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- Original Prompt
- Solo, 1woman, strawberry blonde hair, aura, tired, surreal background, Japanese influence, purgatory_art_style, classic rpg maker aesthetic, burn_legend_art_style, illustration, detailed environment
- Mode
- flash
- Size
- 1600 x 1248
- Seed
- 8043130246631112
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purgatory_art_style, classic rpg maker aesthetic, aura, tired, Solo, dynamic angle, 1woman, strawberry blonde hair, surreal background, Japanese influence
Prodigal Sun
purgatory_art_style, classic rpg maker aesthetic, aura, tired, Solo, dynamic angle, 1woman, strawberry blonde hair, surreal background, Japanese influence
Prodigal Sun
kindred_of_the_east_art_style, eastern influence, double_cross_art_style, japanese_anime_rpg_style, Solo, dynamic angle, dynamic pose, traditional Japanese art style, Japanese Vampire
Prodigal Sun
copyright: rpg_maker
purgatory_art_style, classic rpg maker aesthetic, Solo, The term โCyber-horror" is drawn from a mix of "cyberpsychosis" and "cyber zombies" โ in actuality, itโs nothing truly similar to either, but an alteration of the psyche that comes from the blending of cybernetic augmentation with a form of manifest Dreamborn that bridges flesh and technology. They form into something similar to the Claimed, but itโs more the technology itself that grows to accommodate the ephemeral entity, rather than a possession and appropriation of the mortalโs mind and body โ at least at first. The origins of these mutated larval horrors are unclear, but their numbers are slowly growing, implying some ability to propagate themselves, and they blend in well with their surroundings in a world where technology is so commonplace. Begotten speculate heavily on where they come from. Some stories speak of an Inguma Destroyer who worked with the Awakened to integrate a small swarm of minor goetia into what were originally fairly low-tech prosthetics, and upon Incarnating years later the plastic transformed into an oddly high-tech device that more perfectly integrated those components. Others tell of an Unfettered known for its Legend as a technological gremlin who learned to consume spirits within the Shadow and take on their ability to Claim the devices it held Influence over more directly โ yet it always left a piece of itself behind. Still more talk of it as a modern evolution of the Dreamborn themselves, those straddling the Horizons between the Bright and Primordial Dreams, taking on aspects of Horrors due to the increasing number of technological "horror stories" bridging the gap between the Temenos and its dark cousin. Rather than devouring the souls of mortals, they steal the ephemeral reflection of technology, but never do fully lose their influence over mortal minds. The ephemeral component itself is a larval entity, something akin to the Horrors of the primordial depths, altered by the Essence of the implant and merged into something closer to a Magath thatโs as much goetic as spiritual. Once theyโve fully awakened, the horror understands First Tongue but speaks it in a strange dialect, one foreign to any spirits of the Hisil. The appearance of a Cyberhorror can easily spark beast broods into conflict with those who donโt approve of the meshing of ephemera and flesh, like werewolves and certain Awakened. The Begotten generally consider the goetic cyborgs as one of the Dark Motherโs children and some of their youngest kin, regardless of what anyone else thinks.
Prodigal Sun
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yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
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AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
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Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
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