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View detailsおれんじぺこー
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- Original Prompt
- 忍者、くノ一、女性、巨乳、ポニーテール、白髪、和室、布団、氷枕をあてて布団で寝ている、インフルエンザで倒れている
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
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Show more1girl, solo, kunoichi, female ninja, large breasts, white hair, ponytail, high ponytail, long hair, sleeping, eyes closed, sick, influenza, bedridden, lying on back, futon, japanese room, washitsu, tatami floor, ice pillow, ice pack on forehead, damp cloth, white cotton yukata with light blue floral pattern, collarbone, blanket over body, arms outside blanket, from above, close-up, dutch angle, overhead composition, soft window light, shoji screen, warm muted palette, quiet tender
The camera looks down from directly above, tilted a few degrees off true vertical so the tatami seams run diagonally across the frame: the whole image is the futon seen from above, one kunoichi filling it from head to hip. She lies on her back in the middle of the futon, head on the pillow, white ponytail fanned out and pooled sideways across the pillow and the sheet beside her right ear, the tie still holding the gathered tail at the crown. Her face is slack in sleep, eyes shut, lashes low and dark against pale skin, one brow slightly drawn, lips parted a little with a slow shallow breath; a faint sheen of fever across her forehead and cheekbones catches the light. A flat gel ice pillow sits square on her forehead above the brows, its rim pressing a shallow dent into the skin and flattening the fringe beneath it, condensation beading along its surface and a single drop tracking down her temple toward the pillow. Both arms lie outside the folded quilt, hands loose and open on the sheet, one near her collarbone, the other just below the quilt's edge; the quilt is pulled up to her chest, rising and falling over her large bust, its top edge bunched in two soft folds under her hands. The white cotton yukata with its light blue floral pattern is pulled slightly open at the throat, the crossed collar lying flat, one blue flower visible on the sleeve beside her forearm. Her hips and legs under the quilt fall out of the lower frame, weight settled into the mattress so the futon dips shallowly around her shoulders and hips. The tatami fills the ground around the futon, a folded hand towel and a small wooden tray with a cup and a folded cloth set at the futon's edge near her shoulder, nothing else in the room but the seam of a shoji screen along one edge, painted paper and wooden lattice. Soft overcast daylight enters through that shoji from the left, laying a faint grid of bright rectangles across the tatami and the quilt's left side, the shadows on her right cheek and along the pillow deepening; the ice pillow's low rim throws a thin curved shadow over her brow. Palette is restrained to pale bone white, the cool grey-blue of tatami weave, the ice pillow's translucent blue-green and the yukata's faded indigo florals, with her flushed cheeks as the only warm note. Quiet, feverish tenderness.
おれんじぺこー
1girl, solo, kunoichi, female ninja, large breasts, white hair, ponytail, high ponytail, long hair, sleeping, eyes closed, sick, influenza, bedridden, lying on back, futon, japanese room, washitsu, tatami floor, ice pillow, ice pack on forehead, damp cloth, white cotton yukata with light blue floral pattern, collarbone, blanket over body, arms outside blanket, from above, close-up, dutch angle, overhead composition, soft window light, shoji screen, warm muted palette, quiet tender
The camera looks down from directly above, tilted a few degrees off true vertical so the tatami seams run diagonally across the frame: the whole image is the futon seen from above, one kunoichi filling it from head to hip. She lies on her back in the middle of the futon, head on the pillow, white ponytail fanned out and pooled sideways across the pillow and the sheet beside her right ear, the tie still holding the gathered tail at the crown. Her face is slack in sleep, eyes shut, lashes low and dark against pale skin, one brow slightly drawn, lips parted a little with a slow shallow breath; a faint sheen of fever across her forehead and cheekbones catches the light. A flat gel ice pillow sits square on her forehead above the brows, its rim pressing a shallow dent into the skin and flattening the fringe beneath it, condensation beading along its surface and a single drop tracking down her temple toward the pillow. Both arms lie outside the folded quilt, hands loose and open on the sheet, one near her collarbone, the other just below the quilt's edge; the quilt is pulled up to her chest, rising and falling over her large bust, its top edge bunched in two soft folds under her hands. The white cotton yukata with its light blue floral pattern is pulled slightly open at the throat, the crossed collar lying flat, one blue flower visible on the sleeve beside her forearm. Her hips and legs under the quilt fall out of the lower frame, weight settled into the mattress so the futon dips shallowly around her shoulders and hips. The tatami fills the ground around the futon, a folded hand towel and a small wooden tray with a cup and a folded cloth set at the futon's edge near her shoulder, nothing else in the room but the seam of a shoji screen along one edge, painted paper and wooden lattice. Soft overcast daylight enters through that shoji from the left, laying a faint grid of bright rectangles across the tatami and the quilt's left side, the shadows on her right cheek and along the pillow deepening; the ice pillow's low rim throws a thin curved shadow over her brow. Palette is restrained to pale bone white, the cool grey-blue of tatami weave, the ice pillow's translucent blue-green and the yukata's faded indigo florals, with her flushed cheeks as the only warm note. Quiet, feverish tenderness.
