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The Dark Demoness

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The Dark Demoness

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1girl, solo, close-up, face focus, crying, streaming tears, green eyes, wet eyelashes, slightly disfigured face, scarred uneven skin, misshapen jawline, messy makeup, smeared black eyeliner, raccoon eyes, runny mascara tracks down cheeks, smudged dark lipstick, black hair, messy hair, asymmetrical hair, one side long hair, one side short hair, bald spots on head, patchy scalp showing through, mud on hair, matted mud strands, mud on cheek, dark green worn shirt, worn leather jacket, scuffed leather, long worn dark pants, steel chains hanging from pants, black winter gloves, black worn combat boots, sitting on floor, legs crossed, hands over knees, hugging knees, kneeling, abandoned camp, indoors, wooden cabin, worn wooden walls, plank walls, dim interior, desaturated palette, muted browns, cold green, grim, tag run end, A tight close-up from slightly above and a little to her left, the camera close enough that her face fills most of the frame and the crown of her bowed head tilts toward the lens; behind her the worn plank wall of the cabin recedes out of focus, one vertical seam crossing the frame just past her right cheek and the darker corner of the room sitting in the upper left. She sits on the cabin floor with her legs crossed at the ankles and her knees drawn up; both black-gloved hands rest one over the other on top of her knees, the leather of the gloves cracked at the knuckles, the fabric of the long dark pants bunched where her shins cross. Her torso is hunched forward so the collar of the worn leather jacket rides up against her jaw and the dark green shirt shows at the open front, the leather creased and dulled at the shoulders. The steel chains hang from the sides of her hips and drop out of the bottom of the frame, their links catching a thin highlight. On the floor below and slightly behind her knees, out of focus, the flat blade of a machete lies across the boards, and a hockey mask splattered with drying blood rests face-up on the floor beside it, its eyeholes dark. Her black hair is uneven — one side falls long and lank past her shoulder, the other is chopped short and sticks out in tufts — and it is matted with mud, the wet clumps weighing the long side down against her cheek while bare patches of scalp show pale between the strands on the short side. Her face is slightly disfigured: the skin uneven and drawn, one cheek hollowed, the line of her jaw crooked. Her makeup has run — black eyeliner smeared into the hollows under her eyes, mascara tracked down both cheeks in wet dark lines, dark lipstick smudged past the corner of her mouth. Her green eyes are open and wet, glossy with tears, and she stares down and to the side at nothing on the floor, her brows drawn together and her lower lip trembling, a fresh tear breaking loose and running into the mud streak on her cheek. The light comes from a single weak source at the left of the frame, falling across the left side of her face and leaving the right side and the corner behind her in shadow; the tears catch it as small bright points. The palette is confined to cold desaturated browns, dull dark green, worn black leather, and the wet shine of her eyes, with the cabin's faded wood behind her. Quiet dread.
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Original Prompt
1girl, slightly disfigured face, messy makeup, green eyes, crying, messy hair (one side long the other short), mud on hair, black hair, bald spots on head, wearing dark green worn shirt, worn leather jacket, long worn dark pants (steel chains hanging from the sides), wearing black winter gloves, sitting on floor, machete on floor, hands over knees, legs crossed, black worn combat boots, hockey mask splattered with blood resting on the floor, BREAK close-up (focused on face) BREAK background: abandoned camp, inside wooden cabin (worn wooden walls)
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of The Dark Demoness
1girl, solo, close-up, face focus, crying, streaming tears, green eyes, wet eyelashes, slightly disfigured face, scarred uneven skin, misshapen jawline, messy makeup, smeared black eyeliner, raccoon eyes, runny mascara tracks down cheeks, smudged dark lipstick, black hair, messy hair, asymmetrical hair, one side long hair, one side short hair, bald spots on head, patchy scalp showing through, mud on hair, matted mud strands, mud on cheek, dark green worn shirt, worn leather jacket, scuffed leather, long worn dark pants, steel chains hanging from pants, black winter gloves, black worn combat boots, sitting on floor, legs crossed, hands over knees, hugging knees, kneeling, abandoned camp, indoors, wooden cabin, worn wooden walls, plank walls, dim interior, desaturated palette, muted browns, cold green, grim, tag run end, A tight close-up from slightly above and a little to her left, the camera close enough that her face fills most of the frame and the crown of her bowed head tilts toward the lens; behind her the worn plank wall of the cabin recedes out of focus, one vertical seam crossing the frame just past her right cheek and the darker corner of the room sitting in the upper