Show Parameters
- Original Prompt
- A massive, beautiful porcelain mask shaped like a globe, floating in absolute darkness. The mask has a perfect, serene, peaceful smile. However, the surface is cracked, and from the deep fissures, thousands of tiny, frantic, distorted, and screaming faces are trying to push their way out. A raven perched on the top edge of the mask looks down into the chaotic cracks with cold, intelligent eyes. Mood: psychological horror, hypocrisy, suffocating pressure, dark surrealism. Cinematic macro shot, dramatic lighting, 8k, film grain. No text, no watermark. --ar 16:9
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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macro shot, close-up, from below, mask, cracked porcelain, globe, serene smile, closed eyes, floating, deep fissures, thousands of tiny screaming faces, deformed faces, frantic expression, open mouths, black background, absolute darkness, raven, bird, black feathers, perched on top, looking down, sharp gaze, dramatic lighting, rim light, chiaroscuro, film grain, 16:9, no text, watermark-free, psychological horror, dark surrealism, suffocating pressure
A cinematic macro shot from slightly below, a colossal porcelain mask shaped like a globe floats dead centre in absolute darkness, tilted a few degrees toward the right so its polished jaw catches the key light while its back disappears into black. The face is calm and complete: a gentle closed-lip smile curving up at both corners, smooth rounded cheeks, softly shut eyelids, the flawless expression of a contented sleep. But the pale surface is split by deep fissures, a jagged network opening from hairline to chin, and from every crack thousands of tiny frantic distorted screaming faces are forcing their way out — mouths wide in silent shrieks, features smeared and stretched, some squeezed to slits at the fissure edges, packed and overlapping like a swarm. The single raven sits on the crown of the globe, claws gripping the curved porcelain at the top edge, glossy black head lowered and one cold intelligent eye angled straight down into the widest crack, feathers taking a thin rim highlight along the back. A hard cold key light rakes across the mask from upper left, carving the smile's soft planes in porcelain luminescence, plunging the fissure interiors into pitch blackness, and throwing a soft flanking falloff into the void; the only other light is the faint moonlike rim on the raven's shoulder. Palette held to bone white, deep charcoal black and a single cold blue-grey highlight, nothing warmer. Fine film grain lies evenly over the darkness and the porcelain's sheen. Quiet dread, suffocating hypocrisy.
C9I
macro shot, close-up, from below, mask, cracked porcelain, globe, serene smile, closed eyes, floating, deep fissures, thousands of tiny screaming faces, deformed faces, frantic expression, open mouths, black background, absolute darkness, raven, bird, black feathers, perched on top, looking down, sharp gaze, dramatic lighting, rim light, chiaroscuro, film grain, 16:9, no text, watermark-free, psychological horror, dark surrealism, suffocating pressure
A cinematic macro shot from slightly below, a colossal porcelain mask shaped like a globe floats dead centre in absolute darkness, tilted a few degrees toward the right so its polished jaw catches the key light while its back disappears into black. The face is calm and complete: a gentle closed-lip smile curving up at both corners, smooth rounded cheeks, softly shut eyelids, the flawless expression of a contented sleep. But the pale surface is split by deep fissures, a jagged network opening from hairline to chin, and from every crack thousands of tiny frantic distorted screaming faces are forcing their way out — mouths wide in silent shrieks, features smeared and stretched, some squeezed to slits at the fissure edges, packed and overlapping like a swarm. The single raven sits on the crown of the globe, claws gripping the curved porcelain at the top edge, glossy black head lowered and one cold intelligent eye angled straight down into the widest crack, feathers taking a thin rim highlight along the back. A hard cold key light rakes across the mask from upper left, carving the smile's soft planes in porcelain luminescence, plunging the fissure interiors into pitch blackness, and throwing a soft flanking falloff into the void; the only other light is the faint moonlike rim on the raven's shoulder. Palette held to bone white, deep charcoal black and a single cold blue-grey highlight, nothing warmer. Fine film grain lies evenly over the darkness and the porcelain's sheen. Quiet dread, suffocating hypocrisy.
