Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

和室でくつろぐ銀髪の彼

和室でくつろぐ、ぽっちゃりした銀髪の彼がなんだかとっても可愛くて描いてみました!はだけた着物から覗くお腹に、思わず私もほっこり癒やされちゃいます。気に入っていただけたら、いいねやフォローをしていただけると嬉しいです。コメントでの感想もお待ちしています!

#Open Clothes#Navel#Short Hair#Fat#Grey hair#Boy
More to See

Comments

1boy, solo, fat chubby boy, plump body, soft chewy skin, round face, short silver hair, center part, black eyes, slightly thick arms and legs, round belly, black kimono, open robe, front open, robe slipping off one shoulder, red kimono pants, bare chest, bare stomach, no shirt, no obi, no sash, no jewelry, no hair ornaments, cowboy shot, from below, dutch angle, standing, weight on one leg, leaning back slightly, one hand on hip, other hand holding robe edge, head tilt, looking down at viewer, lopsided smirk, blush, open mouth, teeth, ^ ^, indoors, traditional japanese room, tatami floor, shoji screens, warm lamplight, night, full body visible from thighs up, no text The camera sits low and tilted, looking up at a chubby young man from the thighs up, the dutch angle canting the tatami floor and the shoji lattice behind him so the room leans with the frame. He is fat and plump through the whole body, his skin soft and chewy, slightly moist at the throat and shoulders where the warm lamplight catches it; his face is round, his cheeks full, his jaw melting into a soft double curve. Short silver hair is parted dead center, the two halves falling loose and straight to either side of his brow, a few strands clinging where the tilt of his head has pushed them. His eyes are black, and their whites catch the light from below as he looks down into the lens. The black kimono is thrown on and not tied: the front hangs wide open on both sides, the collar pushed back off the nape, the left lapel sliding down his upper arm so the sleeve sags and the fabric gathers at his elbow — roughly half the robe is off him, the right side still draped over the shoulder. No obi, no sash, nothing cinched at his waist, so the robe falls loose down his flanks and the whole of his bare chest and round belly is exposed between the two black panels. His belly rises full and round under the lamplight, its lower curve catching a bright soft highlight, the navel a shallow dent. Red kimono pants are gathered and tied at his hips, the fabric faded toward the knee, its hem falling out of frame. His arms and legs are slightly thick but shorter than his torso, soft rather than cut. Weight rides on his right leg, that hip pushed out and the left leg bent with its knee turned in; the left hand loosely pinches the falling left lapel between thumb and forefinger, not pulling it up, just holding it, while the right hand rests flat on the crest of his hip above the red waistband, fingers spread. Shoulders slack, chest lifted a little by the tilt of his chin. One brow is cocked higher than the other, one corner of his mouth drawn up in a lopsided smirk with the lips parted enough to show a tooth, a warm flush across both cheeks, and his eyes fixed straight down at the viewer. Behind him a low traditional room: tatami in the lower corner, shoji screens with their paper glowing milky warm behind dark wooden lattices, and beyond them only night. A paper-shaded lamp sits low and in front of him, just outside the bottom edge of the frame — it is the only light, throwing warmly up the underside of his chin, the round of his belly and the inner edges of the falling black robe, while deep shadow gathers beneath his jaw, inside the open sleeves and in the corners of the room. The lamp's light passes through the shoji paper and does not spill back; the darkness beyond the lattice stays flat and absolute. Palette is warm amber against black, with the red of the pants and the silver of his hair as the only cool notes. The black silk of the robe absorbs light while the red cotton scatters it duller, and the fabric's specular sheen pools only on the up-facing folds of the sleeve where the lamp can reach them. Mischievous, intimate.
Show Parameters
Original Prompt
肥満体型のぽっちゃり男子。もちもちした肌。丸みのある顔。短髪銀髪のセンター分け。少し太い腕と脚。丸いお腹。黒色の和服を前開きに羽織って着てる(半分ぐらい)。赤色の和服ズボン。黒色の瞳。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