Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

射手の加賀さん

#Kantai Collection#Kaga
More to See

Comments

character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga \(kancolle\), brown_hair, long_hair, side_ponytail, brown_eyes, archer, adventurer, short_bow, holding_bow, bow_in_left_hand, right_hand_on_hip, hand_on_hip, very_short_vest, vest, tight_vest, underboob, cleavage, quiver, arrows, quiver_strap_diagonal_across_chest, quiver_across_chest, quiver_opening_behind_right_shoulder, micro_mini_shorts, shorts, belt, two_knives, knife_on_left_hip, knife_on_right_hip, thighhighs, thigh_high_socks, leather_boots, knee_boots, from_below, cowboy_shot, dutch_angle, dutch_angle, head_tilt, looking_away, sidelong_glance, confident, faint_smirk, outdoors, forest, daylight The camera sits low and tilted: a dutch angle looking up at her from just below hip height, so the vertical of the bow and the diagonal of the quiver strap cut two crossing lines through the frame. She fills the middle of a scrubby forest clearing, angled three-quarters to the viewer with her left shoulder swung nearer the lens, weight settled on her right leg, left hip dropped, left knee slightly bent -- the pose of someone who has stopped walking but has not entirely settled. Her left hand wraps the grip of a short recurve bow at thigh height, the bow canted slightly away from her body, the string slack and un-nocked; her right hand is flattened on her right hipbone, fingers spread, thumb hooked into the belt loop near the right-side knife. Her chin lifts a touch toward the branches off-frame right, and her eyes follow that direction under lowered lids, watching something past the edge of the picture; the corner of her mouth pulls up on one side only. The long brown side ponytail is gathered over her left shoulder and hangs forward across the front of the vest, its tip lifted a centimetre away from her arm by a light crosswind, the loose strands at her temple dragged to frame-left. The very short vest is dark leather cinched hard across the bust, lacing pulled tight at the front so the fabric creases into radiating folds at the centre and the top edge bites; it ends high, well above the ribcage, leaving the underside of her chest bare, and the low camera looks straight up into that gap so the undercurve of each breast reads bright against the shadow under the leather hem. The quiver strap crosses her body from her right shoulder down to her left hip, and the quiver itself rides on her back, tipped so its mouth sits just behind the right shoulder; because the strap is drawn tight, the tube passes down through the cleavage and the strap's edge presses a shallow groove into both breasts beside it. Three arrow shafts with dull grey fletching stand out of the quiver mouth over her right shoulder, splayed a few degrees apart, their tips angled toward the camera. Micro mini shorts in worn black leather sit low on her hips, a stitched belt threaded through the loops, and from that belt two sheathed knives hang one on each side -- the left one swinging a little forward with her dropped hip, the right one lying flush against her thigh where her palm rests above it. Grey thigh-high socks reach up the legs, the elastic leaving a faint compressed band on each thigh, and brown leather boots laced to just below the knee cover the rest, scuffed at the toes, laces half-knotted on the right. The clearing is a medium-scale forest: a fallen mossy log behind her right calf, ferns crowding low in the foreground and blurred by the low lens, tall straight trunks receding into a soft green haze. Daylight comes from above and behind her, a cool white key through the canopy that rims the tops of her shoulders, the bow's upper limb and the arrow fletching, while her face and the front of the vest sit in the open shade; a dappled patch of sun lands on the bare strip of stomach below the vest and nowhere else, and her shadow falls short and dark into the fern at her feet, cut by the low angle. Palette: forest green and cold grey daylight around her, warm browns in hair, leather and boots, and a single pale glint along the bowstring. Aimless alertness, mid-hunt.
Show Parameters
Original Prompt
艦隊これくしょんの加賀さんのイラスト。冒険者パーティーでいう、遠距離攻撃担当の射手の役割をしている。 短い弓を左手に持っている。右手は腰に添えている。丈が非常に短いベストを着ており、下乳が見えている。ベストは胸をきつめに締め付けている。胸の谷間を通るように何本かの矢が入った矢筒を斜めに背負っている。加賀さんの右手肩後ろに矢筒の口がある。マイクロミニショートパンツを履いていて、そのベルトに、二本のナイフが左右に一本ずつぶら下げられている。太ももまであるニーソックスを履いており、膝近くまであるレザーブーツを履いている。
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