Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate for Free

C9I

Avatar image of C9I

C9I

More to See

Comments

solitary object, no humans, single white porcelain mask, no eyes, smooth featureless eye area, serene gentle closed-lip smile, pristine glossy glaze, hairline cracks spreading from behind the face outward, thick dark cold smoke seeping through every fissure, hollow shell with empty void cavity behind the face, floating unsupported, pitch-black void background, absolute darkness beyond the mask, cold clinical key light, hard rim light, cinematic lighting, high detail, 35mm film grain, shallow depth of field, 16:9 widescreen, no text, no lettering, no watermark, no signature, clean frame, eerie, unsettling, psychological horror A single mask hangs alone in the centre of the frame, seen straight on and slightly from below at a shallow upward tilt so the chin edge of the shell lifts toward the lens and the void swallows the space above it; nothing else exists in the image -- no stand, no wire, no floor, no horizon, no hands, no body. The mask floats unsupported in a pitch-black void, an oval of white porcelain tilted a few degrees off vertical, its left rim catching a glint while its right side rolls into shadow. Its surface is pristine and beautiful: cool, glassy glaze over eggshell-white porcelain, so finely finished that the light slides along it in one long soft highlight down the left cheek. Where eyes would be, the porcelain is smooth and unbroken -- two undisturbed, slightly convex blank areas, no sockets, no lids, no pupils, a featureless face that keeps the gaze from ever landing anywhere. The mouth is a shallow, serene, gentle smile, its corners lifted only a few millimetres, a dimpled indentation at each end of the lip line; the smile never wavers and becomes unbearable because of it. The mask is cracking from the inside out: fine hairline fractures radiate from a point behind the middle of the face, spidering outward under the glaze toward the cheeks, the brow line and the jaw, each line dark and slightly widened, the porcelain along the fracture edges lifting in minute chipped lips that catch the light as thin white slivers. The cracks widen toward the centre. Through them, thick, dark, cold smoke leaks -- heavy, slow, almost liquid, rolling over the rim of each fissure and spilling down the surface of the mask in tarry coils instead of rising, so the smoke hangs and drips against gravity rather than drifting up. Where the fractures open widest, the shell thins to nothing and an endless, empty void shows behind the face: a rectangle of deeper-than-black nothing inside the pale mask, its edges broken and razor-thin, no interior, no backing, no wall -- the mask is a hollow shell with the vacuum behind it pressing through the smile. The lighting is cold and clinical: one hard, colourless key from the upper left, the temperature of an examination lamp, striking only the mask and refusing to fall into the black, so the surrounding void stays absolutely dark with no gradient and no floor. A second, weaker rim light traces the right edge of the shell. The mask's cast shadow falls on nothing at all -- its only evidence is the darkness that clings to the underside of the chin and inside the open cracks, where no light reaches. Palette: white and pale gray porcelain, deep near-black of the void, and smoke graded from charcoal to a cold blue-tinged gray where the rim light brushes it. The detail budget goes to the glaze, the fracture branches and the chipped edges, the smoke's rolling friction against the surface, the void behind the smile; the nine-to-sixteen widescreen frame leaves the mask small in a large field of black with irregular negative space so the black feels endless. Visible 35mm film grain sits in the midtones of the porcelain and in the smoke and in the black, never on the highlight. Shallow focus holds the face's cracks sharp while the far rim of the shell softens. Eerie, unsettling fake perfection, psychological horror.
Show Parameters
Original Prompt
A pristine, beautiful white porcelain mask with a serene, gentle smile floating in a pitch-black void. The mask is cracking from the inside out. Thick, dark, cold smoke is leaking from the cracks, revealing an endless, empty void behind the face. No eyes are visible. The lighting is cold and clinical. Mood: eerie, psychological horror, unsettling, fake perfection. Cinematic lighting, 8k, film grain, hyper-detailed. No text, no watermark. --ar 16:9
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.21k

