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u2

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character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, ahoge, red eyes, red hairclip, x hair ornament, fake animal ears, glowing pink headphones, sad expression, head bowed, head turned, profile, blank stare, lowered lashes, walking forward, torso facing viewer, arms behind back, handcuffed, metal handcuffs, ankle shackles, heavy chains, being escorted, two female police officers, japanese police uniform, tactical vest, holding arms, tattoo choker, black choker, cross pendant, navel piercing, belly button, shiny orange jumpsuit, orange leather, open jumpsuit, black crop top, pvc, fishnet shirt, underlayer, glossy texture, leather reflections, harsh fluorescent lighting, bright lighting, cinematic lighting, three-quarter shot, medium-close framing, eye level, cell shading, high-quality anime art style, dynamic accessories, swaying charm, police precinct hallway, bright hallway Eye-level three-quarter shot, medium-close framing, in a brightly lit police precinct hallway: the subject walks straight toward the camera, her body and torso squared directly forward, her shoulders level and steady mid-stride. Her head is sharply turned and bowed sideways, sunk toward one shoulder in full profile, so the camera sees her jawline, the downward sweep of her blunt bangs and one red eye cast down and away from everything; the other eye is hidden by the turn of her face. Her long multicolored pink and black hair falls in heavy two-tone sections past her shoulders, an ahoge springing from the crown, the red hairclip and X-shaped hair ornament pinned into the pink side, the fake animal ears set among the strands, and the glowing pink headphones seated on her head, their rim light spilling a soft magenta glow onto the hair immediately around them. Her mouth is pressed flat, the corners pulled down, lashes low, and her brows drawn in a small helpless knot. Her arms are wrenched tightly behind her back, wrists locked in metal handcuffs, elbows bent and close together; heavy metal shackles ring her ankles, and the short chain between them drags and catches the light with each forward step, the links clinking tight and slack, tight and slack, in time with her stride. Two female police officers in Japanese police uniforms and dark tactical vests walk slightly behind her, one at each flank, each with one gloved hand clamped firmly over her cuffed forearms behind her back, pressing them down at hip height and never lifting them; their other hands hang at their sides. Both officers look forward past her toward the corridor ahead, one with her jaw set, the other's eyes flicked sideways to the prisoner's bowed head. Their uniform sleeves and vest straps sway with the walk, and the prisoner's shackled ankles force short, clipped steps. Around her neck, a thin narrow black elastic tattoo choker, its fine woven wire-mesh lattice hugging the skin smoothly, and from its bottom center a tiny silver cross pendant hangs flat and tight against her throat, tucked inside the collar area of the jumpsuit. The jumpsuit itself is shiny glossy orange leather, hanging open down the front, and beneath it the black PVC crop top catches the light with a fishnet underlayer visible at the neckline and midriff; the exposed navel carries a piercing with two small metal balls and a tiny dangling charm that swings with every stride. Every leather and PVC surface throws hard, tight, wet-looking highlights, and the fishnet grid sharpens and blurs as the fabric moves over her skin. The hallway runs deep behind them, pale walls, a scuffed linoleum floor with a low sheen, doors and a distant noticeboard reduced to soft shapes, everything sealed off by the three figures in the foreground. Harsh fluorescent tubes overhead throw flat, cool white light straight down, blanching the officers' uniforms and clipping the glossy highlights on the orange leather and black PVC into hard white streaks; the shadows fall small and sharp directly beneath each figure, and a faint magenta cast from the headphones leaks across the prisoner's shoulder. The palette is cold institutional white, grey and navy against the shot of orange leather, black PVC and pink hair, with the silver pendants, cuffs and shackles as the only reflective accents moving through the frame. Cinematic, glossy, quietly grim.
