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1girl, solo, white one-piece swimsuit, long sleeves, high-leg swimsuit, solid color swimsuit, fully covered torso, covered navel, covered cleavage, long hair, loose hair, untied hair, wet hair, beach, white sand, sand shore, shoreline, many people in background, crowd, out of focus background, clutching own stomach, both hands on lower abdomen, leaning forward, upper body bent forward, hips pushed back, ass visible, plump buttocks, wide hips, thick thighs, trembling, trembling legs, sweat, profuse sweat, cold sweat, sweat on face, sweat drops, teary eyes, tears, crying, wailing, open mouth, shame, despair, half-crazed expression, distressed, brown stain, diarrhea, soiled swimsuit, soiled clothes, stain on swimsuit seat, stain on buttocks, stain on inner thighs, leaking, liquid dripping, sitting, sitting on sand, kneeling, collapsed, from behind, three-quarter view, from side, dutch angle, cowboy shot, motion lines, blush, heavy breathing, trembling, seductive smile, spoken heart, highres, detailed face, glossy skin, wet skin, sand on skin, The camera looks down from behind and slightly to her right at a low three-quarter rear angle, tilted a few degrees off level, so the white sand fills the bottom of the frame and her pushed-back hips sit closest to the lens — the plump curve of her buttocks and the wide outer thighs dominating the near foreground while her bent back and turned-away face rise beyond them in foreshortening. She is dropped onto the white sand in a half-collapsed kneel, weight sunk into her right hip and shin, left knee drawn up, both arms wrapped hard across her lower abdomen with her hands clamped over it and fingers digging into the white fabric; her upper body is pitched forward over that grip while her hips cant back and out, high-leg cut riding up so the strained white seat stretches tight across her buttocks. Her long loose hair, wet and untied, spills over her right shoulder and hangs forward past her jaw in dark clumps, strands stuck to her sweat-slick cheek and neck, the rest tumbling down her bent back in a damp sheet; her face is turned away in three-quarter profile, chin crumpled, mouth open in a wailing sob, eyes squeezed shut with tears cutting down through the sheen on her cheeks, lashes clumped. Her legs quiver visibly, thighs pressed together and shaking, and a fine tremor runs through her shoulders. The white long-sleeve swimsuit covers her whole upper body, sleeves down to her wrists, no bare skin on the torso; it is soaked and clinging, darker where wet. The seat of the swimsuit, the back of her buttocks and the inner faces of her thighs are smeared and daubed with brown filth, thickest at the crotch and the leg opening, where a brown trickle escapes sideways past the stretched edge of the white fabric and runs in slow rivulets down the inside of her thigh and drips onto the sand below; a dark wet patch spreads into the sand directly under her where the drips land, sand grains clinging to the wet fabric and to her skin. Cold sweat beads in heavy drops across her forehead, temple and upper lip, runs in lines down her throat and glistens on her arms and back, catching the light. The lighting is high, soft, overcast midday sun diffused through thin cloud, coming from above and slightly to the left, laying a faint warm sheen on her shoulders, the curve of her hip and the wet white fabric, with soft shadows gathering under her bent torso, between her thighs and in the hollow behind her knee; the sea and the crowd of beachgoers blur into a bright, low-contrast haze far behind her, distant figures reduced to soft silhouettes in swimwear and sun hats, none of them in focus and none of them closer than the shoreline. The palette is white, bone, pale sand beige and bleached sky blue, broken only by the dark brown of the soiling, the warm skin tones, and the wet black-brown of her hair. Minute comic-style sweat droplets cling to her cheek and temple, and a small hand-drawn heart floats in a tiny speech bubble beside her turned face. Her hands stay locked on the abdomen, her knees stay in the sand, and her gaze points down and away from the lens, unfocused with shame. Humiliated, raw despair.
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Original Prompt
그녀는 흰색 긴팔 하이레그 수영복을 입고 있어. (단색 수영복; 상체는 전신이 가려짐, 풀려있는 긴머리) 그녀는 해안가에서 물놀이를 하다가 배탈이 나서 하복부를 부여잡고 있고, 다리가 매우 떨리는거 같아. 그녀는 지금 해안가 백사장에 있는데, 주변엔 사람들도 많아보여. 그녀는 이곳에서 설사를 지리면 안되겠다는 생각에 필사적으로 아랫배를 부여잡고 상체는 앞으로 젖히고 있고, 엉덩이는 뒤로 빼며 그녀의 빵빵한 엉덩이와 넓은 허벅지가 적랄하게 잘보여. 그녀는 식은땀을 엄청 흘리고 있고, 지리기 일부 직전이라 울먹이고 있어. 그러나 결국 그녀는 설사를 지리게되고, 흰색 수영복 팬티와 엉덩이, 그리고 허벅지 안쪽이 갈색 설사들로 완전히 더러워지고, 수영복 엉덩이 옆쪽으로는 설사가 끝없이 새어나오게되, 그녀는 설사를 지린 수치심 때문에 반쯤 미치게되고 자리에 주저앉아 서럽게 오열하고 있다.
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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