Similar Images

Show more
AI artwork
Avatar image of C9I
solitary object, no humans, single white porcelain mask, no eyes, smooth featureless eye area, serene gentle closed-lip smile, pristine glossy glaze, hairline cracks spreading from behind the face outward, thick dark cold smoke seeping through every fissure, hollow shell with empty void cavity behind the face, floating unsupported, pitch-black void background, absolute darkness beyond the mask, cold clinical key light, hard rim light, cinematic lighting, high detail, 35mm film grain, shallow depth of field, 16:9 widescreen, no text, no lettering, no watermark, no signature, clean frame, eerie, unsettling, psychological horror A single mask hangs alone in the centre of the frame, seen straight on and slightly from below at a shallow upward tilt so the chin edge of the shell lifts toward the lens and the void swallows the space above it; nothing else exists in the image -- no stand, no wire, no floor, no horizon, no hands, no body. The mask floats unsupported in a pitch-black void, an oval of white porcelain tilted a few degrees off vertical, its left rim catching a glint while its right side rolls into shadow. Its surface is pristine and beautiful: cool, glassy glaze over eggshell-white porcelain, so finely finished that the light slides along it in one long soft highlight down the left cheek. Where eyes would be, the porcelain is smooth and unbroken -- two undisturbed, slightly convex blank areas, no sockets, no lids, no pupils, a featureless face that keeps the gaze from ever landing anywhere. The mouth is a shallow, serene, gentle smile, its corners lifted only a few millimetres, a dimpled indentation at each end of the lip line; the smile never wavers and becomes unbearable because of it. The mask is cracking from the inside out: fine hairline fractures radiate from a point behind the middle of the face, spidering outward under the glaze toward the cheeks, the brow line and the jaw, each line dark and slightly widened, the porcelain along the fracture edges lifting in minute chipped lips that catch the light as thin white slivers. The cracks widen toward the centre. Through them, thick, dark, cold smoke leaks -- heavy, slow, almost liquid, rolling over the rim of each fissure and spilling down the surface of the mask in tarry coils instead of rising, so the smoke hangs and drips against gravity rather than drifting up. Where the fractures open widest, the shell thins to nothing and an endless, empty void shows behind the face: a rectangle of deeper-than-black nothing inside the pale mask, its edges broken and razor-thin, no interior, no backing, no wall -- the mask is a hollow shell with the vacuum behind it pressing through the smile. The lighting is cold and clinical: one hard, colourless key from the upper left, the temperature of an examination lamp, striking only the mask and refusing to fall into the black, so the surrounding void stays absolutely dark with no gradient and no floor. A second, weaker rim light traces the right edge of the shell. The mask's cast shadow falls on nothing at all -- its only evidence is the darkness that clings to the underside of the chin and inside the open cracks, where no light reaches. Palette: white and pale gray porcelain, deep near-black of the void, and smoke graded from charcoal to a cold blue-tinged gray where the rim light brushes it. The detail budget goes to the glaze, the fracture branches and the chipped edges, the smoke's rolling friction against the surface, the void behind the smile; the nine-to-sixteen widescreen frame leaves the mask small in a large field of black with irregular negative space so the black feels endless. Visible 35mm film grain sits in the midtones of the porcelain and in the smoke and in the black, never on the highlight. Shallow focus holds the face's cracks sharp while the far rim of the shell softens. Eerie, unsettling fake perfection, psychological horror.
C9I
AI artwork
Avatar image of C9I