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Original Prompt
sengoku yuno,long multicolored pink and black hair, blunt bangs, red eyes, red hairclip, x hair ornament, fake animal ears, and glowing pink headphones on her head, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward. Her body and torso face directly forward, while her head is sharply turned and bowed sideways in profile. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing a thin, narrow black elastic tattoo choker necklace wrapping smoothly around her neck skin with a fine woven wire mesh pattern, featuring a tiny silver cross pendant attached directly to the bottom center of the choker resting tightly against the throat, completely tucked inside the collar area, navel piercing with two small metal balls and a tiny dangling charm in her belly button, a shiny glossy orange leather prison jumpsuit (open to show a black PVC crop top with fishnet underlayer underneath). Female officers wear Japanese police uniforms and tactical vests. Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, three-quarter shot, medium-close framing, eye level, dynamic physics on accessories, realistic swaying navel piercing charm
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
u2
character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, ahoge, red eyes, red hairclip, x hair ornament, fake animal ears, glowing pink headphones, sad expression, head bowed, head turned, profile, blank stare, lowered lashes, walking forward, torso facing viewer, arms behind back, handcuffed, metal handcuffs, ankle shackles, heavy chains, being escorted, two female police officers, japanese police uniform, tactical vest, holding arms, tattoo choker, black choker, cross pendant, navel piercing, belly button, shiny orange jumpsuit, orange leather, open jumpsuit, black crop top, pvc, fishnet shirt, underlayer, glossy texture, leather reflections, harsh fluorescent lighting, bright lighting, cinematic lighting, three-quarter shot, medium-close framing, eye level, cell shading, high-quality anime art style, dynamic accessories, swaying charm, police precinct hallway, bright hallway Eye-level three-quarter shot, medium-close framing, in a brightly lit police precinct hallway: the subject walks straight toward the camera, her body and torso squared directly forward, her shoulders level and steady mid-stride. Her head is sharply turned and bowed sideways, sunk toward one shoulder in full profile, so the camera sees her jawline, the downward sweep of her blunt bangs and one red eye cast down and away from everything; the other eye is hidden by the turn of her face. Her long multicolored pink and black hair falls in heavy two-tone sections past her shoulders, an ahoge springing from the crown, the red hairclip and X-shaped hair ornament pinned into the pink side, the fake animal ears set among the strands, and the glowing pink headphones seated on her head, their rim light spilling a soft magenta glow onto the hair immediately around them. Her mouth is pressed flat, the corners pulled down, lashes low, and her brows drawn in a small helpless knot. Her arms are wrenched tightly behind her back, wrists locked in metal handcuffs, elbows bent and close together; heavy metal shackles ring her ankles, and the short chain between them drags and catches the light with each forward step, the links clinking tight and slack, tight and slack, in time with her stride. Two female police officers in Japanese police uniforms and dark tactical vests walk slightly behind her, one at each flank, each with one gloved hand clamped firmly over her cuffed forearms behind her back, pressing them down at hip height and never lifting them; their other hands hang at their sides. Both officers look forward past her toward the corridor ahead, one with her jaw set, the other's eyes flicked sideways to the prisoner's bowed head. Their uniform sleeves and vest straps sway with the walk, and the prisoner's shackled ankles force short, clipped steps. Around her neck, a thin narrow black elastic tattoo choker, its fine woven wire-mesh lattice hugging the skin smoothly, and from its bottom center a tiny silver cross pendant hangs flat and tight against her throat, tucked inside the collar area of the jumpsuit. The jumpsuit itself is shiny glossy orange leather, hanging open down the front, and beneath it the black PVC crop top catches the light with a fishnet underlayer visible at the neckline and midriff; the exposed navel carries a piercing with two small metal balls and a tiny dangling charm that swings with every stride. Every leather and PVC surface throws hard, tight, wet-looking highlights, and the fishnet grid sharpens and blurs as the fabric moves over her skin. The hallway runs deep behind them, pale walls, a scuffed linoleum floor with a low sheen, doors and a distant noticeboard reduced to soft shapes, everything sealed off by the three figures in the foreground. Harsh fluorescent tubes overhead throw flat, cool white light straight down, blanching the officers' uniforms and clipping the glossy highlights on the orange leather and black PVC into hard white streaks; the shadows fall small and sharp directly beneath each figure, and a faint magenta cast from the headphones leaks across the prisoner's shoulder. The palette is cold institutional white, grey and navy against the shot of orange leather, black PVC and pink hair, with the silver pendants, cuffs and shackles as the only reflective accents moving through the frame. Cinematic, glossy, quietly grim.