C9I
macro shot, close-up, from below, mask, cracked porcelain, globe, serene smile, closed eyes, floating, deep fissures, thousands of tiny screaming faces, deformed faces, frantic expression, open mouths, black background, absolute darkness, raven, bird, black feathers, perched on top, looking down, sharp gaze, dramatic lighting, rim light, chiaroscuro, film grain, 16:9, no text, watermark-free, psychological horror, dark surrealism, suffocating pressure
A cinematic macro shot from slightly below, a colossal porcelain mask shaped like a globe floats dead centre in absolute darkness, tilted a few degrees toward the right so its polished jaw catches the key light while its back disappears into black. The face is calm and complete: a gentle closed-lip smile curving up at both corners, smooth rounded cheeks, softly shut eyelids, the flawless expression of a contented sleep. But the pale surface is split by deep fissures, a jagged network opening from hairline to chin, and from every crack thousands of tiny frantic distorted screaming faces are forcing their way out — mouths wide in silent shrieks, features smeared and stretched, some squeezed to slits at the fissure edges, packed and overlapping like a swarm. The single raven sits on the crown of the globe, claws gripping the curved porcelain at the top edge, glossy black head lowered and one cold intelligent eye angled straight down into the widest crack, feathers taking a thin rim highlight along the back. A hard cold key light rakes across the mask from upper left, carving the smile's soft planes in porcelain luminescence, plunging the fissure interiors into pitch blackness, and throwing a soft flanking falloff into the void; the only other light is the faint moonlike rim on the raven's shoulder. Palette held to bone white, deep charcoal black and a single cold blue-grey highlight, nothing warmer. Fine film grain lies evenly over the darkness and the porcelain's sheen. Quiet dread, suffocating hypocrisy.
C9I
solitary object, no humans, single white porcelain mask, no eyes, smooth featureless eye area, serene gentle closed-lip smile, pristine glossy glaze, hairline cracks spreading from behind the face outward, thick dark cold smoke seeping through every fissure, hollow shell with empty void cavity behind the face, floating unsupported, pitch-black void background, absolute darkness beyond the mask, cold clinical key light, hard rim light, cinematic lighting, high detail, 35mm film grain, shallow depth of field, 16:9 widescreen, no text, no lettering, no watermark, no signature, clean frame, eerie, unsettling, psychological horror
A single mask hangs alone in the centre of the frame, seen straight on and slightly from below at a shallow upward tilt so the chin edge of the shell lifts toward the lens and the void swallows the space above it; nothing else exists in the image -- no stand, no wire, no floor, no horizon, no hands, no body. The mask floats unsupported in a pitch-black void, an oval of white porcelain tilted a few degrees off vertical, its left rim catching a glint while its right side rolls into shadow. Its surface is pristine and beautiful: cool, glassy glaze over eggshell-white porcelain, so finely finished that the light slides along it in one long soft highlight down the left cheek. Where eyes would be, the porcelain is smooth and unbroken -- two undisturbed, slightly convex blank areas, no sockets, no lids, no pupils, a featureless face that keeps the gaze from ever landing anywhere. The mouth is a shallow, serene, gentle smile, its corners lifted only a few millimetres, a dimpled indentation at each end of the lip line; the smile never wavers and becomes unbearable because of it.
The mask is cracking from the inside out: fine hairline fractures radiate from a point behind the middle of the face, spidering outward under the glaze toward the cheeks, the brow line and the jaw, each line dark and slightly widened, the porcelain along the fracture edges lifting in minute chipped lips that catch the light as thin white slivers. The cracks widen toward the centre. Through them, thick, dark, cold smoke leaks -- heavy, slow, almost liquid, rolling over the rim of each fissure and spilling down the surface of the mask in tarry coils instead of rising, so the smoke hangs and drips against gravity rather than drifting up. Where the fractures open widest, the shell thins to nothing and an endless, empty void shows behind the face: a rectangle of deeper-than-black nothing inside the pale mask, its edges broken and razor-thin, no interior, no backing, no wall -- the mask is a hollow shell with the vacuum behind it pressing through the smile.
The lighting is cold and clinical: one hard, colourless key from the upper left, the temperature of an examination lamp, striking only the mask and refusing to fall into the black, so the surrounding void stays absolutely dark with no gradient and no floor. A second, weaker rim light traces the right edge of the shell. The mask's cast shadow falls on nothing at all -- its only evidence is the darkness that clings to the underside of the chin and inside the open cracks, where no light reaches. Palette: white and pale gray porcelain, deep near-black of the void, and smoke graded from charcoal to a cold blue-tinged gray where the rim light brushes it.
The detail budget goes to the glaze, the fracture branches and the chipped edges, the smoke's rolling friction against the surface, the void behind the smile; the nine-to-sixteen widescreen frame leaves the mask small in a large field of black with irregular negative space so the black feels endless. Visible 35mm film grain sits in the midtones of the porcelain and in the smoke and in the black, never on the highlight. Shallow focus holds the face's cracks sharp while the far rim of the shell softens. Eerie, unsettling fake perfection, psychological horror.
C9I
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