solitary object, no humans, single white porcelain mask, no eyes, smooth featureless eye area, serene gentle closed-lip smile, pristine glossy glaze, hairline cracks spreading from behind the face outward, thick dark cold smoke seeping through every fissure, hollow shell with empty void cavity behind the face, floating unsupported, pitch-black void background, absolute darkness beyond the mask, cold clinical key light, hard rim light, cinematic lighting, high detail, 35mm film grain, shallow depth of field, 16:9 widescreen, no text, no lettering, no watermark, no signature, clean frame, eerie, unsettling, psychological horror A single mask hangs alone in the centre of the frame, seen straight on and slightly from below at a shallow upward tilt so the chin edge of the shell lifts toward the lens and the void swallows the space above it; nothing else exists in the image -- no stand, no wire, no floor, no horizon, no hands, no body. The mask floats unsupported in a pitch-black void, an oval of white porcelain tilted a few degrees off vertical, its left rim catching a glint while its right side rolls into shadow. Its surface is pristine and beautiful: cool, glassy glaze over eggshell-white porcelain, so finely finished that the light slides along it in one long soft highlight down the left cheek. Where eyes would be, the porcelain is smooth and unbroken -- two undisturbed, slightly convex blank areas, no sockets, no lids, no pupils, a featureless face that keeps the gaze from ever landing anywhere. The mouth is a shallow, serene, gentle smile, its corners lifted only a few millimetres, a dimpled indentation at each end of the lip line; the smile never wavers and becomes unbearable because of it. The mask is cracking from the inside out: fine hairline fractures radiate from a point behind the middle of the face, spidering outward under the glaze toward the cheeks, the brow line and the jaw, each line dark and slightly widened, the porcelain along the fracture edges lifting in minute chipped lips that catch the light as thin white slivers. The cracks widen toward the centre. Through them, thick, dark, cold smoke leaks -- heavy, slow, almost liquid, rolling over the rim of each fissure and spilling down the surface of the mask in tarry coils instead of rising, so the smoke hangs and drips against gravity rather than drifting up. Where the fractures open widest, the shell thins to nothing and an endless, empty void shows behind the face: a rectangle of deeper-than-black nothing inside the pale mask, its edges broken and razor-thin, no interior, no backing, no wall -- the mask is a hollow shell with the vacuum behind it pressing through the smile. The lighting is cold and clinical: one hard, colourless key from the upper left, the temperature of an examination lamp, striking only the mask and refusing to fall into the black, so the surrounding void stays absolutely dark with no gradient and no floor. A second, weaker rim light traces the right edge of the shell. The mask's cast shadow falls on nothing at all -- its only evidence is the darkness that clings to the underside of the chin and inside the open cracks, where no light reaches. Palette: white and pale gray porcelain, deep near-black of the void, and smoke graded from charcoal to a cold blue-tinged gray where the rim light brushes it. The detail budget goes to the glaze, the fracture branches and the chipped edges, the smoke's rolling friction against the surface, the void behind the smile; the nine-to-sixteen widescreen frame leaves the mask small in a large field of black with irregular negative space so the black feels endless. Visible 35mm film grain sits in the midtones of the porcelain and in the smoke and in the black, never on the highlight. Shallow focus holds the face's cracks sharp while the far rim of the shell softens. Eerie, unsettling fake perfection, psychological horror.
C9I
AI artwork
Avatar image of C9I
solitary object, no humans, single white porcelain mask, no eyes, smooth featureless eye area, serene gentle closed-lip smile, pristine glossy glaze, hairline cracks spreading from behind the face outward, thick dark cold smoke seeping through every fissure, hollow shell with empty void cavity behind the face, floating unsupported, pitch-black void background, absolute darkness beyond the mask, cold clinical key light, hard rim light, cinematic lighting, high detail, 35mm film grain, shallow depth of field, 16:9 widescreen, no text, no lettering, no watermark, no signature, clean frame, eerie, unsettling, psychological horror A single mask hangs alone in the centre of the frame, seen straight on and slightly from below at a shallow upward tilt so the chin edge of the shell lifts toward the lens and the void swallows the space above it; nothing else exists in the image -- no stand, no wire, no floor, no horizon, no hands, no body. The mask floats unsupported in a pitch-black void, an oval of white porcelain tilted a few degrees off vertical, its left rim catching a glint while its right side rolls into shadow. Its surface is pristine and beautiful: cool, glassy glaze over eggshell-white porcelain, so finely finished that the light slides along it in one long soft highlight down the left cheek. Where eyes would be, the porcelain is smooth and unbroken -- two