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- Original Prompt
- A two-panel vertical split-screen illustration in an anime art style, Upper panel: A slim Japanese high school girl stepping into an elevator. Cowboy shot,She wears an oversized, loose-fitting school blazer that hangs baggily on her frame. Her posture is relaxed and casual. She is holding a hamburgers in one hand. The elevator interior is clean and modern. Bright, light lighting emphasizes youth and lightness. bottom panel: The same high school girl stepping out of the elevator, now noticeably overweight. Cowboy shot,Her school blazer is stretched tight and visibly bulging, pushed upward by her belly fat. Buttons strain, fabric creases deeply, and her clothes look painfully tight. She is sweating heavily, and having fatty face,fatty breast,fatty arms,fatty legs,fatty hips with visible steam rising from her body, suggesting heat and exhaustion. navel,middriff,Her expression shows fatigue and discomfort. The lighting is heavier and more dramatic, emphasizing contrast and consequence.
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 3
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
Similar Images
Show moreAn anime-style two-panel vertical split-screen illustration.
**Upper Panel:**
A slim Japanese high school girl steps into a clean, modern elevator in a cowboy shot (mid-thigh up). She wears an oversized, loose-fitting school blazer that drapes casually over her frame, paired with a standard school uniform. Her posture is relaxed as she holds a hamburger in one hand, her expression carefree. The lighting is bright and airy, emphasizing youth and lightness.
**Bottom Panel:**
The same girl steps out of the elevator, now dramatically overweight. Her once-baggy blazer is stretched taut, buttons straining, fabric deeply creased from the pressure of her swollen belly. Her fatty face, fatty breasts, fatty arms, fatty legs, and fatty hips bulge against her now painfully tight uniform. Sweat beads on her skin, and visible steam rises from her overheated body. Her expression is fatigued and uncomfortable, with a visible navel and midriff. The lighting is heavier, using dramatic contrast to emphasize the drastic transformation and its consequences.
The style is detailed anime, with a focus on exaggerated yet believable anatomy shifts and dynamic fabric tension.
H B
artist: , A two-panel vertical split-screen illustration in an anime art style.
**Upper Panel:**
A slim Japanese high school girl steps into an elevator in a cowboy shot (mid-thigh up). She wears an oversized, loose-fitting school blazer that drapes baggily over her slender frame, paired with a pleated skirt. Her posture is relaxed and casual, holding a hamburger in one hand. The elevator interior is clean and modern, with bright, soft lighting emphasizing youth and innocence.
**Bottom Panel:**
The same girl steps out of the elevator, now noticeably overweight. Her once-loose blazer strains against her swollen belly, buttons threatening to pop, fabric creasing deeply. Her skirt digs into her widened hips, and her arms, legs, and face are now plump and rounded. Sweat beads on her flushed skin, steam rising from her overheated body. Her expression is fatigued and uncomfortable, her breathing labored. The lighting is heavier, with dramatic shadows emphasizing the contrast between her former and current state. The background remains consistent, reinforcing the transformation.
H B
An anime-style two-panel vertical split-screen illustration.
**Upper Panel:**
A slim Japanese high school girl steps into a clean, modern elevator in a cowboy shot (mid-thigh up). She wears an oversized, loose-fitting school blazer that drapes casually over her frame, paired with a standard school uniform. Her posture is relaxed as she holds a hamburger in one hand, her expression carefree. The lighting is bright and airy, emphasizing youth and lightness.
**Bottom Panel:**
The same girl steps out of the elevator, now dramatically overweight. Her once-baggy blazer is stretched taut, buttons straining, fabric deeply creased from the pressure of her swollen belly. Her fatty face, fatty breasts, fatty arms, fatty legs, and fatty hips bulge against her now painfully tight uniform. Sweat beads on her skin, and visible steam rises from her overheated body. Her expression is fatigued and uncomfortable, with a visible navel and midriff. The lighting is heavier, using dramatic contrast to emphasize the drastic transformation and its consequences.
The style is detailed anime, with a focus on exaggerated yet believable anatomy shifts and dynamic fabric tension.
H B
An anime-style two-panel vertical split-screen illustration.
**Upper Panel:**
A slim Japanese high school girl steps into a clean, modern elevator in a cowboy shot (mid-thigh up). She wears an oversized, loose-fitting school blazer that drapes casually over her frame, paired with a standard school uniform. Her posture is relaxed as she holds a hamburger in one hand, her expression carefree. The lighting is bright and airy, emphasizing youth and lightness.
**Bottom Panel:**
The same girl steps out of the elevator, now dramatically overweight. Her once-baggy blazer is stretched taut, buttons straining, fabric deeply creased from the pressure of her swollen belly. Her fatty face, fatty breasts, fatty arms, fatty legs, and fatty hips bulge against her now painfully tight uniform. Sweat beads on her skin, and visible steam rises from her overheated body. Her expression is fatigued and uncomfortable, with a visible navel and midriff. The lighting is heavier, using dramatic contrast to emphasize the drastic transformation and its consequences.
The style is detailed anime, with a focus on exaggerated yet believable anatomy shifts and dynamic fabric tension.
H B
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