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雨の夜のひととき
雨音が心地よい夜、窓辺で物思いにふける彼女の姿があまりに美しくて、思わず見入ってしまいました。都会の灯りと静かな雨のコントラストが、彼女の大人びた魅力を一層引き立てているように感じます。気に入っていただけたら、いいねとフォローをお願いします！また素敵な作品を投稿しますね。
Show Parameters
- Original Prompt
- high-quality anime illustration, highly detailed rendering, delicate features, delicate lineart, detailed eyes, detailed hair, detailed hair strands, painterly shading, desaturated colors, soft lighting, subtle gradients, cute, Realistic facial features, detailed features, well-defined features, semi-realistic style, painted style, solo, minimalism, handsome face, adult male style, short hair, beautiful eyes., semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes, expressive eyes An extraordinarily beautiful and highly androgynous adult man in his twenties, with an ethereal, almost otherworldly beauty. A delicate yet unmistakably masculine face, exquisite and refined facial features, a sleek black bob haircut flowing gracefully in the wind, silky black strands gently sweeping across his face. A mysterious, enigmatic aura, captivating eyes, an unreadable expression, an elegant and elusive presence, dark and atmospheric lighting, subtle shadows, sophisticated and melancholic mood, cinematic composition, intricate details, breathtaking beauty, masterpiece, best quality. Scene: Sitting alone in a luxurious, dimly lit office late at night, gazing through a rain-streaked window at the distant city lights. One hand rests near his lips as he quietly contemplates something he can never have. His eyes carry a subtle trace of longing and resignation, as though he has just watched the person he loves choose someone else. He never allows his feelings to show openly; his devotion is revealed only through the loneliness in his gaze. Atmosphere: A melancholic, bittersweet mood, the quiet ache of unspoken love, emotional restraint, and the loneliness of loving someone from a distance. Cinematography: Photorealistic, cinematic still from a sophisticated romantic drama, intimate close-up, three-quarter angle, shallow depth of field, soft film grain, realistic skin texture, natural facial proportions, dramatic chiaroscuro lighting, cool blue-gray moonlight from the window contrasted with the warm amber glow of a desk lamp, subtle reflections on the glass, blurred city lights in the background, muted colors, rich blacks, exquisite lighting, 35mm film aesthetic, high-end movie cinematography, emotionally nuanced and visually striking. Composition: One man only, framed from the waist up, with the camera capturing a fleeting, private moment of vulnerability. His beauty is striking yet realistic, masculine and refined rather than overly stylized. Restrictions: One adult male character only. Black hair, black suit. No other people, no visible master, no sword, no cape, no weapons, no anime style, no illustration, no text.
- Size
- 768 x 1280
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Face Fix
Model & LoRA used
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まる
雨の夜の静寂なスーツ美人
まる
まる
雨の夜の窓辺・知的で美しい女性
まる
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雨の夜の都会のスーツ美人
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1girl, office lady, black hair, light smile, suit, night, semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes, realistic facial features, detailed features, well-defined features, painted style, solo, minimalism, beautiful eyes, 1boy, solo, masterpiece, best quality
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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