stretched and bunched awkwardly over an enormous, thick, overstuffed diaper underneath — the bulky white padding is clearly outlined through the tight clothing, jutting far out around her blue hips and between her thighs, forcing her legs apart into an awkward waddling stance, with crinkled plastic edges and tape tabs pressing visible ridges into the strained fabric. Her freckled blue face is flushed deep violet with an anxious, embarrassed expression, brows knit, eyes darting sideways away from the viewer, biting her lip, one hand clutching a glowing data disc against her chest while the other tugs uselessly at the stretched fabric over the diaper bulge, her scalps-to-brow crest of blue freckled skin tilted down sheepishly. Ship corridor background with metallic bulkheads, amber console lighting, a passing crewmate's silhouette turned to stare. Clean anime digital illustration, medium full shot from the front, soft cinematic lighting with warm accents on her face, detailed fabric stretching and diaper outline highlights, comedic mortified mood.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