left. She sits on the cabin floor with her legs crossed at the ankles and her knees drawn up; both black-gloved hands rest one over the other on top of her knees, the leather of the gloves cracked at the knuckles, the fabric of the long dark pants bunched where her shins cross. Her torso is hunched forward so the collar of the worn leather jacket rides up against her jaw and the dark green shirt shows at the open front, the leather creased and dulled at the shoulders. The steel chains hang from the sides of her hips and drop out of the bottom of the frame, their links catching a thin highlight. On the floor below and slightly behind her knees, out of focus, the flat blade of a machete lies across the boards, and a hockey mask splattered with drying blood rests face-up on the floor beside it, its eyeholes dark. Her black hair is uneven — one side falls long and lank past her shoulder, the other is chopped short and sticks out in tufts — and it is matted with mud, the wet clumps weighing the long side down against her cheek while bare patches of scalp show pale between the strands on the short side. Her face is slightly disfigured: the skin uneven and drawn, one cheek hollowed, the line of her jaw crooked. Her makeup has run — black eyeliner smeared into the hollows under her eyes, mascara tracked down both cheeks in wet dark lines, dark lipstick smudged past the corner of her mouth. Her green eyes are open and wet, glossy with tears, and she stares down and to the side at nothing on the floor, her brows drawn together and her lower lip trembling, a fresh tear breaking loose and running into the mud streak on her cheek. The light comes from a single weak source at the left of the frame, falling across the left side of her face and leaving the right side and the corner behind her in shadow; the tears catch it as small bright points. The palette is confined to cold desaturated browns, dull dark green, worn black leather, and the wet shine of her eyes, with the cabin's faded wood behind her. Quiet dread.
The Dark Demoness
AI artwork
Avatar image of The Dark Demoness
1girl, solo, close-up, face focus, crying, streaming tears, green eyes, wet eyelashes, slightly disfigured face, scarred uneven skin, misshapen jawline, messy makeup, smeared black eyeliner, raccoon eyes, runny mascara tracks down cheeks, smudged dark lipstick, black hair, messy hair, asymmetrical hair, one side long hair, one side short hair, bald spots on head, patchy scalp showing through, mud on hair, matted mud strands, mud on cheek, dark green worn shirt, worn leather jacket, scuffed leather, long worn dark pants, steel chains hanging from pants, black winter gloves, black worn combat boots, sitting on floor, legs crossed, hands over knees, hugging knees, kneeling, abandoned camp, indoors, wooden cabin, worn wooden walls, plank walls, dim interior, desaturated palette, muted browns, cold green, grim, tag run end, A tight close-up from slightly above and a little to her left, the camera close enough that her face fills most of the frame and the crown of her bowed head tilts toward the lens; behind her the worn plank wall of the cabin recedes out of focus, one vertical seam crossing the frame just past her right cheek and the darker corner of the room sitting in the upper left. She sits on the cabin floor with her legs crossed at the ankles and her knees drawn up; both black-gloved hands rest one over the other on top of her knees, the leather of the gloves cracked at the knuckles, the fabric of the long dark pants bunched where her shins cross. Her torso is hunched forward so the collar of the worn leather jacket rides up against her jaw and the dark green shirt shows at the open front, the leather creased and dulled at the shoulders. The steel chains hang from the sides of her hips and drop out of the bottom of the frame, their links catching a thin highlight. On the floor below and slightly behind her knees, out of focus, the flat blade of a machete lies across the boards, and a hockey mask splattered with drying blood rests face-up on the floor beside it, its eyeholes dark. Her black hair is uneven — one side falls long and lank past her shoulder, the other is chopped short and sticks out in tufts — and it is matted with mud, the wet clumps weighing the long side down against her cheek while bare patches of scalp show pale between the strands on the short side. Her face is slightly disfigured: the skin uneven and drawn, one cheek hollowed, the line of her jaw crooked. Her makeup has run — black eyeliner smeared into the hollows under her eyes, mascara tracked down both cheeks in wet dark lines, dark lipstick smudged past the corner of her mouth. Her green eyes are open and wet, glossy with tears, and she stares down and to the side at nothing on the floor, her brows drawn together and her lower lip trembling, a fresh tear breaking loose and running into the mud streak on her cheek. The light comes from a single weak source at the left of the frame, falling across the left side of her face and leaving the right side and the corner behind her in shadow; the tears catch it as small bright points. The palette is confined to cold desaturated browns, dull dark green, worn black leather, and the wet shine of her eyes, with the cabin's faded wood behind her. Quiet dread.
