Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

sebastian2026000

More to See

Comments

character: souryuu_asuka_langley 3girls, souryuu_asuka_langley, long hair, orange hair, hair between eyes, blue eyes, sad expression, head bowed, looking down, walking forward, from behind, over-shoulder composition, cowboy shot, medium-close framing, eye level, arms handcuffed behind back, metal handcuffs, arms held down behind back, heavy metal ankle shackles, orange leather jumpsuit, glossy leather, shiny leather, prison jumpsuit, jumpsuit open at chest, black PVC crop top, fishnet underlayer, black tattoo choker with looping woven wire lattice pattern, choker tucked under collar, navel piercing, double ball navel piercing, dangling charm, midriff, two female police officers behind her, japanese police uniform, tactical vest, holding her cuffed arms, dynamic hair, harsh fluorescent lighting, bright precinct hallway, cinematic lighting, leather reflections, specular highlights, cel shading, high-quality anime art The camera sits behind and slightly above Asuka's right shoulder, at eye level, in a three-quarter shot cropped just below her hips: her cuffed hands, the officers' gripping hands and her shackled ankles are the foreground, while the fluorescent corridor recedes in one-point perspective ahead of her. Her back fills the left two-thirds of the frame. Her long orange hair falls loose past her shoulder blades, a few strands lifted by her forward stride and drifting across the top of the choker hidden inside the upturned collar of the orange leather jumpsuit. The glossy orange leather catches the overhead tubes in long, hard specular streaks down her spine, the shoulder seams and the seat of the jumpsuit, and its wet-look surface throws a faint orange bounce onto the front edges of the officers' tactical vests. The jumpsuit is unzipped and open wide at the back and sides enough to reveal the black PVC crop top and the fishnet mesh beneath it, both of which also throw wet highlights. Between the crop top's hem and the jumpsuit's waistband a strip of bare midriff is visible, with the metal navel piercing's two small balls and its tiny dangling charm swaying at the centre of it, the charm swinging backward with each step and glinting under the ceiling light. She walks forward with her head bowed, chin toward her chest and gaze fixed on the floor ahead, and her sad expression is read in the downward curve of her mouth and the lowered lashes visible where her cheek turns at the frame's edge. Her arms are pulled tightly behind her, both wrists locked in a single pair of rigid metal handcuffs so the forearms are stacked parallel and held low at the small of her back, never lifted. The two female officers flank her slightly behind: the one on the frame-left steps in close with her shoulder almost against Asuka's, and the one on the frame-right is a half-step back. Each officer grips one of Asuka's upper arms just above the elbow, fingers wrapped firmly around the sleeve of the jumpsuit and pressing the leather into shallow dimples, thumbs braced against the back of the arm, elbows bent and arms angled down so the cuffed hands stay low. Their navy Japanese police uniforms and bulky tactical vests are buttoned and webbed, their hair tied back, and their faces are turned toward Asuka rather than the camera, watching her. Their free hands hang at their sides or rest near their belts; their feet stride in step with hers. Heavy metal shackles ring each of Asuka's ankles, joined by a short chain that swings and clinks, and the shackles' steel shines against the corridor's pale vinyl floor. The hallway is a brightly lit police precinct corridor with a pale tiled floor, painted cinderblock walls, a strip of signage and a doorway receding in sharp one-point perspective toward a set of frosted-glass doors. Harsh overhead fluorescent tubes run in a continuous row down the ceiling, casting flat, hard light from above that sinks into the folds of the leather and pools in the deep recesses of the officers' vests. Their combined shadows fall forward and slightly to the right ahead of their feet on the floor. The palette is the orange of the jumpsuit and the wet black of PVC, fishnet and choker against the corridor's cold institutional off-white and institutional blue-grey, with the hard white of the lights as the only other colour. Quiet dread.
Show Parameters
Original Prompt
souryuu asuka langley, long hair, blue eyes, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward, head bowed. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing an prominently featuring a tight black tattoo choker with a looping, woven wire pattern.completely tucked inside the collar area, navel piercing with two small metal balls and a tiny dangling charm in her belly button, a shiny glossy orange leather prison jumpsuit (open to show a black PVC crop top with fishnet underlayer underneath). Female officers wear Japanese police uniforms and tactical vests.Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, three-quarter shot, medium-close framing, eye level, dynamic physics on accessories, realistic swaying navel piercing charm and necklace chains
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Similar Images

Show more
AI artwork
s2
character: souryuu_asuka_langley 3girls, souryuu_asuka_langley, long hair, orange hair, hair between eyes, blue eyes, sad expression, head bowed, looking down, walking forward, from behind, over-shoulder composition, cowboy shot, medium-close framing, eye level, arms handcuffed behind back, metal handcuffs, arms held down behind back, heavy metal ankle shackles, orange leather jumpsuit, glossy leather, shiny leather, prison jumpsuit, jumpsuit open at chest, black PVC crop top, fishnet underlayer, black tattoo choker with looping woven wire lattice pattern, choker tucked under collar, navel piercing, double ball navel piercing, dangling charm, midriff, two female police officers behind her, japanese police uniform, tactical vest, holding her cuffed arms, dynamic hair, harsh fluorescent lighting, bright precinct hallway, cinematic lighting, leather reflections, specular highlights, cel shading, high-quality anime art The camera sits behind and slightly above Asuka's right shoulder, at eye level, in a three-quarter shot cropped just below her hips: her cuffed hands, the officers' gripping hands and her shackled ankles are the foreground, while the fluorescent corridor recedes in one-point perspective ahead of her. Her back fills the left two-thirds of the frame. Her long orange hair falls loose past her shoulder blades, a few strands lifted by her forward stride and drifting across the top of the choker hidden inside the upturned collar of the orange leather jumpsuit. The glossy orange leather catches the overhead tubes in long, hard specular streaks down her spine, the shoulder seams and the seat of the jumpsuit, and its wet-look surface throws a faint orange bounce onto the front edges of the officers' tactical vests. The jumpsuit is unzipped and open wide at the back and sides enough to reveal the black PVC crop top and the fishnet mesh beneath it, both of which also throw wet highlights. Between the crop top's hem and the jumpsuit's waistband a strip of bare midriff is visible, with the metal navel piercing's two small balls and its tiny dangling charm swaying at the centre of it, the charm swinging backward with each step and glinting under the ceiling light. She walks forward with her head bowed, chin toward her chest and gaze fixed on the floor ahead, and her sad expression is read in the downward curve of her mouth and the lowered lashes visible where her cheek turns at the frame's edge. Her arms are pulled tightly behind her, both wrists locked in a single pair of rigid metal handcuffs so the forearms are stacked parallel and held low at the small of her back, never lifted. The two female officers flank her slightly behind: the one on the frame-left steps in close with her shoulder almost against Asuka's, and the one on the frame-right is a half-step back. Each officer grips one of Asuka's upper arms just above the elbow, fingers wrapped firmly around the sleeve of the jumpsuit and pressing the leather into shallow dimples, thumbs braced against the back of the arm, elbows bent and arms angled down so the cuffed hands stay low. Their navy Japanese police uniforms and bulky tactical vests are buttoned and webbed, their hair tied back, and their faces are turned toward Asuka rather than the camera, watching her. Their free hands hang at their sides or rest near their belts; their feet stride in step with hers. Heavy metal shackles ring each of Asuka's ankles, joined by a short chain that swings and clinks, and the shackles' steel shines against the corridor's pale vinyl floor. The hallway is a brightly lit police precinct corridor with a pale tiled floor, painted cinderblock walls, a strip of signage and a doorway receding in sharp one-point perspective toward a set of frosted-glass doors. Harsh overhead fluorescent tubes run in a continuous row down the ceiling, casting flat, hard light from above that sinks into the folds of the leather and pools in the deep recesses of the officers' vests. Their combined shadows fall forward and slightly to the right ahead of their feet on the floor. The palette is the orange of the jumpsuit and the wet black of PVC, fishnet and choker against the corridor's cold institutional off-white and institutional blue-grey, with the hard white of the lights as the only other colour. Quiet dread.
sebastian2026000
AI artwork
u2
character: souryuu_asuka_langley 3girls, souryuu_asuka_langley, long hair, orange hair, hair between eyes, blue eyes, sad expression, downcast eyes, furrowed brows, glossy orange leather prison jumpsuit, open jumpsuit, black pvc crop top, fishnet underlayer, midriff, navel, navel piercing, barbell piercing, dangling charm, tattoo choker, black choker, woven mesh choker, cross pendant, choker tucked under collar, handcuffs, cuffed behind back, arms behind back, metal ankle shackles, leg shackles, walking, walking forward, torso facing viewer, head turned sideways, head bowed, profile, female police officer, japanese police uniform, tactical vest, two police officers flanking, holding arms, guiding prisoner, walking slightly behind, escorting, police precinct, hallway, indoors, harsh fluorescent lighting, bright lighting, glossy, leather reflections, high contrast, cell shading, three-quarter shot, medium-close framing, eye level, dynamic accessories, swaying charm, cinematic Eye-level medium-close three-quarter shot in a brightly lit police precinct hallway, harsh fluorescent tube lights running in a receding line overhead and throwing flat white light down the corridor. In the center the tall girl with long orange hair and blue eyes walks directly forward, her torso and hips squared to the camera, the glossy orange leather jumpsuit catching hard specular streaks along its creases and shoulders. The jumpsuit hangs open down the front, revealing a black PVC crop top over a fishnet underlayer, the fishnet mesh visible against skin at the waist, and the navel piercing with two small metal balls and a tiny charm swinging on its ring at her belly button. Around her neck the thin black elastic tattoo choker, an open woven wire lattice pattern, sits snug; a small silver cross hangs from its bottom center, pressed to the throat and tucked down inside the collar of the jumpsuit. Her head is sharply turned and bowed to the side, showing her face in strict profile, brow pinched, lips pressed, a sad and hollowed look downward at the floor. Behind her back her forearms are locked together in steel handcuffs, wrists pulled in tight. Two female police officers in navy Japanese police uniforms with tactical vests walk half a step behind on either side; each grips one of the girl's cuffed forearms and presses it down behind her back, keeping the arms low, elbows close to her spine, shoulders forced back with the effort. Their faces are determined, eyes fixed forward and on the girl's wrists, not on the camera. At her ankles heavy metal shackles weigh on the cuffs, a short chain dragging near the tile, the links dull against the bright hallway. The corridor floor is pale polished tile with a hard reflection of the fluorescent ceiling lights and a soft reflection of the orange leather. Cool white fluorescent light from above, ambient fill bouncing off pale walls, no dramatic shadows, everything flat and clinical but glossy. The camera holds the three figures at eye level, the hallway vanishing behind them with a perspiring sense of institutional pressure.
user-20479
AI artwork
u2
character: souryuu_asuka_langley 3girls, souryuu_asuka_langley, long hair, orange hair, hair between eyes, blue eyes, sad expression, downcast eyes, furrowed brows, glossy orange leather prison jumpsuit, open jumpsuit, black pvc crop top, fishnet underlayer, midriff, navel, navel piercing, barbell piercing, dangling charm, tattoo choker, black choker, woven mesh choker, cross pendant, choker tucked under collar, handcuffs, cuffed behind back, arms behind back, metal ankle shackles, leg shackles, walking, walking forward, torso facing viewer, head turned sideways, head bowed, profile, female police officer, japanese police uniform, tactical vest, two police officers flanking, holding arms, guiding prisoner, walking slightly behind, escorting, police precinct, hallway, indoors, harsh fluorescent lighting, bright lighting, glossy, leather reflections, high contrast, cell shading, three-quarter shot, medium-close framing, eye level, dynamic accessories, swaying charm, cinematic Eye-level medium-close three-quarter shot in a brightly lit police precinct hallway, harsh fluorescent tube lights running in a receding line overhead and throwing flat white light down the corridor. In the center the tall girl with long orange hair and blue eyes walks directly forward, her torso and hips squared to the camera, the glossy orange leather jumpsuit catching hard specular streaks along its creases and shoulders. The jumpsuit hangs open down the front, revealing a black PVC crop top over a fishnet underlayer, the fishnet mesh visible against skin at the waist, and the navel piercing with two small metal balls and a tiny charm swinging on its ring at her belly button. Around her neck the thin black elastic tattoo choker, an open woven wire lattice pattern, sits snug; a small silver cross hangs from its bottom center, pressed to the throat and tucked down inside the collar of the jumpsuit. Her head is sharply turned and bowed to the side, showing her face in strict profile, brow pinched, lips pressed, a sad and hollowed look downward at the floor. Behind her back her forearms are locked together in steel handcuffs, wrists pulled in tight. Two female police officers in navy Japanese police uniforms with tactical vests walk half a step behind on either side; each grips one of the girl's cuffed forearms and presses it down behind her back, keeping the arms low, elbows close to her spine, shoulders forced back with the effort. Their faces are determined, eyes fixed forward and on the girl's wrists, not on the camera. At her ankles heavy metal shackles weigh on the cuffs, a short chain dragging near the tile, the links dull against the bright hallway. The corridor floor is pale polished tile with a hard reflection of the fluorescent ceiling lights and a soft reflection of the orange leather. Cool white fluorescent light from above, ambient fill bouncing off pale walls, no dramatic shadows, everything flat and clinical but glossy. The camera holds the three figures at eye level, the hallway vanishing behind them with a perspiring sense of institutional pressure.
user-20479
AI artwork
u2
character: souryuu_asuka_langley 3girls, souryuu_asuka_langley, long hair, orange hair, hair between eyes, blue eyes, sad expression, downcast eyes, furrowed brows, glossy orange leather prison jumpsuit, open jumpsuit, black pvc crop top, fishnet underlayer, midriff, navel, navel piercing, barbell piercing, dangling charm, tattoo choker, black choker, woven mesh choker, cross pendant, choker tucked under collar, handcuffs, cuffed behind back, arms behind back, metal ankle shackles, leg shackles, walking, walking forward, torso facing viewer, head turned sideways, head bowed, profile, female police officer, japanese police uniform, tactical vest, two police officers flanking, holding arms, guiding prisoner, walking slightly behind, escorting, police precinct, hallway, indoors, harsh fluorescent lighting, bright lighting, glossy, leather reflections, high contrast, cell shading, three-quarter shot, medium-close framing, eye level, dynamic accessories, swaying charm, cinematic Eye-level medium-close three-quarter shot in a brightly lit police precinct hallway, harsh fluorescent tube lights running in a receding line overhead and throwing flat white light down the corridor. In the center the tall girl with long orange hair and blue eyes walks directly forward, her torso and hips squared to the camera, the glossy orange leather jumpsuit catching hard specular streaks along its creases and shoulders. The jumpsuit hangs open down the front, revealing a black PVC crop top over a fishnet underlayer, the fishnet mesh visible against skin at the waist, and the navel piercing with two small metal balls and a tiny charm swinging on its ring at her belly button. Around her neck the thin black elastic tattoo choker, an open woven wire lattice pattern, sits snug; a small silver cross hangs from its bottom center, pressed to the throat and tucked down inside the collar of the jumpsuit. Her head is sharply turned and bowed to the side, showing her face in strict profile, brow pinched, lips pressed, a sad and hollowed look downward at the floor. Behind her back her forearms are locked together in steel handcuffs, wrists pulled in tight. Two female police officers in navy Japanese police uniforms with tactical vests walk half a step behind on either side; each grips one of the girl's cuffed forearms and presses it down behind her back, keeping the arms low, elbows close to her spine, shoulders forced back with the effort. Their faces are determined, eyes fixed forward and on the girl's wrists, not on the camera. At her ankles heavy metal shackles weigh on the cuffs, a short chain dragging near the tile, the links dull against the bright hallway. The corridor floor is pale polished tile with a hard reflection of the fluorescent ceiling lights and a soft reflection of the orange leather. Cool white fluorescent light from above, ambient fill bouncing off pale walls, no dramatic shadows, everything flat and clinical but glossy. The camera holds the three figures at eye level, the hallway vanishing behind them with a perspiring sense of institutional pressure.
user-20479

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