user-20479
AI artwork
u2
character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, ahoge, red eyes, red hairclip, x hair ornament, fake animal ears, glowing pink headphones, sad expression, head bowed, head turned, profile, blank stare, lowered lashes, walking forward, torso facing viewer, arms behind back, handcuffed, metal handcuffs, ankle shackles, heavy chains, being escorted, two female police officers, japanese police uniform, tactical vest, holding arms, tattoo choker, black choker, cross pendant, navel piercing, belly button, shiny orange jumpsuit, orange leather, open jumpsuit, black crop top, pvc, fishnet shirt, underlayer, glossy texture, leather reflections, harsh fluorescent lighting, bright lighting, cinematic lighting, three-quarter shot, medium-close framing, eye level, cell shading, high-quality anime art style, dynamic accessories, swaying charm, police precinct hallway, bright hallway Eye-level three-quarter shot, medium-close framing, in a brightly lit police precinct hallway: the subject walks straight toward the camera, her body and torso squared directly forward, her shoulders level and steady mid-stride. Her head is sharply turned and bowed sideways, sunk toward one shoulder in full profile, so the camera sees her jawline, the downward sweep of her blunt bangs and one red eye cast down and away from everything; the other eye is hidden by the turn of her face. Her long multicolored pink and black hair falls in heavy two-tone sections past her shoulders, an ahoge springing from the crown, the red hairclip and X-shaped hair ornament pinned into the pink side, the fake animal ears set among the strands, and the glowing pink headphones seated on her head, their rim light spilling a soft magenta glow onto the hair immediately around them. Her mouth is pressed flat, the corners pulled down, lashes low, and her brows drawn in a small helpless knot. Her arms are wrenched tightly behind her back, wrists locked in metal handcuffs, elbows bent and close together; heavy metal shackles ring her ankles, and the short chain between them drags and catches the light with each forward step, the links clinking tight and slack, tight and slack, in time with her stride. Two female police officers in Japanese police uniforms and dark tactical vests walk slightly behind her, one at each flank, each with one gloved hand clamped firmly over her cuffed forearms behind her back, pressing them down at hip height and never lifting them; their other hands hang at their sides. Both officers look forward past her toward the corridor ahead, one with her jaw set, the other's eyes flicked sideways to the prisoner's bowed head. Their uniform sleeves and vest straps sway with the walk, and the prisoner's shackled ankles force short, clipped steps. Around her neck, a thin narrow black elastic tattoo choker, its fine woven wire-mesh lattice hugging the skin smoothly, and from its bottom center a tiny silver cross pendant hangs flat and tight against her throat, tucked inside the collar area of the jumpsuit. The jumpsuit itself is shiny glossy orange leather, hanging open down the front, and beneath it the black PVC crop top catches the light with a fishnet underlayer visible at the neckline and midriff; the exposed navel carries a piercing with two small metal balls and a tiny dangling charm that swings with every stride. Every leather and PVC surface throws hard, tight, wet-looking highlights, and the fishnet grid sharpens and blurs as the fabric moves over her skin. The hallway runs deep behind them, pale walls, a scuffed linoleum floor with a low sheen, doors and a distant noticeboard reduced to soft shapes, everything sealed off by the three figures in the foreground. Harsh fluorescent tubes overhead throw flat, cool white light straight down, blanching the officers' uniforms and clipping the glossy highlights on the orange leather and black PVC into hard white streaks; the shadows fall small and sharp directly beneath each figure, and a faint magenta cast from the headphones leaks across the prisoner's shoulder. The palette is cold institutional white, grey and navy against the shot of orange leather, black PVC and pink hair, with the silver pendants, cuffs and shackles as the only reflective accents moving through the frame. Cinematic, glossy, quietly grim.