おれんじぺこー
1girl, solo, kunoichi, female ninja, large breasts, white hair, ponytail, high ponytail, long hair, sleeping, eyes closed, sick, influenza, bedridden, lying on back, futon, japanese room, washitsu, tatami floor, ice pillow, ice pack on forehead, damp cloth, white cotton yukata with light blue floral pattern, collarbone, blanket over body, arms outside blanket, from above, close-up, dutch angle, overhead composition, soft window light, shoji screen, warm muted palette, quiet tender
The camera looks down from directly above, tilted a few degrees off true vertical so the tatami seams run diagonally across the frame: the whole image is the futon seen from above, one kunoichi filling it from head to hip. She lies on her back in the middle of the futon, head on the pillow, white ponytail fanned out and pooled sideways across the pillow and the sheet beside her right ear, the tie still holding the gathered tail at the crown. Her face is slack in sleep, eyes shut, lashes low and dark against pale skin, one brow slightly drawn, lips parted a little with a slow shallow breath; a faint sheen of fever across her forehead and cheekbones catches the light. A flat gel ice pillow sits square on her forehead above the brows, its rim pressing a shallow dent into the skin and flattening the fringe beneath it, condensation beading along its surface and a single drop tracking down her temple toward the pillow. Both arms lie outside the folded quilt, hands loose and open on the sheet, one near her collarbone, the other just below the quilt's edge; the quilt is pulled up to her chest, rising and falling over her large bust, its top edge bunched in two soft folds under her hands. The white cotton yukata with its light blue floral pattern is pulled slightly open at the throat, the crossed collar lying flat, one blue flower visible on the sleeve beside her forearm. Her hips and legs under the quilt fall out of the lower frame, weight settled into the mattress so the futon dips shallowly around her shoulders and hips. The tatami fills the ground around the futon, a folded hand towel and a small wooden tray with a cup and a folded cloth set at the futon's edge near her shoulder, nothing else in the room but the seam of a shoji screen along one edge, painted paper and wooden lattice. Soft overcast daylight enters through that shoji from the left, laying a faint grid of bright rectangles across the tatami and the quilt's left side, the shadows on her right cheek and along the pillow deepening; the ice pillow's low rim throws a thin curved shadow over her brow. Palette is restrained to pale bone white, the cool grey-blue of tatami weave, the ice pillow's translucent blue-green and the yukata's faded indigo florals, with her flushed cheeks as the only warm note. Quiet, feverish tenderness.
おれんじぺこー
1girl, solo, kunoichi, female ninja, large breasts, white hair, ponytail, high ponytail, long hair, sleeping, eyes closed, sick, influenza, bedridden, lying on back, futon, japanese room, washitsu, tatami floor, ice pillow, ice pack on forehead, damp cloth, white cotton yukata with light blue floral pattern, collarbone, blanket over body, arms outside blanket, from above, close-up, dutch angle, overhead composition, soft window light, shoji screen, warm muted palette, quiet tender
The camera looks down from directly above, tilted a few degrees off true vertical so the tatami seams run diagonally across the frame: the whole image is the futon seen from above, one kunoichi filling it from head to hip. She lies on her back in the middle of the futon, head on the pillow, white ponytail fanned out and pooled sideways across the pillow and the sheet beside her right ear, the tie still holding the gathered tail at the crown. Her face is slack in sleep, eyes shut, lashes low and dark against pale skin, one brow slightly drawn, lips parted a little with a slow shallow breath; a faint sheen of fever across her forehead and cheekbones catches the light. A flat gel ice pillow sits square on her forehead above the brows, its rim pressing a shallow dent into the skin and flattening the fringe beneath it, condensation beading along its surface and a single drop tracking down her temple toward the pillow. Both arms lie outside the folded quilt, hands loose and open on the sheet, one near her collarbone, the other just below the quilt's edge; the quilt is pulled up to her chest, rising and falling over her large bust, its top edge bunched in two soft folds under her hands. The white cotton yukata with its light blue floral pattern is pulled slightly open at the throat, the crossed collar lying flat, one blue flower visible on the sleeve beside her forearm. Her hips and legs under the quilt fall out of the lower frame, weight settled into the mattress so the futon dips shallowly around her shoulders and hips. The tatami fills the ground around the futon, a folded hand towel and a small wooden tray with a cup and a folded cloth set at the futon's edge near her shoulder, nothing else in the room but the seam of a shoji screen along one edge, painted paper and wooden lattice. Soft overcast daylight enters through that shoji from the left, laying a faint grid of bright rectangles across the tatami and the quilt's left side, the shadows on her right cheek and along the pillow deepening; the ice pillow's low rim throws a thin curved shadow over her brow. Palette is restrained to pale bone white, the cool grey-blue of tatami weave, the ice pillow's translucent blue-green and the yukata's faded indigo florals, with her flushed cheeks as the only warm note. Quiet, feverish tenderness.
おれんじぺこー
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