The Dark Demoness
AI artwork
Avatar image of The Dark Demoness
1girl, solo, close-up, face focus, crying, tears streaming, pleading expression, green eyes, wet eyelashes, messy makeup, smeared mascara, running eyeliner, disfigured face, facial scarring, uneven features, black hair, messy hair, asymmetrical hair, one side long hair, other side short hair, bald spots, mud in hair, mud-streaked strands, dark green worn shirt, worn leather jacket, long worn dark pants, steel chains hanging from pants sides, black winter gloves, black worn combat boots, sitting on floor, crossed legs, arms extended, reaching for hug, outstretched arms, worn wooden walls, wooden cabin interior, abandoned camp, machete on floor, blood-splattered hockey mask on floor, dim interior light, shallow depth of field, somber, desolate A tight close-up shot centered on the girl's face, filling the frame from forehead to chin, her features slightly disfigured with an uneven jawline and a crooked nose, green eyes wide and glistening with tears that track down her cheeks, cutting pale lines through the smeared mascara and messy makeup caked around her eyes and mouth. Her black hair is a chaotic mess—long and tangled on the left side, cropped short and ragged on the right, with patches of bare scalp showing through, and clumps of wet mud matted into the strands near her temples and crown. She sits cross-legged on the rough plank floor of a wooden cabin, the worn boards visible at the bottom edge of the frame, her torso leaning forward slightly as both arms extend toward the viewer, black winter gloves reaching out in a pleading gesture for a hug, the sleeves of her worn leather jacket and dark green shirt wrinkled and grimy at the shoulders. To the lower left, just inside the frame edge, the flat steel of a machete lies on the floor, and to the lower right the curve of a blood-splattered hockey mask rests face-up, its straps loose. The background is the interior of an abandoned camp cabin, worn wooden walls with peeling planks and dark seams behind her, softly out of focus. A single dim light source comes from the left, catching the wet tracks on her cheeks and the mud in her hair while the right side of her face falls into shadow, the cabin walls receding into gloom. The palette is muted—dark greens, browns, grays, and the stark red of the mask and the pale tracks of tears—with the shallow depth of field keeping her face sharp and the surroundings soft. Desolate, sorrowful.
The Dark Demoness
AI artwork
Avatar image of The Dark Demoness
1girl, solo, close-up, face focus, crying, streaming tears, green eyes, wet eyelashes, slightly disfigured face, scarred uneven skin, misshapen jawline, messy makeup, smeared black eyeliner, raccoon eyes, runny mascara tracks down cheeks, smudged dark lipstick, black hair, messy hair, asymmetrical hair, one side long hair, one side short hair, bald spots on head, patchy scalp showing through, mud on hair, matted mud strands, mud on cheek, dark green worn shirt, worn leather jacket, scuffed leather, long worn dark pants, steel chains hanging from pants, black winter gloves, black worn combat boots, sitting on floor, legs crossed, hands over knees, hugging knees, kneeling, abandoned camp, indoors, wooden cabin, worn wooden walls, plank walls, dim interior, desaturated palette, muted browns, cold green, grim, tag run end, A tight close-up from slightly above and a little to her left, the camera close enough that her face fills most of the frame and the crown of her bowed head tilts toward the lens; behind her the worn plank wall of the cabin recedes out of focus, one vertical seam crossing the frame just past her right cheek and the darker corner of the room sitting in the upper left. She sits on the cabin floor with her legs crossed at the ankles and her knees drawn up; both black-gloved hands rest one over the other on top of her knees, the leather of the gloves cracked at the knuckles, the fabric of the long dark pants bunched where her shins cross. Her torso is hunched forward so the collar of the worn leather jacket rides up against her jaw and the dark green shirt shows at the open front, the leather creased and dulled at the shoulders. The steel chains hang from the sides of her hips and drop out of the bottom of the frame, their links catching a thin highlight. On the floor below and slightly behind her knees, out of focus, the flat blade of a machete lies across the boards, and a hockey mask splattered with drying blood rests face-up on the floor beside it, its eyeholes dark. Her black hair is uneven — one side falls long and lank past her shoulder, the other is chopped short and sticks out in tufts — and it is matted with mud, the wet clumps weighing the long side down against her cheek while bare patches of scalp show pale between the strands on the short side. Her face is slightly disfigured: the skin uneven and drawn, one cheek hollowed, the line of her jaw crooked. Her makeup has run — black eyeliner smeared into the hollows under her eyes, mascara tracked down both cheeks in wet dark lines, dark lipstick smudged past the corner of her mouth. Her green eyes are open and wet, glossy with tears, and she stares down and to the side at nothing on the floor, her brows drawn together and her lower lip trembling, a fresh tear breaking loose and running into the mud streak on her cheek. The light comes from a single weak source at the left of the frame, falling across the left side of her face and leaving the right side and the corner behind her in shadow; the tears catch it as small bright points. The palette is confined to cold desaturated browns, dull dark green, worn black leather, and the wet shine of her eyes, with the cabin's faded wood behind her. Quiet dread.
The Dark Demoness

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