user-20479
AI artwork
u2
character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, ahoge, red eyes, red hairclip, x hair ornament, fake animal ears, glowing pink headphones, sad expression, head bowed, head turned, profile, blank stare, lowered lashes, walking forward, torso facing viewer, arms behind back, handcuffed, metal handcuffs, ankle shackles, heavy chains, being escorted, two female police officers, japanese police uniform, tactical vest, holding arms, tattoo choker, black choker, cross pendant, navel piercing, belly button, shiny orange jumpsuit, orange leather, open jumpsuit, black crop top, pvc, fishnet shirt, underlayer, glossy texture, leather reflections, harsh fluorescent lighting, bright lighting, cinematic lighting, three-quarter shot, medium-close framing, eye level, cell shading, high-quality anime art style, dynamic accessories, swaying charm, police precinct hallway, bright hallway Eye-level three-quarter shot, medium-close framing, in a brightly lit police precinct hallway: the subject walks straight toward the camera, her body and torso squared directly forward, her shoulders level and steady mid-stride. Her head is sharply turned and bowed sideways, sunk toward one shoulder in full profile, so the camera sees her jawline, the downward sweep of her blunt bangs and one red eye cast down and away from everything; the other eye is hidden by the turn of her face. Her long multicolored pink and black hair falls in heavy two-tone sections past her shoulders, an ahoge springing from the crown, the red hairclip and X-shaped hair ornament pinned into the pink side, the fake animal ears set among the strands, and the glowing pink headphones seated on her head, their rim light spilling a soft magenta glow onto the hair immediately around them. Her mouth is pressed flat, the corners pulled down, lashes low, and her brows drawn in a small helpless knot. Her arms are wrenched tightly behind her back, wrists locked in metal handcuffs, elbows bent and close together; heavy metal shackles ring her ankles, and the short chain between them drags and catches the light with each forward step, the links clinking tight and slack, tight and slack, in time with her stride. Two female police officers in Japanese police uniforms and dark tactical vests walk slightly behind her, one at each flank, each with one gloved hand clamped firmly over her cuffed forearms behind her back, pressing them down at hip height and never lifting them; their other hands hang at their sides. Both officers look forward past her toward the corridor ahead, one with her jaw set, the other's eyes flicked sideways to the prisoner's bowed head. Their uniform sleeves and vest straps sway with the walk, and the prisoner's shackled ankles force short, clipped steps. Around her neck, a thin narrow black elastic tattoo choker, its fine woven wire-mesh lattice hugging the skin smoothly, and from its bottom center a tiny silver cross pendant hangs flat and tight against her throat, tucked inside the collar area of the jumpsuit. The jumpsuit itself is shiny glossy orange leather, hanging open down the front, and beneath it the black PVC crop top catches the light with a fishnet underlayer visible at the neckline and midriff; the exposed navel carries a piercing with two small metal balls and a tiny dangling charm that swings with every stride. Every leather and PVC surface throws hard, tight, wet-looking highlights, and the fishnet grid sharpens and blurs as the fabric moves over her skin. The hallway runs deep behind them, pale walls, a scuffed linoleum floor with a low sheen, doors and a distant noticeboard reduced to soft shapes, everything sealed off by the three figures in the foreground. Harsh fluorescent tubes overhead throw flat, cool white light straight down, blanching the officers' uniforms and clipping the glossy highlights on the orange leather and black PVC into hard white streaks; the shadows fall small and sharp directly beneath each figure, and a faint magenta cast from the headphones leaks across the prisoner's shoulder. The palette is cold institutional white, grey and navy against the shot of orange leather, black PVC and pink hair, with the silver pendants, cuffs and shackles as the only reflective accents moving through the frame. Cinematic, glossy, quietly grim.
user-20479
AI artwork
s2
character: sengoku_yuno sengoku yuno, long multicolored pink and black hair, blunt bangs, red eyes, red hairclip, x hair ornament, fake animal ears, and glowing pink headphones on her head,, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward. Her body and torso face directly forward, while her head is turned to her left, looking to the right side of the frame in profile. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing a thin, tight black leather neck choker with a tiny miniature heart padlock and micro-chains tightly hugging only her neck skin, completely tucked inside the collar area, navel piercing with two small metal balls and a tiny dangling charm hanging in her belly button, a shiny glossy orange leather prison jumpsuit (open to show a black PVC crop top with fishnet underlayer underneath). Female officers wear Japanese police uniforms and tactical vests. Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, three-quarter shot, medium-close framing, eye level, dynamic physics on accessories, realistic swaying navel piercing charm
sebastian2026000

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