undisturbed, slightly convex blank areas, no sockets, no lids, no pupils, a featureless face that keeps the gaze from ever landing anywhere. The mouth is a shallow, serene, gentle smile, its corners lifted only a few millimetres, a dimpled indentation at each end of the lip line; the smile never wavers and becomes unbearable because of it. The mask is cracking from the inside out: fine hairline fractures radiate from a point behind the middle of the face, spidering outward under the glaze toward the cheeks, the brow line and the jaw, each line dark and slightly widened, the porcelain along the fracture edges lifting in minute chipped lips that catch the light as thin white slivers. The cracks widen toward the centre. Through them, thick, dark, cold smoke leaks -- heavy, slow, almost liquid, rolling over the rim of each fissure and spilling down the surface of the mask in tarry coils instead of rising, so the smoke hangs and drips against gravity rather than drifting up. Where the fractures open widest, the shell thins to nothing and an endless, empty void shows behind the face: a rectangle of deeper-than-black nothing inside the pale mask, its edges broken and razor-thin, no interior, no backing, no wall -- the mask is a hollow shell with the vacuum behind it pressing through the smile. The lighting is cold and clinical: one hard, colourless key from the upper left, the temperature of an examination lamp, striking only the mask and refusing to fall into the black, so the surrounding void stays absolutely dark with no gradient and no floor. A second, weaker rim light traces the right edge of the shell. The mask's cast shadow falls on nothing at all -- its only evidence is the darkness that clings to the underside of the chin and inside the open cracks, where no light reaches. Palette: white and pale gray porcelain, deep near-black of the void, and smoke graded from charcoal to a cold blue-tinged gray where the rim light brushes it. The detail budget goes to the glaze, the fracture branches and the chipped edges, the smoke's rolling friction against the surface, the void behind the smile; the nine-to-sixteen widescreen frame leaves the mask small in a large field of black with irregular negative space so the black feels endless. Visible 35mm film grain sits in the midtones of the porcelain and in the smoke and in the black, never on the highlight. Shallow focus holds the face's cracks sharp while the far rim of the shell softens. Eerie, unsettling fake perfection, psychological horror.
C9I
AI artwork
Avatar image of C9I
macro shot, close-up, from below, mask, cracked porcelain, globe, serene smile, closed eyes, floating, deep fissures, thousands of tiny screaming faces, deformed faces, frantic expression, open mouths, black background, absolute darkness, raven, bird, black feathers, perched on top, looking down, sharp gaze, dramatic lighting, rim light, chiaroscuro, film grain, 16:9, no text, watermark-free, psychological horror, dark surrealism, suffocating pressure A cinematic macro shot from slightly below, a colossal porcelain mask shaped like a globe floats dead centre in absolute darkness, tilted a few degrees toward the right so its polished jaw catches the key light while its back disappears into black. The face is calm and complete: a gentle closed-lip smile curving up at both corners, smooth rounded cheeks, softly shut eyelids, the flawless expression of a contented sleep. But the pale surface is split by deep fissures, a jagged network opening from hairline to chin, and from every crack thousands of tiny frantic distorted screaming faces are forcing their way out — mouths wide in silent shrieks, features smeared and stretched, some squeezed to slits at the fissure edges, packed and overlapping like a swarm. The single raven sits on the crown of the globe, claws gripping the curved porcelain at the top edge, glossy black head lowered and one cold intelligent eye angled straight down into the widest crack, feathers taking a thin rim highlight along the back. A hard cold key light rakes across the mask from upper left, carving the smile's soft planes in porcelain luminescence, plunging the fissure interiors into pitch blackness, and throwing a soft flanking falloff into the void; the only other light is the faint moonlike rim on the raven's shoulder. Palette held to bone white, deep charcoal black and a single cold blue-grey highlight, nothing warmer. Fine film grain lies evenly over the darkness and the porcelain's sheen. Quiet dread, suffocating hypocrisy.
C9I

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
13#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile