Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

AI artwork
Generate New ArtworkGenerate for FreeGenerate for Free

Batlancas C

bc
avatar-frame

Batlancas C

More to See

Comments

sky only, no landscape, no characters, sunset, cloudy sky, gradient sky, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, dramatic sky, backlit clouds, sunbeams, crepuscular rays, wide shot, from below, anime screencap, anime coloring, detailed lineart A pure sky fills the entire frame edge to edge, no horizon line, no land, no figures — the camera tilted slightly upward as if standing in open air after a storm has just broken, so the whole image is atmosphere and nothing else. The composition is stacked in layers of depth: low in the frame a dense bank of rain-dark storm clouds recedes, their undersides deep slate-violet where the storm has not yet finished, their edges torn and ragged; above and behind them a second, looser layer of clouds breaks apart, and through those gaps the setting sun pours out in long shafts of light — crepuscular rays fanning downward and to the right, the beams visibly hazing the wet air between the cloud masses, brightest at each aperture and dissolving into soft gold as they spread. The sun itself sits just behind a mid-frame cloud shelf near the right third, so it is never a bare disc but a hot core bleeding through the cloud edge, the clouds directly around it rimmed in molten white-gold while their far sides drop to shadow. The sky is a full vertical gradient: warm yolk-yellow and pale gold at the lower where the light concentrates, rising through apricot and vivid orange, into a wide band of rose and coral pink through the middle, cooling at the very top edge into soft violet-magenta and a last trace of after-storm blue. Cloud color follows the light: every surface facing the sun glows yellow-orange and every surface turned away holds pink-violet shadow, so the same cloud carries both a lit rim and a cool belly. The rain has just stopped, and the evidence is in the air — a faint luminous mist clings in the gaps between cloud banks, the beams have soft volumetric edges rather than hard shafts, and a thin translucent veil of falling rain still trails from one distant cloud at the upper left, catching the light as fine luminous streaks. The lowest cloud layer is soft, wet, and slightly blurred with atmospheric haze, while the high broken clouds have crisper, finely drawn edges. Palette is exactly yellow, orange and pink with violet only in the storm shadows — nothing else admitted. Anime screencap rendering: clean cel-flat color planes inside crisply drawn cloud contours, detailed lineart defining each cloud's curl and edge, gradient banding handled in smooth painted steps as a background artist would paint it, no photographic texture and no grain. Quiet, luminous, cleansed.
Show Parameters
Original Prompt
sunset, sunlight showing between clouds, anime artstyke, anime coloring, anime screencap, after rain, after storm, detailed lineart, cloudy sky, sky only, gradient sky, yellow orange and pink gradient sunset,
Mode
flash
Size
1888 x 1056
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.30k

Similar Images

Show more
AI artwork
bc
sky only, no humans, no ground, no horizon line, from below, looking up, sunset, after rain, after storm, sunlight breaking through clouds, cloudy sky, gradient sky, yellow orange and pink gradient sunset, detailed lineart, anime coloring, anime screencap, wide shot, cloudscape, cumulonimbus, stratocumulus, backlighting, rim light, god rays, crepuscular rays, sunbeams, sun low behind cloud bank, broken cloud cover, wet air haze, luminous gradient, warm light, cool shadow, pink clouds, orange clouds, yellow glow, violet underside, high detail clouds, atmospheric perspective, The whole frame is sky and nothing else: the camera lies on its back and looks straight up, so no ground, no rooftop, no treeline and no figure ever enters the rectangle — only cloud from edge to edge, tilted so the deepest part of the storm recedes toward the upper left and the clearing opens toward the lower right. A heavy bank of cumulonimbus still occupies the upper half, its body a bruised violet-grey with a warm dusty rose along the tops where the last light grazes it; the underbellies are dark, and the rain has only just stopped, so their edges are soft and smeared rather than crisp. Below and across the middle, torn stratocumulus is breaking apart into separate ragged sheets with clear air showing between them, and those gaps are where the sunset lives: a graded wash running yellow at the low warm edge through orange into pink, deepening to a cooler lilac where the cloud thins. The low sun sits behind the thickest remaining mass at the lower right; distinct shafts of light push through the ragged holes above it and fan upward and outward in slanted cones, brightest and narrowest at the gaps and dissolving into haze as they travel, and each shaft is visibly three-dimensional, with a lit near face and a shadowed far side. Where a shaft crosses a cloud edge it lights that edge in gold and leaves the cloud's body in shade; the light never comes from nowhere and every bright patch has a hole above it to explain it. Thin veils of leftover rain-haze still drift in the middle distance, so the far cloud tops are paler and lower in contrast than the near torn edges, and one small detached cloud fragment glows far brighter than anything around it because it is thin enough to be lit from behind — the whole sky turning on that one translucency. Colour is disciplined to three notes and their shadow versions: yellow, orange, pink, with violet-grey reserved strictly for shadowed cloud bodies; no green, no blue sky, no black. Lineart is fine and detailed, drawing thousands of small scalloped cloud contours and curling edge fronds, and colour sits under that linework in clean anime screencap shading — flat cel planes for the shadowed masses, soft gradients inside the lit ones, crisp highlight bands along the sun-facing rims. Quiet, lifting after-storm calm.
Batlancas C
AI artwork
bc
sky only, no humans, landscape, cloudy sky, gradient sky, sunset, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, from below, pov, wide shot, looking up, sunbeams, backlighting, dramatic sky, detailed lineart, anime screencap, anime coloring, 8k The whole frame is sky and nothing else -- no ground, no horizon line, no rooftops, no birds, no figures -- a POV shot from below, as if the viewer has tipped their head all the way back and is looking straight up into the tail end of a storm. The composition is built in depth layers of cloud rather than in distance: a low ragged deck of dark slate-grey storm remnants crowds the outer edges of the frame, torn into long streaked tatters that thin and break toward the centre; behind and above it a second, higher, softer layer of cloud opens into a wide irregular clearing. Through that clearing the sunset shows as a vertical gradient read from the top of the frame downward -- deep rose-pink at the highest clouds fading through warm coral and apricot into a saturated orange, then into a broad band of molten yellow-gold where the sun sits just behind the torn edge of the storm deck. The sun itself is hidden; its light spills out between the cloud gaps as several distinct shafts, each one a hard-edged bright wedge stretching up and outward from the gap, the beams widening as they climb and fading into the pink. Every beam lands only where a gap permits: the cloud edges facing the sun are rimmed in hot gold, while their undersides and the thick storm masses at the corners stay in deep blue-grey shadow, so the bright areas are explained entirely by the openings between clouds and the darkness sits in the thickest cloud, never in the sky. Directly under the glowing cloud edges the vapor is thin and luminous and the pink deepens overhead. The after-storm evidence is in the texture of the sky: the cloud faces are still heavy and waterlogged, the gradient band behind them is washed clean and high-contrast, and near the thickest remaining clouds a faint, dim secondary bow of refracted light arcs across the upper right, its colours soft and translucent and its brightness unmistakably weaker than the sunset behind it -- the revealer that makes the just-passed rain visible. The beams catch on the residual haze, so each shaft has a soft luminous body rather than a hard line. The colour discipline is strict: yellow, orange and pink in the lit cloud and the gradient band; slate blue-grey and desaturated violet only in the storm remnants and their shadowed undersides; nothing else admitted. Lineart is crisp and detailed along the cloud rims, with the flat cel-shaded colour blocking of an animation screencap and smooth airbrushed gradations inside each band. High resolution and clean edge quality throughout. Serene, quietly exhilarating.
Batlancas C

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile